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Author: Josh Graves Publisher: University of Illinois Press ISBN: 0252094735 Category : Biography & Autobiography Languages : en Pages : 179
Book Description
A pivotal member of the hugely successful bluegrass band Flatt and Scruggs and the Foggy Mountain Boys, Dobro pioneer Josh Graves (1927-2006) was a living link between bluegrass music and the blues. In Bluegrass Bluesman, this influential performer shares the story of his lifelong career in music. In lively anecdotes, Graves describes his upbringing in East Tennessee and the climate in which bluegrass music emerged during the 1940s. Deeply influenced by the blues, he adapted Earl Scruggs's revolutionary banjo style to the Dobro resonator slide guitar and gave the Foggy Mountain Boys their distinctive sound. Graves' accounts of daily life on the road through the 1950s and 1960s reveal the band's dedication to musical excellence, Scruggs' leadership, and an often grueling life on the road. He also comments on his later career when he played in Lester Flatt's Nashville Grass and the Earl Scruggs Revue and collaborated with the likes of Boz Scaggs, Charlie McCoy, Kenny Baker, Eddie Adcock, Jesse McReynolds, Marty Stuart, Jerry Douglas, Alison Krauss, and his three musical sons. A colorful storyteller, Graves brings to life the world of an American troubadour and the mountain culture that he never left behind. Born in Tellico Plains, Tennessee, Josh Graves (1927-2006) is universally acknowledged as the father of the bluegrass Dobro. In 1997 he was inducted into the Bluegrass Hall of Fame.
Author: Josh Graves Publisher: University of Illinois Press ISBN: 0252094735 Category : Biography & Autobiography Languages : en Pages : 179
Book Description
A pivotal member of the hugely successful bluegrass band Flatt and Scruggs and the Foggy Mountain Boys, Dobro pioneer Josh Graves (1927-2006) was a living link between bluegrass music and the blues. In Bluegrass Bluesman, this influential performer shares the story of his lifelong career in music. In lively anecdotes, Graves describes his upbringing in East Tennessee and the climate in which bluegrass music emerged during the 1940s. Deeply influenced by the blues, he adapted Earl Scruggs's revolutionary banjo style to the Dobro resonator slide guitar and gave the Foggy Mountain Boys their distinctive sound. Graves' accounts of daily life on the road through the 1950s and 1960s reveal the band's dedication to musical excellence, Scruggs' leadership, and an often grueling life on the road. He also comments on his later career when he played in Lester Flatt's Nashville Grass and the Earl Scruggs Revue and collaborated with the likes of Boz Scaggs, Charlie McCoy, Kenny Baker, Eddie Adcock, Jesse McReynolds, Marty Stuart, Jerry Douglas, Alison Krauss, and his three musical sons. A colorful storyteller, Graves brings to life the world of an American troubadour and the mountain culture that he never left behind. Born in Tellico Plains, Tennessee, Josh Graves (1927-2006) is universally acknowledged as the father of the bluegrass Dobro. In 1997 he was inducted into the Bluegrass Hall of Fame.
Author: Mark Zwonitzer Publisher: Simon and Schuster ISBN: 1439127441 Category : Biography & Autobiography Languages : en Pages : 434
Book Description
The first major biography of the Carter Family, the musical pioneers who almost single-handedly created the sounds and traditions that grew into modern folk, country, and bluegrass music. Meticulously researched and lovingly written, it is a look at a world and a culture that, rather than passing, has continued to exist in the music that is the legacy of the Carters—songs that have shaped and influenced generations of artists who have followed them. Brilliant in insight and execution, Will You Miss Me When I'm Gone? is also an in-depth study of A.P., Sara, and Maybelle Carter, and their bittersweet story of love and fulfillment, sadness and loss. The result is more than just a biography of a family; it is also a journey into another time, almost another world, and theirs is a story that resonates today and lives on in the timeless music they created.
Author: Frye Gaillard Publisher: NewSouth Books ISBN: 1588381609 Category : Music Languages : en Pages : 216
Book Description
Originally published in 1978, Watermelon Wine received honest, unsentimental examination of the compassion as well as the passion behind authentic country music. A quarter-century later, the essays in the book seem prophetic, and in many cases have become even more relevant. Author Frye Gaillard looked at the commercialization of the Grand Ole Opry; the tradition-minded rebels such as Hank Williams, Waylon Jennings, and Tompall Glaser; the growing divide between country and folk music; how Johnny Cash inspired new songwriters and new ideas; how the changing relationships between men and women affected the music; the role of God and gospel; and Southern rock's increasing influence. A new introduction by Nashville music journalist Peter Cooper and a new afterword by the author update the book's themes and show what has happened to its personalities. Gaillard and Cooper have also collaborated to include a Listener's Guide to the best CDs by the artists featured in the book.
Author: Robert B Winans Publisher: University of Illinois Press ISBN: 0252050649 Category : Music Languages : en Pages : 490
Book Description
The story of the banjo's journey from Africa to the western hemisphere blends music, history, and a union of cultures. In Banjo Roots and Branches, Robert B. Winans presents cutting-edge scholarship that covers the instrument's West African origins and its adaptations and circulation in the Caribbean and United States. The contributors provide detailed ethnographic and technical research on gourd lutes and ekonting in Africa and the banza in Haiti while also investigating tuning practices and regional playing styles. Other essays place the instrument within the context of slavery, tell the stories of black banjoists, and shed light on the banjo's introduction into the African- and Anglo-American folk milieus. Wide-ranging and illustrated with twenty color images, Banjo Roots and Branches offers a wealth of new information to scholars of African American and folk musics as well as the worldwide community of banjo aficionados. Contributors: Greg C. Adams, Nick Bamber, Jim Dalton, George R. Gibson, Chuck Levy, Shlomo Pestcoe, Pete Ross, Tony Thomas, Saskia Willaert, and Robert B. Winans.
Author: Greg Kot Publisher: Simon and Schuster ISBN: 1451647875 Category : Biography & Autobiography Languages : en Pages : 336
Book Description
“A biography that will send readers back to the music of Mavis and the Staple Singers with deepened appreciation and a renewed spirit of discovery” (Kirkus Reviews, starred review)—from the acclaimed music journalist and author featured prominently in the new HBO documentary Mavis! This is the untold story of living legend Mavis Staples—lead singer of the Staple Singers and a major figure in the music that shaped the civil rights era. One of the most enduring artists of popular music, Mavis and her talented family fused gospel, soul, folk, and rock to transcend racism and oppression through song. Honing her prodigious talent on the Southern gospel circuit of the 1950s, Mavis and the Staple Singers went on to sell more than 30 million records, with message-oriented soul music that became a soundtrack to the civil rights movement—inspiring Martin Luther King, Jr. himself. Critically acclaimed biographer and Chicago Tribune music critic Greg Kot cuts to the heart of Mavis Staples’s music, revealing the intimate stories of her sixty-year career. From her love affair with Bob Dylan, to her creative collaborations with Prince, to her recent revival alongside Wilco’s Jeff Tweedy, this definitive account shows Mavis as you’ve never seen her before. I’ll Take You There was written with the complete cooperation of Mavis and her family. Readers will also hear from Prince, Bonnie Raitt, David Byrne, and many others whose lives have been influenced by Mavis’s talent. Filled with never-before-told stories, this fascinating biography illuminates a legendary singer and group during a historic period of change in America. “Ultimately, Kot depicts the endurance of Mavis Staples and her family’s music as an inspiration, a saga that takes us, like the song that inspired this book’s name, to a place where ain’t nobody crying” (The Washington Post).
Author: Ed Gerhard Publisher: Alfred Music Publishing ISBN: 9780757920110 Category : Music Languages : en Pages : 76
Book Description
Guitar arrangements transcribed by the artists themselves, in standard notation and tab. Each edition includes a masterclass-style CD in which the artist walks you through the key aspects and techniques for each arrangement. Ten of Ed Gerhard's most beautiful solo guitar pieces transcribed in full notation and tablature. On the accompanying master class-style CD, Ed carefully describes and demonstrates all the key passages for each song. Titles are: Blue Highway * Crow * Duet * Farther Along * Homage * Promised Land * Shallow Brown * Si Bhig, Si Mhor * The Water Is Wide * Wild Mountain Thyme.
Author: Neil V. Rosenberg Publisher: University of Illinois Press ISBN: 9780252072451 Category : Music Languages : en Pages : 516
Book Description
The twentieth anniversary paperback edition, updated with a new preface Winner of the International Bluegrass Music Association Distinguished Achievement Award and of the Country Music People Critics' Choice Award for Favorite Country Book of the Year Beginning with the musical cultures of the American South in the 1920s and 1930s, Bluegrass: A History traces the genre through its pivotal developments during the era of Bill Monroe and his Blue Grass Boys in the forties. It describes early bluegrass's role in postwar country music, its trials following the appearance of rock and roll, its embracing by the folk music revival, and the invention of bluegrass festivals in the mid_sixties. Neil V. Rosenberg details the transformation of this genre into a self-sustaining musical industry in the seventies and eighties is detailed and, in a supplementary preface written especially for this new edition, he surveys developments in the bluegrass world during the last twenty years. Featuring an amazingly extensive bibliography, discography, notes, and index, this book is one of the most complete and thoroughly researched books on bluegrass ever written.
Author: Tom Ewing Publisher: University of Illinois Press ISBN: 0252050584 Category : Biography & Autobiography Languages : en Pages : 572
Book Description
From cradle to great, the comprehensive real story of Bill Monroe The Father of Bluegrass Music, Bill Monroe was a major star of the Grand Ole Opry for over fifty years; a member of the Country Music, Songwriters, and Rock and Roll Halls of Fame; and a legendary figure in American music. This authoritative biography sets out to examine his life in careful detail--to move beyond hearsay and sensationalism to explain how and why he accomplished so much. Former Blue Grass Boy and longtime music journalist Tom Ewing draws on hundreds of interviews, his personal relationship with Monroe, and an immense personal archive of materials to separate the truth from longstanding myth. Ewing tells the story of the Monroe family's musical household and Bill's early career in the Monroe Brothers duo. He brings to life Monroe's 1940s heyday with the Classic Bluegrass Band, the renewed fervor for his music sparked by the folk revival of the 1960s, and his declining fortunes in the years that followed. Throughout, Ewing deftly captures Monroe's relationships and the personalities of an ever-shifting roster of band members while shedding light on his business dealings and his pioneering work with Bean Blossom and other music festivals. Filled with a wealth of previously unknown details, Bill Monroe offers even the most devoted fan a deeper understanding of Monroe's towering achievements and timeless music.
Author: Stacy Phillips Publisher: ISBN: 9780786692040 Category : Guitar music Languages : en Pages : 0
Book Description
This book is an excellent study of the history and unique musical stylings of the Hawaiian guitar. Stacy Phillips successfully pinpoints the characteristics of Hawaiian guitar solos. A special feature is the inclusion of a superb historical survey of Hawaiian music. Written in tablature only, G tuning. DeWitt Scott comments: There are two types of Hawaiian music, the 'authentic' style and the 'tourist' style. Stacy is presenting the 'authentic' style and this is much needed to keep the Hawaiian music alive. Includes access to online audio.
Author: Jane Gregory Publisher: ISBN: 9780998829029 Category : American poetry Languages : en Pages : 0
Book Description
Poetry. Jane Gregory's mystifying second collection, YEAH NO, begins with a "Knock knock," inviting the reader into a realmwhere "Everything is a pattern / of yesses and no." Within these pages we find Gregory constructing a multivalent world--ripe with struggle, prophecy, and, by the end, a resemblance of hope. Using her highly-tuned sensibility throughout, Gregory guides us through the anxieties of this journey by inventing new and enigmatic forms filled with sonic experimentation and polyphony. YEAH NO builds upon the singular vision found within her previous collection, MY ENEMIES, and continues her elegant and challenging address to poetry. "At the beginning it feels almost awkward (as well as anguished). Written in poems that are accretions containing both language that's constantly questioned and a more subtle, subterranean lyricism: 'the bower made of agitation' seems to be the form, and the book seems to be about being agitated by different impulses. Suddenly, more than mid-way, everything comes together into a new tone, and what was hesitance. is a method. 'I am against achievement,' Jane Gregory says in obvious and thrilling mastery of poetic form. She really takes over then. and the reader's pleasure is acute. This is a terrific book to go through."--Alice Notley "To take the relentless work of sensing/making/relating/judging/desiring/suffering/trying ('What? // Yes. and little else') and wrest it via language into bombs of awful hope and gorgeous despair just is poetry's job, and in YEAH NO Jane Gregory makes it fully and spectacularly hers. 'Thank what is clear / for the grimness,' she writes, 'what the future's retrojection bore a hole right through.' Gregory's taut and particular rigor is a contagion (read: corrective) that I dearly want to spread across the present tense. Take note of what happens to your heart--I mean the organ, 'tenderer. tenderer now'--as you read this mighty book."--Anna Moschovakis
Author: Josh Graves
Author: Josh Graves
Author: Mark Zwonitzer
Author: Frye Gaillard
Author: Robert B Winans
Author: Greg Kot
Author: Ed Gerhard
Author: Neil V. Rosenberg
Author: Tom Ewing
Author: Stacy Phillips
Author: Jane Gregory