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Author: Edward Larrissy Publisher: Edinburgh University Press ISBN: 0748632018 Category : Literary Criticism Languages : en Pages : 240
Book Description
In the first full-length literary-historical study of its subject, Edward Larrissy examines the philosophical and literary background to representations of blindness and the blind in the Romantic period. In detailed studies of literary works he goes on to show how the topic is central to an understanding of British and Irish Romantic literature. While he considers the influence of Milton and the 'Ossian' poems, as well as of philosophers, including Locke, Diderot, Berkeley and Thomas Reid, much of the book is taken up with new readings of writers of the period. These include canonical authors such as Blake, Wordsworth, Scott, Byron, Keats and Percy and Mary Shelley, as well as less well-known writers such as Charlotte Brooke and Ann Batten Cristall. There is also a chapter on the popular genre of improving tales for children by writers such as Barbara Hofland and Mary Sherwood. Larrissy finds that, despite the nostalgia for a bardic age of inward vision, the chief emphasis in the period is on the compensations of enhanced sensitivity to music and words. This compensation becomes associated with the loss and gain involved in the modernity of a post-bardic age. Representations of blindness and the blind are found to elucidate a tension at the heart of the Romantic period, between the desire for immediacy of vision on the one hand and, on the other, the historical self-consciousness which always attends it.
Author: Edward Larrissy Publisher: Edinburgh University Press ISBN: 0748632018 Category : Literary Criticism Languages : en Pages : 240
Book Description
In the first full-length literary-historical study of its subject, Edward Larrissy examines the philosophical and literary background to representations of blindness and the blind in the Romantic period. In detailed studies of literary works he goes on to show how the topic is central to an understanding of British and Irish Romantic literature. While he considers the influence of Milton and the 'Ossian' poems, as well as of philosophers, including Locke, Diderot, Berkeley and Thomas Reid, much of the book is taken up with new readings of writers of the period. These include canonical authors such as Blake, Wordsworth, Scott, Byron, Keats and Percy and Mary Shelley, as well as less well-known writers such as Charlotte Brooke and Ann Batten Cristall. There is also a chapter on the popular genre of improving tales for children by writers such as Barbara Hofland and Mary Sherwood. Larrissy finds that, despite the nostalgia for a bardic age of inward vision, the chief emphasis in the period is on the compensations of enhanced sensitivity to music and words. This compensation becomes associated with the loss and gain involved in the modernity of a post-bardic age. Representations of blindness and the blind are found to elucidate a tension at the heart of the Romantic period, between the desire for immediacy of vision on the one hand and, on the other, the historical self-consciousness which always attends it.
Author: Heather Tilley Publisher: Cambridge University Press ISBN: 1107194210 Category : Literary Criticism Languages : en Pages : 297
Book Description
In this innovative and important study, Heather Tilley examines the huge shifts that took place in the experience and conceptualisation of blindness during the nineteenth century, and demonstrates how new writing technologies for blind people had transformative effects on literary culture. Considering the ways in which visually-impaired people used textual means to shape their own identities, the book argues that blindness was also a significant trope through which writers reflected on the act of crafting literary form. Supported by an illuminating range of archival material (including unpublished letters from Wordsworth's circle, early ophthalmologic texts, embossed books, and autobiographies) this is a rich account of blind people's experience, and reveals the close, and often surprising personal engagement that canonical writers had with visual impairment. Drawing on the insights of disability studies and cultural phenomenology, Tilley highlights the importance of attending to embodied experience in the production and consumption of texts.
Author: Essaka Joshua Publisher: Cambridge University Press ISBN: 1108836704 Category : Literary Criticism Languages : en Pages : 319
Book Description
This book provides new period-appropriate concepts for understanding Romantic-era physical disability through function and aesthetics.
Author: Yimon Lo Publisher: Liverpool University Press ISBN: 1837646511 Category : Literary Criticism Languages : en Pages : 232
Book Description
In his Essay of 1815, Wordsworth asserts that ‘a pure and refined scheme of harmony’ must prevail in all ‘higher poetry’. This idea of a structured and complex form of ‘harmony’ was similarly noted earlier in The Prelude (1805), where Wordsworth famously claimed that the human mind is ‘framed even like the breath / And harmony of music’. Musical Wordsworth presents an original understanding of Wordsworthian harmony by examining an organised but dynamic sense of musicality that shapes his poetic theory and practice. This book is the first study to draw on music psychology and aesthetics to interpret the function and mechanism of Wordsworth’s aural structure and movement. Engaging with scholarship from the fields of literature and music, it defines Wordsworth’s poetry and the imagination through musical conceptions, and establishes various modes and forms of poetic listening as experiences of musical performance and appreciation. Each chapter explores a pair of musical abstractions – Lyricism and Musicality; Breath and Harmony; Repetition and Resonance; Expectation and Surprise; Rhythm and Dynamics; Rest and Silence. Musical Wordsworth will be of interest to students and researchers of Romantic poetry, long nineteenth-century literature, and music.
Author: Sarah McCleave Publisher: Routledge ISBN: 1351984152 Category : Literary Criticism Languages : en Pages : 381
Book Description
Written by internationally established scholars of Thomas Moore’s music, poetry, and prose writing, Thomas Moore and Romantic Inspiration is a collection of twelve essays and a timely response to significant new biographical, historiographical and editorial work on Moore. This collection reflects the rich variety of cutting-edge work being done on this significant and prolific figure. Sarah McCleave and Brian Caraher have contributed an introduction that positions Moore in his own time (1800-1850), addresses subsequent neglect in the twentieth century, and contextualises the contemporary re-evaluation of Thomas Moore as a figure of considerable interdisciplinary artistic and cultural significance. The contributions to this collection establish Moore’s importance in the fields of Neoclassical and Romantic lyricism, musical performance, song-writing, postcolonial criticism, Orientalism and biographical writing— as well as defining the significance of his voice as an engaged social and political commentator of a strongly cosmopolitan and pluralistic inclination.
Author: Selina Mills Publisher: Bloomsbury Publishing ISBN: 1350349739 Category : Biography & Autobiography Languages : en Pages : 289
Book Description
Imagine a world without sight. Is it dark and gloomy? Is it terrifying and isolating? Or is it simply a state of not seeing, which we have demonised and sentimentalized over the centuries? And why is blindness so frightening? In this fascinating historical adventure, Broadcaster and author Selina Mills takes us on a journey through the history of blindness in Western Culture to discover that blindness is not so dark after all. Inspired by her own experience of losing her sight as she forged a successful journalistic career, Life Unseen takes us through a personal and unsentimental historical quest through the lives, stories and achievements of blind people - as well as those sighted people who sought to patronize, demonize and fix them. From the blind poet Homer, through the myths and moralising of early medieval culture to the scientific and medical discoveries of the Enlightenment and modern times, the story of blindness turns out to be a story of our whole culture.
Author: L. Calè Publisher: Springer ISBN: 0230297390 Category : Literary Criticism Languages : en Pages : 240
Book Description
Paying attention to the historically specific dimensions of objects such as the photograph, the illustrated magazine and the collection, the contributors to this volume offer new ways of thinking about nineteenth-century practices of reading, viewing, and collecting, revealing new readings of Wordsworth, Shelley, James and Wilde, among others.
Author: Edward Larrissy Publisher: Cambridge University Press ISBN: 1107090660 Category : Literary Criticism Languages : en Pages : 311
Book Description
This Companion brings together sixteen essays that explore the full diversity of British poetry since the Second World War. Focusing on famous and neglected names alike, from Dylan Thomas to John Agard, leading scholars provide readers with insight into the ongoing importance and profundity of post-war poetry.
Author: Natalie Pollard Publisher: Edinburgh University Press ISBN: 0748669426 Category : Literary Criticism Languages : en Pages : 176
Book Description
The first book-length critical study of the contemporary British poet, Don Paterson Eight essays by leading literary critics and writers explore the social, historical and personal dimensions of Paterson's poetry and prose. Situating his work in dialogue with the classical, medieval, early modern, modernist and contemporary voices that inform it, the book considers Paterson as a figure actively negotiating his place within literary history and theory, as well as confronting that history with humour and directness.
Author: Fiona Price Publisher: Edinburgh University Press ISBN: 1474402976 Category : Literary Criticism Languages : en Pages : 249
Book Description
Redefines the British historical novel as a key site in the construction of British national identityThe British historical novel has often been defined in the terms set by Walter Scott's fiction, as a reflection on a clear break between past and present. Returning to the range of historical fiction written before Scott, Reinventing Liberty challenges this view by returning us to the rich range of historical novels written in the late eighteenth-century. It explores how these works participated in a contentious debate concerning political change and British national identity. Ranging across well-known writers, like William Godwin, Horace Walpole and Frances Burney, to lesser-known figures, such as Cornelia Ellis Knight and Jane Porter, Reinventing Liberty reveals how history becomes a site to rethink Britain as 'land of liberty' and it positions Scott in relation to this tradition.Key FeaturesRecovers the richness of the historical novel and history writing before Walter Scott, including the contribution of women writers to this debateExplores how historical fiction probes anxieties at the rise of commerce, the question of empire, and radical political changeRewrites our understanding of Scott and his relation to the earlier British historical novel
Author: Edward Larrissy
Author: Edward Larrissy
Author: Heather Tilley
Author: Essaka Joshua
Author: Yimon Lo
Author: Sarah McCleave
Author: Selina Mills
Author: L. Calè
Author: Edward Larrissy
Author: Natalie Pollard
Author: Fiona Price