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Author: Brian Wallis Publisher: MIT Press (MA) ISBN: Category : Art Languages : en Pages : 478
Book Description
Blasted Allegories is the first comprehensive collection of writing by contemporary artists, making available the best and most representative examples from the past ten years, an era marked by such pluralism and eclecticism that the voice of the artist may be the clearest one to listen to.
Author: Brian Wallis Publisher: MIT Press (MA) ISBN: Category : Art Languages : en Pages : 478
Book Description
Blasted Allegories is the first comprehensive collection of writing by contemporary artists, making available the best and most representative examples from the past ten years, an era marked by such pluralism and eclecticism that the voice of the artist may be the clearest one to listen to.
Author: Beatrix Ruf Publisher: Jrp Ringier ISBN: 9783905829402 Category : Art, Modern Languages : de Pages : 0
Book Description
One of the most important contemporary art collections in Switzerland, the Ringier Collection is presented here through a selection of more than 400 works from artists ranging from John Baldessari (from whom the title of this book has been borrowed), Richard Prince, and Fischli / Weiss, to Urs Fischer, Rodney Graham, Karen Kilimnik, and Trisha Donnelly. Organised as a visual essay rather than an exhaustive account of the last two decades, the publication attempts to map the contemporary art scene by following alternative as well as mainstream currents. Edited by Beatrix Ruf, Director of Kunsthalle Zürich and Curator of the Collection, the book gathers together statements on different topics particularly relevant to understanding the present contexts of a scene whose main debates are often overshadowed by its globalised and market-driven aspects. English and German text.
Author: Heather McGuire Publisher: ISBN: Category : Allegory Languages : en Pages :
Book Description
John Baldessari's Blasted Allegories (1977-1978) represent a concerted reconsideration of the most active and critical pursuits of the 1960s and '70s, including structuralism, post-structuralism, systems-based art, constraint-based approaches to composition, chance, and allegory. Thirty-five of the sixty-some Blasted Allegories are designated here as "later" works in the series because they share formal and structural characteristics; they present arrangements of colored photographs on neutral matte board. Although the later Blasted Allegories initially appear as colorful sentences, the close readings undertaken in this dissertation reveal that these pieces have been generated by the imposition of individual sets of constraints on a combinatorial system. In addition, many of these works appropriate structural models from cultural anthropologist Claude Lévi-Strauss, narratologist A.J. Greimas, and grammarian Noam Chomsky; even though they subsume the rules implied by these structural models, they undergo a post-structural critique wherein fixed relationships are destabilized by word play, homophones, rhyme, and the imposition of such additional operations as algorithms. This dissertation demonstrates how Baldessari solicits art as an experience of cognitive construction, pleasure, and protracted play with the possibilities of meaning. His crypto-narratives take readers along the cognitive spiral theorized by psychologist Jean Piaget that begin with sensory perceptions, expand into operational understandings of these works as products of a combinatory system, and can be built into logical and mathematical apprehensions of the resultant texts. Like many of the embedded models, Piaget's spiral is counterbalanced in this series by the conflation of vying cultural models into a cacophony of signification. Baldessari's texts play with readers' proclivities to search for meaning. The artist solicits protracted interactions from viewer/readers, who are able to discern multiple, simultaneous readings and thus relinquish an ensconced approach toward art as a synthesis of embedded cultural models. Baldessari's series engages conceptions of allegory as a procedure, a condition of the text, and a hedge against reductive, overarching interpretations. Working in a Duchampian vein, Baldessari posits the components of new syntaxes for art that return readers to these pieces, where variable interactions between readers and these heteroglossic texts ressemble open systems that can unsettle artist-imposed significations.
Author: Hilde van Gelder Publisher: Leuven University Press ISBN: 9058676641 Category : Photography Languages : en Pages : 207
Book Description
Lieven Gevaert Series 7Does photography have a hybrid or chameleonic character because it can be part of entirely different mixed-media works of art? Photography as a medium is faced with the challenge of escaping from its too-frequent use as rather noncommittal and "poetic" visual imagery. How best might photographers proceed to maintain the integrity of their art? A distinguished group of art historians, art theorists, and specialists in contemporary photography address these issues in Photography between Poetry and Politics. They suggest that by raising a critical debate on the internal workings of the artistic system itself or on broader social problems, photographers might be able to transcend both political and aesthetic concerns, and so revitalize their art form and regain its autonomy.
Author: Peter J Holliday Publisher: Oxford University Press ISBN: 019090108X Category : Art Languages : en Pages : 289
Book Description
Power, Image, and Memory examines how leaders and societies have used works of art commemorating historical events to shape collective memory. Through iconic artworks over centuries and across the globe, it explores the power of art to affirm cultural identities and thereby mold social groups and nations.
Author: Howard Singerman Publisher: MIT Press ISBN: 0262038587 Category : Art Languages : en Pages : 239
Book Description
Texts—including essays, reviews, and statements by the artist—on the work of Sherrie Levine. The artist Sherrie Levine (b. 1947) is best known for her appropriations of work by other artists—most famously for her rephotographs of canonical images by Edward Weston, Eliot Porter, and other masters of modern photography. Since those works of the early 1980s, she has continued to work on and “after” artists whose names have come to define modernism, making sculpture after Brancusi and Duchamp, paintings after Malevich and Blinky Palermo, watercolors after Matisse and Miro, photographs after Monet and Cezanne as well as Alfred Stieglitz. Throughout, Levine's practice effectively uncompleted, decentered, and extended works of art that were once singular and finished, posing critical rebuttals to some of the basic assumptions of modernist aesthetics. Her work was central to the theorization of postmodernism in the visual arts—most notably as it emerged in the pages of October magazine. It challenged authorial sovereignty and aesthetic autonomy and invited readings that opened onto gender, history, and the economic and discursive processes of the art world. This collection gathers writings on Levine from art magazines, exhibition catalogs, and academic journals, spanning much of her career. The volume begins with texts by Douglas Crimp, Rosalind Krauss, and Craig Owens that situate Levine in postmodernist discourse and link her early work to October. The essays that follow draw on these first critical forays and complicate them, at once deepening and resisting them, as Levine's own work has done. All the essays attempt to understand the relationship between Levine and the artists she cites and the objects that she recasts. In these pages, Levine's oddly doubled works appear as chimeras, taxidermy, fandom, pratfalls, even Poussin's Blind Orion. Contributors Michel Assenmaker, Douglas Crimp, Erich Franz, Catherine Ingraham, David Joselit, Susan Kandel, Rosalind Krauss, Sylvia Lavin, Sherrie Levine, Maria Loh, Stephen Melville, Craig Owens, Howard Singerman
Author: Brian Wallis
Author: Brian Wallis
Author: Beatrix Ruf
Author: 
Author: Millicent Bell
Author: Heather McGuire
Author: Hilde van Gelder
Author: Ron Graziani
Author: William Cranston Lawton
Author: Peter J Holliday
Author: Howard Singerman