Author: Publisher:
ISBN:
Category : Scotland
Languages : en
Pages : 1252
Book Description
Blackwood's Edinburgh Magazine
Author: Blackwood's Edinburgh Magazine, The Metropolitan, and The Foreign Quarterly Review
Author: The Athenaeum
Author: Catalogue of Books
Author: Howell, Edward, firm, booksellers, LiverpoolPublisher:
ISBN:
Category :
Languages : en
Pages : 340
Book Description
Athenaeum and Literary Chronicle
Author: James Silk BuckinghamPublisher:
ISBN:
Category :
Languages : en
Pages : 864
Book Description
The Field of Blood
Author: Joanne B. FreemanPublisher: Farrar, Straus and Giroux
ISBN: 0374717613
Category : Political Science
Languages : en
Pages : 309
Book Description
"One of the best history books I've read in the last few years." —Chris Hayes The Field of Blood recounts the previously untold story of the violence in Congress that helped spark the Civil War. A NEW YORK TIMES NOTABLE BOOK OF THE YEAR AN NPR BEST BOOK OF THE YEAR ONE OF SMITHSONIAN'S BEST HISTORY BOOKS OF THE YEAR Historian Joanne B. Freeman recovers the long-lost story of physical violence on the floor of the U.S. Congress. Drawing on an extraordinary range of sources, she shows that the Capitol was rife with conflict in the decades before the Civil War. Legislative sessions were often punctuated by mortal threats, canings, flipped desks, and all-out slugfests. When debate broke down, congressmen drew pistols and waved Bowie knives. One representative even killed another in a duel. Many were beaten and bullied in an attempt to intimidate them into compliance, particularly on the issue of slavery. These fights didn’t happen in a vacuum. Freeman’s dramatic accounts of brawls and thrashings tell a larger story of how fisticuffs and journalism, and the powerful emotions they elicited, raised tensions between North and South and led toward war. In the process, she brings the antebellum Congress to life, revealing its rough realities—the feel, sense, and sound of it—as well as its nation-shaping import. Funny, tragic, and rivetingly told, The Field of Blood offers a front-row view of congressional mayhem and sheds new light on the careers of John Quincy Adams, Henry Clay, and other luminaries, as well as introducing a host of lesser-known but no less fascinating men. The result is a fresh understanding of the workings of American democracy and the bonds of Union on the eve of their greatest peril.
The Athenæum
Author: Suffering and Sentiment in Romantic Military Art
Author: Philip ShawPublisher: Routledge
ISBN: 1351547453
Category : Art
Languages : en
Pages : 261
Book Description
In a moving intervention into Romantic-era depictions of the dead and wounded, Philip Shaw's timely study directs our gaze to the neglected figure of the common soldier. How suffering and sentiment were portrayed in a variety of visual and verbal media is Shaw's particular concern, as he examines a wide range of print and visual media, from paintings to sketches to political prose and anti-war poetry, and from writings on culture and aesthetics to graphic satires and early photographs. Whilst classical portraiture and history painting certainly conspired with official ideologies to deflect attention from the true costs of war, other works of art, literary as well as visual, proffered representations that countered the view that suffering on and off the battlefield is noble or heroic. Shaw uncovers a history of changing attitudes towards suffering, from mid-eighteenth century ambivalence to late eighteenth- and early nineteenth-century concepts of moral sentiment. Thus, Shaw's story is one of how images of death and wounding facilitated and queried these shifts in the perception of war, qualifying as well as consolidating ideas of individual and national unanimity. Informed by readings of the letters and journals of serving soldiers, surgeons' notebooks and sketches, and the writings of peace and war agitators, Shaw's study shows how an attention to the depiction of suffering and the development of 'liberal' sentiment enables a reconfiguring of historical and theoretical notions of the body as a site of pain and as a locus of violent national imaginings.
Salamanca, 1812
Author: Rory MuirPublisher: Yale University Press
ISBN: 0300177151
Category : History
Languages : en
Pages : 294
Book Description
July 22, 1812. Salamanca, Spain. Frustrated at their first advance, British forces under Wellington’s command have spent the last four days maneuvering and retreating from the French army. Patient and cautious, Wellington is determined not to make a fatal mistake. He glimpses a moment of opportunity and grasps it, committing all of his troops to a sudden devastating attack. At the end of the day, the French army is broken, panic-stricken, and reeling; Wellington has achieved the finest victory of his brilliant military career. This book examines in unprecedented detail the battle of Salamanca, a critical British victory that proved crushing to French pride and morale in the Peninsular War (1808-1814). Focusing on the day of the battle, award-winning author Rory Muir conveys the experience of ordinary soldiers on both sides, dissects each phase of the fighting, and explores the crucial decisions each commander made. Muir employs wide-ranging British and French sources—many unpublished or obscure—to reconstruct every aspect of the battle. Having walked the battlefield itself, a site which remains today much as it was in 1812, he relates the ebb and flow of the battle with particular vividness. Muir also discusses in separate commentary sections his sources of information and explains how he has dealt with the inevitable contradictions and gaps in evidence that emerged during his research. Complete with maps, battleground plans, and other illustrations, this compelling book focuses long overdue attention on a single day in Salamanca that changed European history. Rory Muir is visiting research fellow in the department of history, University of Adelaide. His previous books include Tactics and the Experience of Battle in the Age of Napoleon and Britain and the Defeat of Napoleon, 1807-1815, both published by Yale University Press. !--caption: Charles Hamilton Smith, Ensign with colour, 9th foot. National Army Museum.--
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