Author: Various
Publisher: Litres
ISBN: 5043102772
Category : Education
Languages : en
Pages : 307
Book Description
Blackwood's Edinburgh Magazine, Volume 68, No. 417, July, 1850
Author: Various
Publisher: Litres
ISBN: 5043102772
Category : Education
Languages : en
Pages : 307
Book Description
Publisher: Litres
ISBN: 5043102772
Category : Education
Languages : en
Pages : 307
Book Description
Blackwood's Edinburgh Magazine, Vol. 68, No 420, October 1850
Author: Various
Publisher: Litres
ISBN: 5043102586
Category : Education
Languages : en
Pages : 339
Book Description
Publisher: Litres
ISBN: 5043102586
Category : Education
Languages : en
Pages : 339
Book Description
Blackwood's Edinburgh Magazine, Volume 68, No. 421, November 1850
Author: Various
Publisher: Litres
ISBN: 504310368X
Category : Education
Languages : en
Pages : 353
Book Description
Publisher: Litres
ISBN: 504310368X
Category : Education
Languages : en
Pages : 353
Book Description
Blackwood's Edinburgh Magazine, Vol. 68, No 422, December 1850
Author: Various
Publisher: Litres
ISBN: 5043101997
Category : Education
Languages : en
Pages : 339
Book Description
Publisher: Litres
ISBN: 5043101997
Category : Education
Languages : en
Pages : 339
Book Description
Blackwood's Edinburgh Magazine
Blackwood's Edinburgh Magazine, Volume 59, No. 368, June 1846
Author: Various
Publisher: Litres
ISBN: 5043102640
Category : Education
Languages : en
Pages : 351
Book Description
Publisher: Litres
ISBN: 5043102640
Category : Education
Languages : en
Pages : 351
Book Description
Transfiguration
Author: Stephen Cheeke
Publisher: Oxford University Press
ISBN: 0198757204
Category : Art
Languages : en
Pages : 252
Book Description
Transfiguration explores the work of John Ruskin, Robert Browning, Dante Gabriel Rossetti, and Walter Pater, treating in particular the ways in which they engaged with the Christian content of their subject, and, in Pater's case, how the art of Christianity was contrasted with classical sculpture. Stephen Cheeke examines two related phenomena: idolatry (a false substitution, a sexual betrayal), and the poetics of transfiguration (to elevate or glorify subject matter not thought of as conventionally poetic, to praise). Central to the book is the question of the "translation" of religion into art and aesthetics, a process which supposedly undergirds the advent of the museum age and makes possible the idea of a 'religion of art' as a phenomenon of late century Aestheticism. Such a phenomenon is prepared for, however, through the engagement with Christian painting and classical sculpture in the work of these four writers. All four thought carefully about the ways in which a particular mimetic impulse of 'making-live' in artworks could be connected to religious experience. This meant exploring the nature of the link between seeing and believing--visualising in order to conceive, to verify, but also in the sense of being acted upon by the visible. All four wrote about the great power of artworks to transfigure the objects of their attention. In each case, there emerges the possibility of a secret sexual knowledge hiding within, or lying on the other side of the sensuous knowledge of aesthesis. All four wondered whether this was inherently hostile to Christianity, or whether it may, finally, be an accommodation within it.
Publisher: Oxford University Press
ISBN: 0198757204
Category : Art
Languages : en
Pages : 252
Book Description
Transfiguration explores the work of John Ruskin, Robert Browning, Dante Gabriel Rossetti, and Walter Pater, treating in particular the ways in which they engaged with the Christian content of their subject, and, in Pater's case, how the art of Christianity was contrasted with classical sculpture. Stephen Cheeke examines two related phenomena: idolatry (a false substitution, a sexual betrayal), and the poetics of transfiguration (to elevate or glorify subject matter not thought of as conventionally poetic, to praise). Central to the book is the question of the "translation" of religion into art and aesthetics, a process which supposedly undergirds the advent of the museum age and makes possible the idea of a 'religion of art' as a phenomenon of late century Aestheticism. Such a phenomenon is prepared for, however, through the engagement with Christian painting and classical sculpture in the work of these four writers. All four thought carefully about the ways in which a particular mimetic impulse of 'making-live' in artworks could be connected to religious experience. This meant exploring the nature of the link between seeing and believing--visualising in order to conceive, to verify, but also in the sense of being acted upon by the visible. All four wrote about the great power of artworks to transfigure the objects of their attention. In each case, there emerges the possibility of a secret sexual knowledge hiding within, or lying on the other side of the sensuous knowledge of aesthesis. All four wondered whether this was inherently hostile to Christianity, or whether it may, finally, be an accommodation within it.
The Formation of the Victorian Literary Profession
Author: Richard Salmon
Publisher: Cambridge University Press
ISBN: 1107435277
Category : Literary Criticism
Languages : en
Pages : 303
Book Description
Richard Salmon provides an original account of the formation of the literary profession during the late Romantic and early Victorian periods. Focusing on the representation of authors in narrative and iconographic texts, including novels, biographies, sketches and portrait galleries, Salmon traces the emergence of authorship as a new form of professional identity from the 1820s to the 1850s. Many first-generation Victorian writers, including Carlyle, Dickens, Thackeray, Martineau and Barrett-Browning, contributed to contemporary debates on the 'Dignity of Literature', professional heroism, and the cultural visibility of the 'man of letters'. This study combines a broad mapping of the early Victorian literary field with detailed readings of major texts. The book argues that the key model of professional development within this period is embodied in the narrative form of literary apprenticeship, which inspired such celebrated works as David Copperfield and Aurora Leigh, and that its formative process is the 'disenchantment of the author'.
Publisher: Cambridge University Press
ISBN: 1107435277
Category : Literary Criticism
Languages : en
Pages : 303
Book Description
Richard Salmon provides an original account of the formation of the literary profession during the late Romantic and early Victorian periods. Focusing on the representation of authors in narrative and iconographic texts, including novels, biographies, sketches and portrait galleries, Salmon traces the emergence of authorship as a new form of professional identity from the 1820s to the 1850s. Many first-generation Victorian writers, including Carlyle, Dickens, Thackeray, Martineau and Barrett-Browning, contributed to contemporary debates on the 'Dignity of Literature', professional heroism, and the cultural visibility of the 'man of letters'. This study combines a broad mapping of the early Victorian literary field with detailed readings of major texts. The book argues that the key model of professional development within this period is embodied in the narrative form of literary apprenticeship, which inspired such celebrated works as David Copperfield and Aurora Leigh, and that its formative process is the 'disenchantment of the author'.
Victorian Women's Fiction
Author: Shirley Foster
Publisher: Routledge
ISBN: 0415524113
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
Annotation Focusing on the ways in which female novelists have challenged contemporary assumptions about their own sex, this book's critical interest in women's fiction shows how 19th century women writers confront the conflict between the pressures of matrimonial ideologies and alternative of single or professional life.
Publisher: Routledge
ISBN: 0415524113
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
Annotation Focusing on the ways in which female novelists have challenged contemporary assumptions about their own sex, this book's critical interest in women's fiction shows how 19th century women writers confront the conflict between the pressures of matrimonial ideologies and alternative of single or professional life.
Catalogue of Books in the Lending Library
Author: Edinburgh (Scotland). Public Library
Publisher:
ISBN:
Category : Dictionary catalogs
Languages : en
Pages : 564
Book Description
Publisher:
ISBN:
Category : Dictionary catalogs
Languages : en
Pages : 564
Book Description