Author: Various
Publisher: Litres
ISBN: 5041786496
Category : Education
Languages : en
Pages : 343
Book Description
Blackwood's Edinburgh Magazine, Volume 62, No. 382, August 1847
Author: Various
Publisher: Litres
ISBN: 5041786496
Category : Education
Languages : en
Pages : 343
Book Description
Publisher: Litres
ISBN: 5041786496
Category : Education
Languages : en
Pages : 343
Book Description
The Wellesley Index to Victorian Periodicals, 1824-1900: Blackwood's Edinburgh magazine. The Contemporary review. The Cornhill magazine. The Edinburgh review (incl. 1802-1823). The Home and foreign review. Macmillan's magazine. The North British review. The Quarterly review
Author: Walter Edwards Houghton
Publisher:
ISBN:
Category : English periodicals
Languages : en
Pages : 1228
Book Description
Publisher:
ISBN:
Category : English periodicals
Languages : en
Pages : 1228
Book Description
Litteratura Coleopterologica (1758-1900)
Author: Yves Bousquet
Publisher:
ISBN: 9789546428172
Category : Beetles
Languages : en
Pages : 776
Book Description
"Bibliographic references to works pertaining to the taxonomy of Coleoptera published between 1758 and 1900 in the non-periodical literature are listed. Each reference includes the full name of the author, the year or range of years of the publication, the title in full, the publisher and place of publication, the pagination with the number of plates, and the size of the work. This information is followed by the date of publication found in the work itself, the dates found from external sources, and the libraries consulted for the work. Overall, more than 990 works published by 622 primary authors are listed. For each of these authors, a biographic notice (if information was available) is given along with the references consulted"--[p. 1].
Publisher:
ISBN: 9789546428172
Category : Beetles
Languages : en
Pages : 776
Book Description
"Bibliographic references to works pertaining to the taxonomy of Coleoptera published between 1758 and 1900 in the non-periodical literature are listed. Each reference includes the full name of the author, the year or range of years of the publication, the title in full, the publisher and place of publication, the pagination with the number of plates, and the size of the work. This information is followed by the date of publication found in the work itself, the dates found from external sources, and the libraries consulted for the work. Overall, more than 990 works published by 622 primary authors are listed. For each of these authors, a biographic notice (if information was available) is given along with the references consulted"--[p. 1].
The Publishers' Circular and Booksellers' Record of British and Foreign Literature
Disciples of Light
Author: Graham Smith
Publisher: Getty Publications
ISBN: 0892361581
Category : Art
Languages : en
Pages : 173
Book Description
Disciples of Light contains almost two hundred of the earliest known English and Scottish photographs, most of which have never been published. The volume includes all the significant photographs in the album, compiled by Sir David Brewster, an important early patron of photography. Photographs by William Henry Fox Talbot, the inventor of negative-positive paper photography, are included, as well as works by other photographers who improved upon Talbot's invention. The text discusses the context in which the album was compiled, the personalities of the photographers, and the groups of specific images that it contains. Numerous comparative illustrations are included, as well as a checklist of all photographic images, a bibliography, and an index of all proper names and place names.
Publisher: Getty Publications
ISBN: 0892361581
Category : Art
Languages : en
Pages : 173
Book Description
Disciples of Light contains almost two hundred of the earliest known English and Scottish photographs, most of which have never been published. The volume includes all the significant photographs in the album, compiled by Sir David Brewster, an important early patron of photography. Photographs by William Henry Fox Talbot, the inventor of negative-positive paper photography, are included, as well as works by other photographers who improved upon Talbot's invention. The text discusses the context in which the album was compiled, the personalities of the photographers, and the groups of specific images that it contains. Numerous comparative illustrations are included, as well as a checklist of all photographic images, a bibliography, and an index of all proper names and place names.
The British Art Journal
Publishers' Circular and Booksellers' Record of British and Foreign Literature
David Wilkie
Author: Nicholas Tromans
Publisher: Edinburgh University Press
ISBN: 0748630848
Category : Art
Languages : en
Pages : 320
Book Description
This is the first modern book about the artist David Wilkie (1785-1841), the first British painter to become an international celebrity. Based on extensive original research, the book explores the ways in which Wilkie's images, so beloved by his contemporaries, engaged with a range of cultural predicaments close to their hearts. In a series of thematic chapters, whose concerns range far beyond the details of Wilkie's own career, Tromans shows how, through Wilkie's thrillingly original work, British society was able to reimagine its own everyday life, its history, and its multinational (Anglo-Scottish) nature. Other themes covered include Wilkie's roles in defining the border between painting and anatomy in the representation of the human body, and in transforming the pleasures of connoisseurship from an elite to a popular audience. For the first time, all of Wilkie's major subject pictures are brought together, reproduced and discussed. With a great range of new archival material and original interp
Publisher: Edinburgh University Press
ISBN: 0748630848
Category : Art
Languages : en
Pages : 320
Book Description
This is the first modern book about the artist David Wilkie (1785-1841), the first British painter to become an international celebrity. Based on extensive original research, the book explores the ways in which Wilkie's images, so beloved by his contemporaries, engaged with a range of cultural predicaments close to their hearts. In a series of thematic chapters, whose concerns range far beyond the details of Wilkie's own career, Tromans shows how, through Wilkie's thrillingly original work, British society was able to reimagine its own everyday life, its history, and its multinational (Anglo-Scottish) nature. Other themes covered include Wilkie's roles in defining the border between painting and anatomy in the representation of the human body, and in transforming the pleasures of connoisseurship from an elite to a popular audience. For the first time, all of Wilkie's major subject pictures are brought together, reproduced and discussed. With a great range of new archival material and original interp
The Publisher
Reading Fiction in Antebellum America
Author: James L. Machor
Publisher: JHU Press
ISBN: 0801899338
Category : Literary Criticism
Languages : en
Pages : 419
Book Description
James L. Machor offers a sweeping exploration of how American fiction was received in both public and private spheres in the United States before the Civil War. Machor takes four antebellum authors—Edgar Allan Poe, Herman Melville, Catharine Sedgwick, and Caroline Chesebro'—and analyzes how their works were published, received, and interpreted. Drawing on discussions found in book reviews and in private letters and diaries, Machor examines how middle-class readers of the time engaged with contemporary fiction and how fiction reading evolved as an interpretative practice in nineteenth-century America. Through careful analysis, Machor illuminates how the reading practices of nineteenth-century Americans shaped not only the experiences of these writers at the time but also the way the writers were received in the twentieth century. What Machor reveals is that these authors were received in ways strikingly different from how they are currently read, thereby shedding significant light on their present status in the literary canon in comparison to their critical and popular positions in their own time. Machor deftly combines response and reception criticism and theory with work in the history of reading to engage with groundbreaking scholarship in historical hermeneutics. In so doing, Machor takes us ever closer to understanding the particular and varying reading strategies of historical audiences and how they impacted authors’ conceptions of their own readership.
Publisher: JHU Press
ISBN: 0801899338
Category : Literary Criticism
Languages : en
Pages : 419
Book Description
James L. Machor offers a sweeping exploration of how American fiction was received in both public and private spheres in the United States before the Civil War. Machor takes four antebellum authors—Edgar Allan Poe, Herman Melville, Catharine Sedgwick, and Caroline Chesebro'—and analyzes how their works were published, received, and interpreted. Drawing on discussions found in book reviews and in private letters and diaries, Machor examines how middle-class readers of the time engaged with contemporary fiction and how fiction reading evolved as an interpretative practice in nineteenth-century America. Through careful analysis, Machor illuminates how the reading practices of nineteenth-century Americans shaped not only the experiences of these writers at the time but also the way the writers were received in the twentieth century. What Machor reveals is that these authors were received in ways strikingly different from how they are currently read, thereby shedding significant light on their present status in the literary canon in comparison to their critical and popular positions in their own time. Machor deftly combines response and reception criticism and theory with work in the history of reading to engage with groundbreaking scholarship in historical hermeneutics. In so doing, Machor takes us ever closer to understanding the particular and varying reading strategies of historical audiences and how they impacted authors’ conceptions of their own readership.