Blackjacked and Pistol-Whipped: A Crime Does Not Pay Primer PDF Download

Author: Bob Wood
Publisher: Dark Horse Comics
ISBN: 1621151565
Category : Comics & Graphic Novels
Languages : en
Pages : 228

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Book Description
Gangsters, kidnappers, maniacal killers, and thugs of all stripes had their lurid stories recounted in Crime Does Not Pay! Featuring thrilling, brutal tales and disturbing, despicable characters, Crime Does Not Pay enthralled a nation and was the most popular comic book of its time. The series was a favorite target of Dr. Fredric Wertham and other censors and is partially responsible for the creation of the Comics Code Authority—yet it was also an inspiration for Harvey Kurtzman's reality-based EC Comics. See why this series was both revered and reviled in this unique "best of" primer! * Crime Does Not Pay editor Bob Wood brutally murdered his girlfriend and was later murdered himself! This fascinating sidebar is detailed in an essay by cartoonist, historian, and co-editor Denis Kitchen. * Contains a selection of stories from across the series' run in the 1940s, a new cover, an illustrated essay, and an introduction. * All-new Crime-inspired cover by artist Pete Poplaski with colors by Bernie Mireault.

Author: Bob Wood
Publisher: Dark Horse
ISBN: 9781595822901
Category : Comics & Graphic Novels
Languages : en
Pages : 0

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Book Description
Gangsters, kidnappers, maniacal killers, and thugs of all stripes had their lurid stories recounted in Crime Does Not Pay! Featuring thrilling, brutal tales and disturbing, despicable characters, Crime Does Not Pay enthralled a nation and was the most popular comic book of its time. The series was a favorite target of Dr. Fredric Wertham and other censors and is partially responsible for the creation of the Comics Code Authority—yet it was also an inspiration for Harvey Kurtzman’s reality-based EC Comics. See why this series was both revered and reviled in this unique “best of” primer! * Crime Does Not Pay editor Bob Wood brutally murdered his girlfriend and was later murdered himself! This fascinating sidebar is detailed in an essay by cartoonist, historian, and co-editor Denis Kitchen. * Contains a selection of stories from across the series’ run in the 1940s, a new cover, an illustrated essay, and an introduction. * All-new Crime-inspired cover by artist Pete Poplaski with colors by Bernie Mireault.

Author: Peter Watts
Publisher: Macmillan
ISBN: 1429955198
Category : Fiction
Languages : en
Pages : 388

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Book Description
Hugo and Shirley Jackson award-winning Peter Watts stands on the cutting edge of hard SF with his acclaimed novel, Blindsight Two months since the stars fell... Two months of silence, while a world held its breath. Now some half-derelict space probe, sparking fitfully past Neptune's orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever's out there isn't talking to us. It's talking to some distant star, perhaps. Or perhaps to something closer, something en route. So who do you send to force introductions with unknown and unknowable alien intellect that doesn't wish to be met? You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound. You send a pacifist warrior in the faint hope she won't be needed. You send a monster to command them all, an extinct hominid predator once called vampire, recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist—an informational topologist with half his mind gone—as an interface between here and there. Pray they can be trusted with the fate of a world. They may be more alien than the thing they've been sent to find. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Author: Paul S. Hirsch
Publisher: University of Chicago Press
ISBN: 0226829464
Category : Comics & Graphic Novels
Languages : en
Pages : 346

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Book Description
Winner of the Popular Culture Association's Ray and Pat Browne Award for Best Book in Popular or American Culture In the 1940s and ’50s, comic books were some of the most popular—and most unfiltered—entertainment in the United States. Publishers sold hundreds of millions of copies a year of violent, racist, and luridly sexual comics to Americans of all ages until a 1954 Senate investigation led to a censorship code that nearly destroyed the industry. But this was far from the first time the US government actively involved itself with comics—it was simply the most dramatic manifestation of a long, strange relationship between high-level policy makers and a medium that even artists and writers often dismissed as a creative sewer. In Pulp Empire, Paul S. Hirsch uncovers the gripping untold story of how the US government both attacked and appropriated comic books to help wage World War II and the Cold War, promote official—and clandestine—foreign policy and deflect global critiques of American racism. As Hirsch details, during World War II—and the concurrent golden age of comic books—government agencies worked directly with comic book publishers to stoke hatred for the Axis powers while simultaneously attempting to dispel racial tensions at home. Later, as the Cold War defense industry ballooned—and as comic book sales reached historic heights—the government again turned to the medium, this time trying to win hearts and minds in the decolonizing world through cartoon propaganda. Hirsch’s groundbreaking research weaves together a wealth of previously classified material, including secret wartime records, official legislative documents, and caches of personal papers. His book explores the uneasy contradiction of how comics were both vital expressions of American freedom and unsettling glimpses into the national id—scourged and repressed on the one hand and deployed as official propaganda on the other. Pulp Empire is a riveting illumination of underexplored chapters in the histories of comic books, foreign policy, and race.

Author: Edward J. Fink
Publisher: Routledge
ISBN: 1135081220
Category : Performing Arts
Languages : en
Pages : 230

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Book Description
A successful screenplay starts with an understanding of the fundamentals of dramatic story structure. In this practical introduction, Edward J. Fink condenses centuries of writing about dramatic theory into ten concise and readable chapters, providing the tools for building an engaging narrative and turning it into an agent-ready script. Fink devotes chapters to expanding on the six basic elements of drama from Aristotle’s Poetics (plot, character, theme, dialogue, sound, and spectacle), the theory and structure of comedy, as well as the concepts of unity, metaphor, style, universality, and catharsis. Key terms and discussion questions encourage readers to think through the components of compelling stories and put them into practice, and script formatting guidelines ensure your finished product looks polished and professional. Dramatic Story Structure is an essential resource not only for aspiring screenwriters, but also for experienced practitioners in need of a refresher on the building blocks of storytelling.

Author: Harry Alverson Franck
Publisher:
ISBN:
Category : Panama Canal (Panama)
Languages : en
Pages : 338

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Book Description
Zone Policeman 88: A Close Range Study of the Panama Canal and Its Workers is a non-fiction book written by Harry A. Franck and published in 1913. Franck, a travel writer who had produced a highly successful 1910 travelogue, Vagabond Journey Around the World, took a position as a police officer in the Panama Canal Zone, reporting his experiences and observations in a book that proved, like his debut, popular.

Author: M. Keith Booker
Publisher: Bloomsbury Publishing USA
ISBN: 0313397511
Category : Social Science
Languages : en
Pages : 2104

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Book Description
Focusing especially on American comic books and graphic novels from the 1930s to the present, this massive four-volume work provides a colorful yet authoritative source on the entire history of the comics medium. Comics and graphic novels have recently become big business, serving as the inspiration for blockbuster Hollywood movies such as the Iron Man series of films and the hit television drama The Walking Dead. But comics have been popular throughout the 20th century despite the significant effects of the restrictions of the Comics Code in place from the 1950s through 1970s, which prohibited the depiction of zombies and use of the word "horror," among many other rules. Comics through Time: A History of Icons, Idols, and Ideas provides students and general readers a one-stop resource for researching topics, genres, works, and artists of comic books, comic strips, and graphic novels. The comprehensive and broad coverage of this set is organized chronologically by volume. Volume 1 covers 1960 and earlier; Volume 2 covers 1960–1980; Volume 3 covers 1980–1995; and Volume 4 covers 1995 to the present. The chronological divisions give readers a sense of the evolution of comics within the larger contexts of American culture and history. The alphabetically arranged entries in each volume address topics such as comics publishing, characters, imprints, genres, themes, titles, artists, writers, and more. While special attention is paid to American comics, the entries also include coverage of British, Japanese, and European comics that have influenced illustrated storytelling of the United States or are of special interest to American readers.

Author: Dale Jacobs
Publisher: Bloomsbury Publishing USA
ISBN: 0826444245
Category : Education
Languages : en
Pages : 240

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Book Description
With the recent explosion of activity and discussion surrounding comics, it seems timely to examine how we might think about the multiple ways in which comics are read and consumed. Graphic Encounters moves beyond seeing the reading of comics as a debased or simplified word-based literacy. Dale Jacobs argues compellingly that we should consider comics as multimodal texts in which meaning is created through linguistic, visual, audio, gestural, and spatial realms in order to achieve effects and meanings that would not be possible in either a strictly print or strictly visual text. Jacobs advances two key ideas: one, that reading comics involves a complex, multimodal literacy and, two, that by studying how comics are used to sponsor multimodal literacy, we can engage more deeply with the ways students encounter and use these and other multimodal texts. Looking at the history of how comics have been used (by churches, schools, and libraries among others) will help us, as literacy teachers, best use that knowledge within our curricula, even as we act as sponsors ourselves.

Author: Jeremy Dauber
Publisher: W. W. Norton & Company
ISBN: 0393635619
Category : History
Languages : en
Pages : 593

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Book Description
The sweeping story of cartoons, comic strips, and graphic novels and their hold on the American imagination. Comics have conquered America. From our multiplexes, where Marvel and DC movies reign supreme, to our television screens, where comics-based shows like The Walking Dead have become among the most popular in cable history, to convention halls, best-seller lists, Pulitzer Prize–winning titles, and MacArthur Fellowship recipients, comics shape American culture, in ways high and low, superficial, and deeply profound. In American Comics, Columbia professor Jeremy Dauber takes readers through their incredible but little-known history, starting with the Civil War and cartoonist Thomas Nast, creator of the lasting and iconic images of Uncle Sam and Santa Claus; the golden age of newspaper comic strips and the first great superhero boom; the moral panic of the Eisenhower era, the Marvel Comics revolution, and the underground comix movement of the 1960s and ’70s; and finally into the twenty-first century, taking in the grim and gritty Dark Knights and Watchmen alongside the brilliant rise of the graphic novel by acclaimed practitioners like Art Spiegelman and Alison Bechdel. Dauber’s story shows not only how comics have changed over the decades but how American politics and culture have changed them. Throughout, he describes the origins of beloved comics, champions neglected masterpieces, and argues that we can understand how America sees itself through whose stories comics tell. Striking and revelatory, American Comics is a rich chronicle of the last 150 years of American history through the lens of its comic strips, political cartoons, superheroes, graphic novels, and more. FEATURING… • American Splendor • Archie • The Avengers • Kyle Baker • Batman • C. C. Beck • Black Panther • Captain America • Roz Chast • Walt Disney • Will Eisner • Neil Gaiman • Bill Gaines • Bill Griffith • Harley Quinn • Jack Kirby • Denis Kitchen • Krazy Kat • Harvey Kurtzman • Stan Lee • Little Orphan Annie • Maus • Frank Miller • Alan Moore • Mutt and Jeff • Gary Panter • Peanuts • Dav Pilkey • Gail Simone • Spider-Man • Superman • Dick Tracy • Wonder Wart-Hog • Wonder Woman • The Yellow Kid • Zap Comix … AND MANY MORE OF YOUR FAVORITES!

Author: Alan Le May
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 217

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Book Description
DigiCat Publishing presents to you this special edition of "The Unforgiven" by Alan Le May. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.