Author: Adolf Hungrywolf
Publisher:
ISBN: 9780920698280
Category :
Languages : en
Pages :
Book Description
Blackfoot Craftworker's Handbook
Author: Adolf Hungrywolf
Publisher:
ISBN: 9780920698280
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9780920698280
Category :
Languages : en
Pages :
Book Description
Blackfoot craftworker's book
Blackfoot Craftworker's Book
Author: Adolf Hungry Wolf
Publisher: Book Publishing Company (TN)
ISBN: 9780913990803
Category : Crafts & Hobbies
Languages : en
Pages : 0
Book Description
The main purpose of this book is to encourage craftworkers among the divisions of Blackfoot Nation to learn the traditional styles of their own people's culture.
Publisher: Book Publishing Company (TN)
ISBN: 9780913990803
Category : Crafts & Hobbies
Languages : en
Pages : 0
Book Description
The main purpose of this book is to encourage craftworkers among the divisions of Blackfoot Nation to learn the traditional styles of their own people's culture.
Blackfoot Craftworker's Book
Author: Adolf Hungrywolf
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 0
Book Description
Pow-wow Dancer's and Craftworker's Handbook
Author: Adolf Hungrywolf
Publisher:
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 152
Book Description
This book is filled with photographs showing pow-wows and dance regalia over the past 100 years, accompanied by written histories and first-hand accounts. Numerous pen and ink drawings illustrate many of the items worn with pow-wow costumes, including ifnormation on how they are made. Dancers, craftworekrs and historians wills tudy these pages with a magnifying glass to learn more details about the American continent's pow-wows.
Publisher:
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 152
Book Description
This book is filled with photographs showing pow-wows and dance regalia over the past 100 years, accompanied by written histories and first-hand accounts. Numerous pen and ink drawings illustrate many of the items worn with pow-wow costumes, including ifnormation on how they are made. Dancers, craftworekrs and historians wills tudy these pages with a magnifying glass to learn more details about the American continent's pow-wows.
Blackfoot Craftwork's Book
Author: Adolf Hungry Wolf
Publisher: Hunt Press
ISBN: 1446500519
Category :
Languages : en
Pages : 80
Book Description
Publisher: Hunt Press
ISBN: 1446500519
Category :
Languages : en
Pages : 80
Book Description
Indian Sign Language
Author: William Tomkins
Publisher: Courier Corporation
ISBN: 0486130940
Category : History
Languages : en
Pages : 111
Book Description
Learn to communicate without words with these authentic signs. Learn over 525 signs, developed by the Sioux, Blackfoot, Cheyenne, Arapahoe, and others. Book also contains 290 pictographs of the Sioux and Ojibway tribes.
Publisher: Courier Corporation
ISBN: 0486130940
Category : History
Languages : en
Pages : 111
Book Description
Learn to communicate without words with these authentic signs. Learn over 525 signs, developed by the Sioux, Blackfoot, Cheyenne, Arapahoe, and others. Book also contains 290 pictographs of the Sioux and Ojibway tribes.
Handbook for Learning Blackfoot Language
Author:
Publisher:
ISBN: 9781989320136
Category : Siksika language
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9781989320136
Category : Siksika language
Languages : en
Pages :
Book Description
Indian Clothing of the Great Lakes, 1740-1840
Author: Sheryl Hartman
Publisher: Ogden, Utah : Eagle's View Publishing Company
ISBN:
Category : Design
Languages : en
Pages : 144
Book Description
Book covers all aspects of Indian Clothing and Adornment for an area that includes the Miami, Potawatomi, Ottawa, Chippewa, Kickapoo, Illini, Peoria, Shawnee, Delaware, Menominee, Sauk, Fox, Mascounten, Algonquin, Winnebago, Huron, Iowa and Eastern Sioux. With articles on finger weaving, ribbonwork and trade silver, this book will be usefull to anyone with interests in the culture and arts of the American Indian.
Publisher: Ogden, Utah : Eagle's View Publishing Company
ISBN:
Category : Design
Languages : en
Pages : 144
Book Description
Book covers all aspects of Indian Clothing and Adornment for an area that includes the Miami, Potawatomi, Ottawa, Chippewa, Kickapoo, Illini, Peoria, Shawnee, Delaware, Menominee, Sauk, Fox, Mascounten, Algonquin, Winnebago, Huron, Iowa and Eastern Sioux. With articles on finger weaving, ribbonwork and trade silver, this book will be usefull to anyone with interests in the culture and arts of the American Indian.
Visiting with the Ancestors
Author: Laura Peers
Publisher: Athabasca University Press
ISBN: 1771990376
Category : Art
Languages : en
Pages : 232
Book Description
In 2010, five magnificent Blackfoot shirts, now owned by the University of Oxford’s Pitt Rivers Museum, were brought to Alberta to be exhibited at the Glenbow Museum, in Calgary, and the Galt Museum, in Lethbridge. The shirts had not returned to Blackfoot territory since 1841, when officers of the Hudson’s Bay Company acquired them. The shirts were later transported to England, where they had remained ever since. Exhibiting the shirts at the museums was, however, only one part of the project undertaken by Laura Peers and Alison Brown. Prior to the installation of the exhibits, groups of Blackfoot people—hundreds altogether—participated in special “handling sessions,” in which they were able to touch the shirts and examine them up close. The shirts, some painted with mineral pigments and adorned with porcupine quillwork, others decorated with locks of human and horse hair, took the breath away of those who saw, smelled, and touched them. Long-dormant memories were awakened, and many of the participants described a powerful sense of connection and familiarity with the shirts, which still house the spirit of the ancestors who wore them. In the pages of this beautifully illustrated volume is the story of an effort to build a bridge between museums and source communities, in hopes of establishing stronger, more sustaining relationships between the two and spurring change in prevailing museum policies. Negotiating the tension between a museum’s institutional protocol and Blackfoot cultural protocol was challenging, but the experience described both by the authors and by Blackfoot contributors to the volume was transformative. Museums seek to preserve objects for posterity. This volume demonstrates that the emotional and spiritual power of objects does not vanish with the death of those who created them. For Blackfoot people today, these shirts are a living presence, one that evokes a sense of continuity and inspires pride in Blackfoot cultural heritage.
Publisher: Athabasca University Press
ISBN: 1771990376
Category : Art
Languages : en
Pages : 232
Book Description
In 2010, five magnificent Blackfoot shirts, now owned by the University of Oxford’s Pitt Rivers Museum, were brought to Alberta to be exhibited at the Glenbow Museum, in Calgary, and the Galt Museum, in Lethbridge. The shirts had not returned to Blackfoot territory since 1841, when officers of the Hudson’s Bay Company acquired them. The shirts were later transported to England, where they had remained ever since. Exhibiting the shirts at the museums was, however, only one part of the project undertaken by Laura Peers and Alison Brown. Prior to the installation of the exhibits, groups of Blackfoot people—hundreds altogether—participated in special “handling sessions,” in which they were able to touch the shirts and examine them up close. The shirts, some painted with mineral pigments and adorned with porcupine quillwork, others decorated with locks of human and horse hair, took the breath away of those who saw, smelled, and touched them. Long-dormant memories were awakened, and many of the participants described a powerful sense of connection and familiarity with the shirts, which still house the spirit of the ancestors who wore them. In the pages of this beautifully illustrated volume is the story of an effort to build a bridge between museums and source communities, in hopes of establishing stronger, more sustaining relationships between the two and spurring change in prevailing museum policies. Negotiating the tension between a museum’s institutional protocol and Blackfoot cultural protocol was challenging, but the experience described both by the authors and by Blackfoot contributors to the volume was transformative. Museums seek to preserve objects for posterity. This volume demonstrates that the emotional and spiritual power of objects does not vanish with the death of those who created them. For Blackfoot people today, these shirts are a living presence, one that evokes a sense of continuity and inspires pride in Blackfoot cultural heritage.