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Author: Keith Spencer Publisher: ISBN: Category : Languages : en Pages : 591
Book Description
This book is about one of the many children who grew up in the cold war era with activist parent who was determined to change the world through their children. This child was groomed for social changes joining into revolutionary, liberation discrimination. As the era of war, sex, drugs rock n roll, and fashion destroy many of these movements that racial tension became dormant but not forgotten. This child grew to confront all that he was taught to survive to never let your guard down to racism. Fifty-eight years later he moves into a Georgia Raisin in the Sun type neighborhood with talking windows watching every movement. What they couldn't see was that these two townhouses were the only two built without a fence of separation. He was an-elderly introverted white man, a defector from British Columbia Canada who crosses the border into the United State after serving in the RCAF(Royal Canadian Air Force). The music and entertainment that he had to sneak to listen as a teen on the radio. Would one day making the United States his home. Because he was a reclusive person no one ever got to know him. It was only until one delivery move of a computer and desk and the knowledge of the big band music bonded into a father and son relationship until death does it part, leaving a million to a Maintenance man in a intestates estate in which he is confronted by racist vultures who challenge knowledge versus wisdom. As he ventures on a journey to find his family to be entombed in the only historical cemetery that resides on a golf course( God Acres) making him one of the last of ten to be entombed before the gate close.
Author: Keith Spencer Publisher: ISBN: Category : Languages : en Pages : 591
Book Description
This book is about one of the many children who grew up in the cold war era with activist parent who was determined to change the world through their children. This child was groomed for social changes joining into revolutionary, liberation discrimination. As the era of war, sex, drugs rock n roll, and fashion destroy many of these movements that racial tension became dormant but not forgotten. This child grew to confront all that he was taught to survive to never let your guard down to racism. Fifty-eight years later he moves into a Georgia Raisin in the Sun type neighborhood with talking windows watching every movement. What they couldn't see was that these two townhouses were the only two built without a fence of separation. He was an-elderly introverted white man, a defector from British Columbia Canada who crosses the border into the United State after serving in the RCAF(Royal Canadian Air Force). The music and entertainment that he had to sneak to listen as a teen on the radio. Would one day making the United States his home. Because he was a reclusive person no one ever got to know him. It was only until one delivery move of a computer and desk and the knowledge of the big band music bonded into a father and son relationship until death does it part, leaving a million to a Maintenance man in a intestates estate in which he is confronted by racist vultures who challenge knowledge versus wisdom. As he ventures on a journey to find his family to be entombed in the only historical cemetery that resides on a golf course( God Acres) making him one of the last of ten to be entombed before the gate close.
Author: Michael Rogin Publisher: Univ of California Press ISBN: 9780520921054 Category : Religion Languages : en Pages : 364
Book Description
The tangled connections that have bound Jews to African Americans in popular culture and liberal politics are at the heart of Michael Rogin's arresting and unnerving book. Looking at films from Birth of a Nation to Forrest Gump, Rogin explores blackface in Hollywood films as an aperture to broader issues: the nature of "white" identity in America, the role of race in transforming immigrants into "Americans," the common experiences of Jews and African Americans that made Jews key supporters in the fight for racial equality, and the social importance of popular culture. Rogin's forcefully argued study challenges us to confront the harsh truths behind the popularity of racial masquerade.
Author: Ruby Hamad Publisher: Catapult ISBN: 194822674X Category : Social Science Languages : en Pages : 305
Book Description
Called “powerful and provocative" by Dr. Ibram X. Kendi, author of the New York Times bestselling How to be an Antiracist, this explosive book of history and cultural criticism reveals how white feminism has been used as a weapon of white supremacy and patriarchy deployed against Black and Indigenous women, and women of color. Taking us from the slave era, when white women fought in court to keep “ownership” of their slaves, through the centuries of colonialism, when they offered a soft face for brutal tactics, to the modern workplace, White Tears/Brown Scars tells a charged story of white women’s active participation in campaigns of oppression. It offers a long overdue validation of the experiences of women of color. Discussing subjects as varied as The Hunger Games, Alexandria Ocasio–Cortez, the viral BBQ Becky video, and 19th century lynchings of Mexicans in the American Southwest, Ruby Hamad undertakes a new investigation of gender and race. She shows how the division between innocent white women and racialized, sexualized women of color was created, and why this division is crucial to confront. Along the way, there are revelatory responses to questions like: Why are white men not troubled by sexual assault on women? (See Christine Blasey Ford.) With rigor and precision, Hamad builds a powerful argument about the legacy of white superiority that we are socialized within, a reality that we must apprehend in order to fight. "A stunning and thorough look at White womanhood that should be required reading for anyone who claims to be an intersectional feminist. Hamad’s controlled urgency makes the book an illuminating and poignant read. Hamad is a purveyor of such bold thinking, the only question is, are we ready to listen?" —Rosa Boshier, The Washington Post
Author: P. G. Wodehouse Publisher: W. W. Norton & Company ISBN: 0393346714 Category : Fiction Languages : en Pages : 240
Book Description
"P. G. Wodehouse wrote the best English comic novels of the century." —Sebastian Faulks Bertram Wooster’s interminable banjolele playing has driven Jeeves, his otherwise steadfast gentleman's gentleman, to give notice. The foppish aristocrat cannot survive for long without his Shakespeare-quoting and problem-solving valet, however, and after a narrowly escaped forced marriage, a cottage fire, and a great butter theft, the celebrated literary odd couple are happy to return to the way things were.
Author: Hari Kunzru Publisher: Vintage ISBN: 1101973218 Category : Fiction Languages : en Pages : 290
Book Description
A PEN/JEAN STEIN BOOK AWARD FINALIST ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post • San Francisco Chronicle • NPR • GQ • Time • The Economist • Slate • HuffPost • Book Riot Ghost story, murder mystery, love letter to American music--White Tears is all of this and more, a thrilling investigation of race and appropriation in society today. Seth is a shy, awkward twentysomething. Carter is more glamorous, the heir to a great American fortune. But they share an obsession with music--especially the blues. One day, Seth discovers that he's accidentally recorded an unknown blues singer in a park. Carter puts the file online, claiming it's a 1920s recording by a made-up musician named Charlie Shaw. But when a music collector tells them that their recording is genuine--that there really was a singer named Charlie Shaw--the two white boys, along with Carter's sister, find themselves in over their heads, delving deeper and deeper into America's dark, vengeful heart. White Tears is a literary thriller and a meditation on art--who owns it, who can consume it, and who profits from it.
Author: Justin Simien Publisher: Simon and Schuster ISBN: 1476798109 Category : Humor Languages : en Pages : 160
Book Description
*Now a Netflix Original Series* In the satirical tradition of the New York Times bestseller Stuff White People Like comes this witty companion book to the “incredibly entertaining” (Indiewire) film of the same name, which “heralds a fresh and funny new voice” (Variety). Right out of college, Justin Simien wrote a screenplay about the nuanced experiences of four black students on a predominantly white college campus. The film, Dear White People, garnered a Sundance Award for “Breakthrough Talent” and has been hailed by critics everywhere. Channeling the sensibility of the film into this book, Simien will keep you laughing with his humorous observations, even if you haven’t seen the satiric film. News Flash—the minimum number of black friends needed to not seem racist has just been raised to two. Rather than panic, readers are advised to purchase a copy of Dear White People. Whether you are a dear white person wondering why your black office mate is avoiding eye contact with you after you ran your fingers through her hair, or you’re a black nerd who has to break it to your white friends that you’ve never seen The Wire, this myth-busting, stereotype-diffusing guide to a post-Obama world has something for you! With decision-making trees to help you decide when it’s the right time to wear Blackface (hint: probably never) and quizzes to determine whether you’ve become the Token Black Friend™, Dear White People is the ultimate silly-yet-authoritative handbook to help the curious and confused navigate racial microaggressions in their daily lives. Based on the eponymous, award-winning film, which has been lauded as “a smart, hilarious satire,” this tongue-in-cheek guide is a must-have that anybody who is in semi-regular contact with black people can’t afford to miss!
Author: Dr Harriet J Manning Publisher: Ashgate Publishing, Ltd. ISBN: 1472402367 Category : Music Languages : en Pages : 322
Book Description
Blackface minstrelsy, the nineteenth-century performance practice in which ideas and images of blackness were constructed and theatricalized by and for whites, continues to permeate contemporary popular music and its audience. Harriet J. Manning argues that this legacy is nowhere more evident than with Michael Jackson in whom minstrelsy’s gestures and tropes are embedded. During the nineteenth century, blackface minstrelsy held together a multitude of meanings and when black entertainers took to the stage this complexity was compounded: minstrelsy became an arena in which black stereotypes were at once enforced and critiqued. This body of contradiction behind the blackface mask provides an effective approach to try and understand Jackson, a cultural figure about whom more questions than answers have been generated. Symbolized by his own whiteface mask, Jackson was at once ‘raced’ and raceless and this ambiguity allowed him to serve a whole host of others’ needs - a function of the mask that has run long and deep through its tortuous history. Indeed, Manning argues that minstrelsy’s assumptions and uses have been fundamental to the troubles and controversies with which Jackson was beset.
Author: Eternity Martis Publisher: McClelland & Stewart ISBN: 0771062206 Category : Biography & Autobiography Languages : en Pages : 257
Book Description
NATIONAL BESTSELLER Winner of the Rakuten Kobo Emerging Writer Prize for Nonfiction Nominated for the Evergreen Award A powerful, moving memoir about what it's like to be a student of colour on a predominantly white campus. A booksmart kid from Toronto, Eternity Martis was excited to move away to Western University for her undergraduate degree. But as one of the few Black students there, she soon discovered that the campus experiences she'd seen in movies were far more complex in reality. Over the next four years, Eternity learned more about what someone like her brought out in other people than she did about herself. She was confronted by white students in blackface at parties, dealt with being the only person of colour in class and was tokenized by her romantic partners. She heard racial slurs in bars, on the street, and during lectures. And she gathered labels she never asked for: Abuse survivor. Token. Bad feminist. But, by graduation, she found an unshakeable sense of self--and a support network of other women of colour. Using her award-winning reporting skills, Eternity connects her own experience to the systemic issues plaguing students today. It's a memoir of pain, but also resilience.
Author: Patrick Burke Publisher: University of Chicago Press ISBN: 022676821X Category : History Languages : en Pages : 246
Book Description
"Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
Author: Robert P. Jones Publisher: Simon and Schuster ISBN: 1982122870 Category : History Languages : en Pages : 336
Book Description
"WHITE TOO LONG draws on history, statistics, and memoir to urge that white Christians reckon with the racism of the past and the amnesia of the present to restore a Christian identity free of the taint of white supremacy"--
Author: Keith Spencer
Author: Keith Spencer
Author: Michael Rogin
Author: Ruby Hamad
Author: P. G. Wodehouse
Author: Hari Kunzru
Author: Justin Simien
Author: Dr Harriet J Manning
Author: Eternity Martis
Author: Patrick Burke
Author: Robert P. Jones