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Author: Johny Pitts Publisher: Penguin UK ISBN: 0141984732 Category : Social Science Languages : en Pages : 376
Book Description
Winner of the Jhalak Prize 'A revelation' Owen Jones 'Afropean seizes the blur of contradictions that have obscured Europe's relationship with blackness and paints it into something new, confident and lyrical' Afua Hirsch A Guardian, New Statesman and BBC History Magazine Best Book of 2019 'Afropean. Here was a space where blackness was taking part in shaping European identity ... A continent of Algerian flea markets, Surinamese shamanism, German Reggae and Moorish castles. Yes, all this was part of Europe too ... With my brown skin and my British passport - still a ticket into mainland Europe at the time of writing - I set out in search of the Afropeans, on a cold October morning.' Afropean is an on-the-ground documentary of areas where Europeans of African descent are juggling their multiple allegiances and forging new identities. Here is an alternative map of the continent, taking the reader to places like Cova Da Moura, the Cape Verdean shantytown on the outskirts of Lisbon with its own underground economy, and Rinkeby, the area of Stockholm that is eighty per cent Muslim. Johny Pitts visits the former Patrice Lumumba University in Moscow, where West African students are still making the most of Cold War ties with the USSR, and Clichy Sous Bois in Paris, which gave birth to the 2005 riots, all the while presenting Afropeans as lead actors in their own story.
Author: Johny Pitts Publisher: Penguin UK ISBN: 0141984732 Category : Social Science Languages : en Pages : 376
Book Description
Winner of the Jhalak Prize 'A revelation' Owen Jones 'Afropean seizes the blur of contradictions that have obscured Europe's relationship with blackness and paints it into something new, confident and lyrical' Afua Hirsch A Guardian, New Statesman and BBC History Magazine Best Book of 2019 'Afropean. Here was a space where blackness was taking part in shaping European identity ... A continent of Algerian flea markets, Surinamese shamanism, German Reggae and Moorish castles. Yes, all this was part of Europe too ... With my brown skin and my British passport - still a ticket into mainland Europe at the time of writing - I set out in search of the Afropeans, on a cold October morning.' Afropean is an on-the-ground documentary of areas where Europeans of African descent are juggling their multiple allegiances and forging new identities. Here is an alternative map of the continent, taking the reader to places like Cova Da Moura, the Cape Verdean shantytown on the outskirts of Lisbon with its own underground economy, and Rinkeby, the area of Stockholm that is eighty per cent Muslim. Johny Pitts visits the former Patrice Lumumba University in Moscow, where West African students are still making the most of Cold War ties with the USSR, and Clichy Sous Bois in Paris, which gave birth to the 2005 riots, all the while presenting Afropeans as lead actors in their own story.
Author: Kwame Onwuachi Publisher: Vintage ISBN: 0525433910 Category : Biography & Autobiography Languages : en Pages : 290
Book Description
“Kwame Onwuachi’s story shines a light on food and culture not just in American restaurants or African American communities but around the world.” —Questlove By the time he was twenty-seven years old, Kwame Onwuachi had opened—and closed—one of the most talked about restaurants in America. He had sold drugs in New York and been shipped off to rural Nigeria to “learn respect.” He had launched his own catering company with twenty thousand dollars made from selling candy on the subway and starred on Top Chef. Through it all, Onwuachi’s love of food and cooking remained a constant, even when, as a young chef, he was forced to grapple with just how unwelcoming the food world can be for people of color. In this inspirational memoir about the intersection of race, fame, and food, he shares the remarkable story of his culinary coming-of-age; a powerful, heartfelt, and shockingly honest account of chasing your dreams—even when they don’t turn out as you expected.
Author: Publisher: Primary Information ISBN: 9781734489750 Category : Art Languages : en Pages :
Book Description
A prescient document of art-industry and museum critique from Black artists and writers, now in facsimile A collection of essays edited by artist and organizer Tom Lloyd and first published in 1971, Black Art Notes was a critical response to the Contemporary Black Artists in America exhibition at the Whitney Museum, but grew into a "concrete affirmation of Black Art philosophy as interpreted by eight Black artists," as Lloyd notes in the introduction. This facsimile edition features writings by Lloyd, Amiri Baraka, Melvin Dixon, Jeff Donaldson, Ray Elkins, Babatunde Folayemi, and Francis & Val Gray Ward. These artists position the Black Arts Movement outside of white, Western frameworks and articulate the movement as one created by and existing for Black people. Their essays outline the racism of the art world, condemning the attempts of museums and other white cultural institutions to tokenize, whitewash and neutralize Black art, and offer solutions through self-determination and immediate political reform. While the publication was created to respond to a particular moment, the systemic problems that it addresses remain pervasive, making these critiques both timely and urgent.
Author: Hanif Abdurraqib Publisher: Random House ISBN: 198480121X Category : Social Science Languages : en Pages : 320
Book Description
NATIONAL BOOK AWARD FINALIST • A sweeping, genre-bending “masterpiece” (Minneapolis Star Tribune) exploring Black art, music, and culture in all their glory and complexity—from Soul Train, Aretha Franklin, and James Brown to The Fresh Prince of Bel-Air, Whitney Houston, and Beyoncé ONE OF THE TEN BEST BOOKS OF THE YEAR: Chicago Tribune, The Philadelphia Inquirer, The Dallas Morning News, Publishers Weekly “Gorgeous essays that reveal the resilience, heartbreak, and joy within Black performance.”—Brit Bennett, #1 New York Times bestselling author of The Vanishing Half “I was a devil in other countries, and I was a little devil in America, too.” Inspired by these few words, spoken by Josephine Baker at the 1963 March on Washington, MacArthur “Genius Grant” Fellow and bestselling author Hanif Abdurraqib has written a profound and lasting reflection on how Black performance is inextricably woven into the fabric of American culture. Each moment in every performance he examines—whether it’s the twenty-seven seconds in “Gimme Shelter” in which Merry Clayton wails the words “rape, murder,” a schoolyard fistfight, a dance marathon, or the instant in a game of spades right after the cards are dealt—has layers of resonance in Black and white cultures, the politics of American empire, and Abdurraqib’s own personal history of love, grief, and performance. Touching on Michael Jackson, Patti LaBelle, Billy Dee Williams, the Wu-Tan Clan, Dave Chappelle, and more, Abdurraqib writes prose brimming with jubilation and pain. With care and generosity, he explains the poignancy of performances big and small, each one feeling intensely familiar and vital, both timeless and desperately urgent. Filled with sharp insight, humor, and heart, A Little Devil in America exalts the Black performance that unfolds in specific moments in time and space—from midcentury Paris to the moon, and back down again to a cramped living room in Columbus, Ohio. WINNER OF THE ANDREW CARNEGIE MEDAL AND THE GORDON BURN PRIZE • FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD AND THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, Time, The Boston Globe, NPR, Rolling Stone, Esquire, BuzzFeed, Thrillist, She Reads, BookRiot, BookPage, Electric Lit, The Rumpus, LitHub, Library Journal, Booklist
Author: Marquis Bey Publisher: AK Press ISBN: 184935376X Category : Social Science Languages : en Pages : 86
Book Description
Anarcho-Blackness seeks to define the shape of a Black anarchism. Classical anarchism tended to avoid questions of race—specifically Blackness—as well as the intersections of race and gender. Bey addresses this lack, not by constructing a new cannon of Black anarchists but by outlining how anarchism and Blackness already share a certain subjective relationship to power, a way of understanding and inhabiting the world. Through the lens of Black feminist and transgender theory, he explores what we can learn by making this kinship explicit, including how anarchism itself is transformed by the encounter. If the state is predicated on a racialized and gendered capitalism, its undoing can only be imagined and undertaken by a political theory that takes race and gender seriously.
Author: William C. Banfield Publisher: Scarecrow Press ISBN: 9780810852877 Category : Biography & Autobiography Languages : en Pages : 364
Book Description
Following in the footsteps of renowned authors like Alain Locke, Harold Cruse, and Amiri Baraka, Black Notes: Essays of A Musician Writing in A Post-Album Age, takes as its mission an important aesthetic inquiry, asking the compelling questions: How did we get where we are? What's next among this generation's artistic voices, concerns, and practices? What is the future of Black Popular Music? In this fascinating collection of essays, interviews, and notes, Author William C. Banfield celebrates and critiques the values of contemporary Black popular music through the exploration of both present and past voices and movements. From his unique vantage point as musician, artist, and writer, Banfield examines a variety of influences in the music world, from 17th-century composer/violinist Chevalier de St. Georges to jazz giant Duke Ellington; from producer Quincy Jones to pop legend Prince. Using a wide-angle lens, Banfield effectively draws from the academic world of cultural studies as well as a plethora of popular culture examples, including contemporary Black American composers, films, and television shows.
Author: Denis Gray Publisher: iUniverse ISBN: 1491740930 Category : Fiction Languages : en Pages : 385
Book Description
Modecai Jefferson is a young, dynamic 1940s jazz musician who carries his piano on his back, hears music every second of the day, and enjoys playing for his lover and biggest fan in Way City, Alabama-Delores Bonet. To Modecai, he and Delores are like black love notes on a musical page. But all of that is about to change the day he hears a recording of up-and-coming Harlem jazz trumpeter, Bunny Greensleeves. If he wants to make a name for himself, Modecai needs to find a way out of Alabama and to the jazz capital of the world. Bunny, who is driven to overcome his impoverished Mississippi upbringing, desperately wants fame, fortune, and power. Meanwhile after Dolores's ex-con boyfriend returns and threatens Modecai's life, he heads for New York sooner than expected. After Modecai eventually meets up with Bunny, the two musicians struggle to overcome the obstacles in a city where success is marginal and failure is predicted-all while attempting to leave their mark with their dynamic talent and inventive jazz compositions. Now only time will tell if they will ever achieve all their dreams. Black Love Notes chronicles the journey of two young jazz musicians as they strive for fame and fortune amid a 1940s Harlem where hurt and regrets, crooked deals, and murder lurk in the shadows.
Author: Daphne A. Brooks Publisher: Harvard University Press ISBN: 0674052811 Category : Social Science Languages : en Pages : 609
Book Description
An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures—a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America’s first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae’s liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music—and who should rightly tell it—Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals.
Author: Johny Pitts
Author: Johny Pitts
Author: Kwame Onwuachi
Author: 
Author: Hanif Abdurraqib
Author: Robert Mapplethorpe
Author: Marquis Bey
Author: Patricia Bell-Scott
Author: William C. Banfield
Author: Denis Gray
Author: Daphne A. Brooks