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Author: Samuel A. Floyd Publisher: Univ Tennessee Press ISBN: Category : Music Languages : en Pages : 248
Book Description
Paper edition of the 1990 Greenwood Press work which was initiated as a special issue of Black Music Research Journal but grew too big for that format. Ten essays address a variety of subjects connected with African-American music of the 1920s, e.g. vocal concert music, musical theater, Duke Ellington, and the relationship of the music to literature and art. Includes an extensive bibliography of works composed during the period. Annotation copyright by Book News, Inc., Portland, OR
Author: Samuel A. Floyd Publisher: Univ Tennessee Press ISBN: Category : Music Languages : en Pages : 248
Book Description
Paper edition of the 1990 Greenwood Press work which was initiated as a special issue of Black Music Research Journal but grew too big for that format. Ten essays address a variety of subjects connected with African-American music of the 1920s, e.g. vocal concert music, musical theater, Duke Ellington, and the relationship of the music to literature and art. Includes an extensive bibliography of works composed during the period. Annotation copyright by Book News, Inc., Portland, OR
Author: Paul Allen Anderson Publisher: Duke University Press ISBN: 9780822325918 Category : History Languages : en Pages : 356
Book Description
DIVA critical and historical study of the debate over early African-American music that draws on the views of W.E.B. Du Bois, Alain Locke, Langston Hughes, Zora Neal Hurston, and others to show competing notions of how this music relates to cultural inherita/div
Author: Meta DuEwa Jones Publisher: University of Illinois Press ISBN: 0252036212 Category : Language Arts & Disciplines Languages : en Pages : 306
Book Description
This wide-ranging, ambitiously interdisciplinary study traces jazz's influence on African American poetry from the Harlem Renaissance to contemporary spoken word poetry. Examining established poets such as Langston Hughes, Ntozake Shange, and Nathaniel Mackey as well as a generation of up-and-coming contemporary writers and performers, Meta DuEwa Jones highlights the intersections of race, gender, and sexuality within the jazz tradition and its representation in poetry. Applying prosodic analysis to emphasize the musicality of African American poetic performance, she examines the gendered meanings evident in collaborative performances and in the criticism, images, and sounds circulating within jazz cultures. Jones also considers poets who participated in contemporary venues for black writing such as the Dark Room Collective and the Cave Canem Foundation, including Harryette Mullen, Elizabeth Alexander, and Carl Phillips. Incorporating a finely honed discussion of the Black Arts Movement, the poetry-jazz fusion of the late 1950s, and slam and spoken word performance milieus such as Def Poetry Jam, she focuses on jazz and hip hop-influenced performance artists including Tracie Morris, Saul Williams, and Jessica Care Moore. Through attention to cadence, rhythm, and structure, The Muse is Music fills a gap in literary scholarship by attending to issues of gender in jazz and poetry and by analyzing recordings of poets both with and without musical accompaniment. Applying the methodology of textual close reading to a critical "close listening" of American poetry's resonant soundscape, Jones's analyses include exploring the formal innovation and queer performance of Langston Hughes's recorded collaboration with jazz musicians, delineating the relationship between punctuation and performance in the post-soul John Coltrane poem, and closely examining jazz improvisation and hip-hop stylization. An elaborate articulation of the connections between jazz, poetry and spoken word, and gender, The Muse Is Music offers valuable criticism of specific texts and performances and a convincing argument about the shape of jazz and African-American poetic performance in the contemporary era.
Author: Samuel A. Floyd (Jr.) Publisher: Millwood, N.Y. : Kraus International Publications ISBN: 9780527301644 Category : Music Languages : en Pages : 254
Author: Rachel Farebrother Publisher: Cambridge University Press ISBN: 1108640508 Category : Literary Criticism Languages : en Pages : 453
Book Description
The Harlem Renaissance was the most influential single movement in African American literary history. The movement laid the groundwork for subsequent African American literature, and had an enormous impact on later black literature world-wide. In its attention to a wide range of genres and forms – from the roman à clef and the bildungsroman, to dance and book illustrations – this book seeks to encapsulate and analyze the eclecticism of Harlem Renaissance cultural expression. It aims to re-frame conventional ideas of the New Negro movement by presenting new readings of well-studied authors, such as Zora Neale Hurston and Langston Hughes, alongside analysis of topics, authors, and artists that deserve fuller treatment. An authoritative collection on the major writers and issues of the period, A History of the Harlem Renaissance takes stock of nearly a hundred years of scholarship and considers what the future augurs for the study of 'the New Negro'.
Author: Saadi A. Simawe Publisher: Routledge ISBN: 1135579822 Category : Music Languages : en Pages : 464
Book Description
The legendary Greek figure Orpheus was said to have possessed magical powers capable of moving all living and inanimate things through the sound of his lyre and voice. Over time, the Orphic theme has come to indicate the power of music to unsettle, subvert, and ultimately bring down oppressive realities in order to liberate the soul and expand human life without limits. The liberating effect of music has been a particularly important theme in twentieth-century African American literature. The nine original essays in Black Orpheus examines the Orphic theme in the fiction of such African American writers as Jean Toomer, Langston Hughes, Claude McKay, James Baldwin, Nathaniel Mackey, Sherley Anne Williams, Ann Petry, Ntozake Shange, Alice Walker, Gayl Jones, and Toni Morrison. The authors discussed in this volume depict music as a mystical, shamanistic, and spiritual power that can miraculously transform the realities of the soul and of the world. Here, the musician uses his or her music as a weapon to shield and protect his or her spirituality. Written by scholars of English, music, women’s studies, American studies, cultural theory, and black and Africana studies, the essays in this interdisciplinary collection ultimately explore the thematic, linguistic structural presence of music in twentieth-century African American fiction.
Author: Cary D Wintz Publisher: Routledge ISBN: 1136649107 Category : History Languages : en Pages : 298
Book Description
The Harlem Renaissance, an exciting period in the social and cultural history of the US, has over the past few decades re-established itself as a watershed moment in African American history. However, many of the African American communities outside the urban center of Harlem that participated in the Harlem Renaissance between 1914 and 1940, have been overlooked and neglected as locations of scholarship and research. Harlem Renaissance in the West: The New Negro's Western Experience will change the way students and scholars of the Harlem Renaissance view the efforts of artists, musicians, playwrights, club owners, and various other players in African American communities all over the American West to participate fully in the cultural renaissance that took hold during that time.
Author: Sherri L. Smith Publisher: Penguin ISBN: 0593225902 Category : Juvenile Nonfiction Languages : en Pages : 129
Book Description
In this book from the #1 New York Times bestselling series, learn how this vibrant Black neighborhood in upper Manhattan became home to the leading Black writers, artists, and musicians of the 1920s and 1930s. Travel back in time to the 1920s and 1930s to the sounds of jazz in nightclubs and the 24-hours-a-day bustle of the famous Black neighborhood of Harlem in uptown Manhattan. It was a dazzling time when there was an outpouring of the arts of African Americans--the poetry of Langston Hughes; the novels of Zora Neale Hurston; the sculptures of Augusta Savage and that brand-new music called jazz as only Duke Ellington and Louis Armstrong could play it. Author Sherri Smith traces Harlem's history all the way to its seventeenth-century roots, and explains how the early-twentieth-century Great Migration brought African Americans from the deep South to New York City and gave birth to the golden years of the Harlem Renaissance. With 80 fun black-and-white illustrations and an engaging 16-page photo insert, readers will be excited to read this latest addition to Who HQ!
Author: Samuel A. Floyd
Author: Samuel A. Floyd
Author: Richard J. Powell
Author: Paul Allen Anderson
Author: Meta DuEwa Jones
Author: Samuel A. Floyd (Jr.)
Author: Rachel Farebrother
Author: Saadi A. Simawe
Author: Samuel A. Floyd
Author: Cary D Wintz
Author: Sherri L. Smith