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Author: James W. Coleman Publisher: University Press of Kentucky ISBN: 0813193559 Category : Literary Criticism Languages : en Pages : 255
Book Description
With The Tempest's Caliban, Shakespeare created an archetype in the modern era depicting black men as slaves and savages who threaten civilization. As contemporary black male fiction writers have tried to free their subjects and themselves from this legacy to tell a story of liberation, they often unconsciously retell the story, making their heroes into modern-day Calibans. Coleman analyzes the modern and postmodern novels of John Edgar Wideman, Clarence Major, Charles Johnson, William Melvin Kelley, Trey Ellis, David Bradley, and Wesley Brown. He traces the Caliban legacy to early literary influences, primarily Ralph Ellison, and then deftly demonstrates its contemporary manifestations. This engaging study challenges those who argue for the liberating possibilities of the postmodern narrative, as Coleman reveals the pervasiveness and influence of Calibanic discourse. At the heart of James Coleman's study is the perceived history of the black male in Western culture and the traditional racist stereotypes indigenous to the language. Calibanic discourse, Coleman argues, so deeply and subconsciously influences the texts of black male writers that they are unable to cast off the oppression inherent in this discourse. Coleman wants to change the perception of black male writers' struggle with oppression by showing that it is their special struggle with language. Black Male Fiction and the Legacy of Caliban is the first book to analyze a substantial body of black male fiction from a central perspective.
Author: James W. Coleman Publisher: University Press of Kentucky ISBN: 0813193559 Category : Literary Criticism Languages : en Pages : 255
Book Description
With The Tempest's Caliban, Shakespeare created an archetype in the modern era depicting black men as slaves and savages who threaten civilization. As contemporary black male fiction writers have tried to free their subjects and themselves from this legacy to tell a story of liberation, they often unconsciously retell the story, making their heroes into modern-day Calibans. Coleman analyzes the modern and postmodern novels of John Edgar Wideman, Clarence Major, Charles Johnson, William Melvin Kelley, Trey Ellis, David Bradley, and Wesley Brown. He traces the Caliban legacy to early literary influences, primarily Ralph Ellison, and then deftly demonstrates its contemporary manifestations. This engaging study challenges those who argue for the liberating possibilities of the postmodern narrative, as Coleman reveals the pervasiveness and influence of Calibanic discourse. At the heart of James Coleman's study is the perceived history of the black male in Western culture and the traditional racist stereotypes indigenous to the language. Calibanic discourse, Coleman argues, so deeply and subconsciously influences the texts of black male writers that they are unable to cast off the oppression inherent in this discourse. Coleman wants to change the perception of black male writers' struggle with oppression by showing that it is their special struggle with language. Black Male Fiction and the Legacy of Caliban is the first book to analyze a substantial body of black male fiction from a central perspective.
Author: Jeffrey B. Leak Publisher: Univ. of Tennessee Press ISBN: 9781572333574 Category : Literary Criticism Languages : en Pages : 184
Book Description
The portrayal of black men in our national literature is controversial, complex, and often contradictory."In Racial Myths and Masculinity in African American Literature, Jeffrey B. Leak identifies some of the long-held myths and stereotypes that persist in the work of black writers from the nineteenth century to the present--intellectual inferiority, criminality, sexual prowess, homosexual emasculation, and cultural deprivation. Utilizing Robert B. Stepto's call-and-response theory, Leak studies four pairs of novels within the context of certain myths, identifying the literary tandems between them and seeking to discover the source of our culture's psychological preoccupation with black men. Calling upon interdisciplinary fields of study--literary theory, psychoanalysis, gender studies, legal theory, and queer theory--Leak offers ground breaking analysis of both canonical texts (representing the "call" of the call-and-response dyad) and texts by emerging writers (representing the "response"), including Frederick Douglass and Charles Johnson: Ralph Ellison and Brent Wade; Richard Wright and Ernest J. Gaines; and Toni Morrison and David Bradley. Though Leak does not claim that the "response" tests are superior to the "call' texts, he does argue that, in some cases, the newer work--such as charles Johnson's "Oxherding Tale--can address a theme or offer a narrative innovation not found in preceding texts, such as "Narrative of the Life of Frederick Douglas. In these instances, argues Leak, the newer texts constitute not only a response to the call text, but a substantial revision. Leak offers the first in-depth criticism of black masculinity in a range of literary texts. In a final chapter, he expands his discussion to the emerging field of black masculinity studies, pointing to future directions for study, including memoir, film, drama, and others. Poised on the brink of exciting new trends in scholarship, "Racial Myths and Masculinity in African American Literature is flagship work, enhancing the understanding of literary constructions of black masculinity and the larger cultural imperatives to which these writers are reacting.
Author: Darryl Dickson-Carr Publisher: Columbia University Press ISBN: 9780231510691 Category : Literary Collections Languages : en Pages : 292
Book Description
From Ishmael Reed and Toni Morrison to Colson Whitehead and Terry McMillan, Darryl Dickson-Carr offers a definitive guide to contemporary African American literature. This volume-the only reference work devoted exclusively to African American fiction of the last thirty-five years-presents a wealth of factual and interpretive information about the major authors, texts, movements, and ideas that have shaped contemporary African American fiction. In more than 160 concise entries, arranged alphabetically, Dickson-Carr discusses the careers, works, and critical receptions of Alice Walker, Gloria Naylor, Jamaica Kincaid, Charles Johnson, John Edgar Wideman, Leon Forrest, as well as other prominent and lesser-known authors. Each entry presents ways of reading the author's works, identifies key themes and influences, assesses the writer's overarching significance, and includes sources for further research. Dickson-Carr addresses the influence of a variety of literary movements, critical theories, and publishers of African American work. Topics discussed include the Black Arts Movement, African American postmodernism, feminism, and the influence of hip-hop, the blues, and jazz on African American novelists. In tracing these developments, Dickson-Carr examines the multitude of ways authors have portrayed the diverse experiences of African Americans. The Columbia Guide to Contemporary African American Fiction situates African American fiction in the social, political, and cultural contexts of post-Civil Rights era America: the drug epidemics of the 1980s and 1990s and the concomitant "war on drugs," the legacy of the Civil Rights Movement, the struggle for gay rights, feminism, the rise of HIV/AIDS, and racism's continuing effects on African American communities. Dickson-Carr also discusses the debates and controversies regarding the role of literature in African American life. The volume concludes with an extensive annotated bibliography of African American fiction and criticism.
Author: Keith Clark Publisher: LSU Press ISBN: 0807150673 Category : Literary Criticism Languages : en Pages : 272
Book Description
This welcome study delivers a long-overdue analysis of the works of Ann Petry (1908–1997), a major mid-twentieth-century African American author. Primarily known as the sole female member of the “Wright School of Social Protest,” Petry has been most recognized for her 1946 novel The Street, about a woman’s struggle to raise her son in a hardscrabble Harlem neighborhood. Keith Clark moves beyond assessments of Petry as a sort of literary descendent of Richard Wright to acclaim her innovative approaches to gender performance, sexuality, and literary technique. Engaging a variety of disciplinary frameworks, including gothic criticism, masculinity and gender studies, queer theory, and psychoanalytic theory, Clark offers fresh readings of Petry’s three novels and collection of short stories. Clark explores, for example, Petry’s use of terror in The Street, where both blacks and whites appear physically and psychically monstrous. He also identifies the use of dark comedy and the macabre in her startling depictions of race, class, gender construction, and sexual identity in the stories “The Bones of Louella Brown” and “The Witness.” Petry’s overlooked second novel, Country Place—set in a deceptively serene, bucolic Connecticut hamlet—camouflages a world as palsied and nightmarish as the Harlem of her previous work. While confirming the black feminist dimensions of Petry’s writing, Clark also assesses the writer’s representations of an array of black and white masculine behaviors—some socially sanctioned, others transgressive and taboo—in her unheralded masterpiece, The Narrows, and her widely anthologized short story, “Like a Winding Sheet.” Expansive in scope, The Radical Fiction of Ann Petry foregrounds and analyzes Petry’s unique concerns and agile techniques, re-introducing and situating her among more celebrated male contemporaries.
Author: Dellita Martin-Ogunsola Publisher: University of Missouri Press ISBN: 0826262422 Category : Literary Criticism Languages : en Pages : 208
Book Description
"In this first book-length study in English devoted to Duncan's work, Martin-Ogunsola explores the issues of race, class, and gender in five of Duncan's major works published during the 1970s. Focusing primarily on the roles of women, Martin-Ogunsola uses the figures of Eve and the Egyptian slave Hagar to provide, through metaphor, an in-depth analysis of the female characters portrayed in Duncan's prose. Specifically, the Eve/Hagar paradigm is employed to examine how the essential characteristics of femininity play out in the context of ethnicity and caste. The book begins with Dawn Song (1970), the story of Antillean immigrants struggling with migration, oppression, and resistance while adapting to a new environment, and continues through Dead-End Street (1979), a novel exploring the ramifications of the myths, perpetuated through history, that defines Costa Rica in terms of Euro-Hispanic culture." "Martin-Ogunsola illustrates Duncan's use of a female presence that challenges the traditional treatment of women in literature. Spanning the period between the initial settlement of the Atlantic region of Costa Rica during the early years of the twentieth century to the 1948 Costa Rican Civil War, Martin-Ogunsola's book invites the reader to view the world through the eyes of Duncan's female characters." "The Eve/Hagar Paradigm in the Fiction of Quince Duncan examines some of the most compiling issues of contemporary Latin American literature and illustrates how a prominent Costa Rican writer deconstructs the stereotype of woman as wife/lover/slave. In the process, Duncan finds his own voice. Exposing aspects of Costa Rican society that have historically been kept in the shadows, this volume makes a significant contribution to our knowledge of the Latin American literary canon."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved.
Author: Karen Dillon Publisher: McFarland ISBN: 1476666962 Category : Social Science Languages : en Pages : 205
Book Description
The cultural fantasy of twins imagines them as physically and behaviorally identical. Media portrayals consistently offer the spectacle of twins who share an insular closeness and perform a supposed alikeness--standing side by side, speaking and acting in unison. Treating twinship as a cultural phenomenon, this first comprehensive study of twins in American literature and popular culture examines the historical narrative--within the discourses of experimentation, aberrance and eugenics--and how it has shaped their representations in the 20th and 21st centuries.
Author: James W. Coleman Publisher: University Press of Kentucky ISBN: 0813158680 Category : Literary Criticism Languages : en Pages : 204
Book Description
With The Tempest's Caliban, Shakespeare created an archetype in the modern era depicting black men as slaves and savages who threaten civilization. As contemporary black male fiction writers have tried to free their subjects and themselves from this legacy to tell a story of liberation, they often unconsciously retell the story, making their heroes into modern-day Calibans. Coleman analyzes the modern and postmodern novels of John Edgar Wideman, Clarence Major, Charles Johnson, William Melvin Kelley, Trey Ellis, David Bradley, and Wesley Brown. He traces the Caliban legacy to early literary influences, primarily Ralph Ellison, and then deftly demonstrates its contemporary manifestations. This engaging study challenges those who argue for the liberating possibilities of the postmodern narrative, as Coleman reveals the pervasiveness and influence of Calibanic discourse. At the heart of James Coleman's study is the perceived history of the black male in Western culture and the traditional racist stereotypes indigenous to the language. Calibanic discourse, Coleman argues, so deeply and subconsciously influences the texts of black male writers that they are unable to cast off the oppression inherent in this discourse. Coleman wants to change the perception of black male writers' struggle with oppression by showing that it is their special struggle with language. Black Male Fiction and the Legacy of Caliban is the first book to analyze a substantial body of black male fiction from a central perspective.
Author: John N. Duvall Publisher: Cambridge University Press ISBN: 0521196310 Category : Literary Criticism Languages : en Pages : 293
Book Description
A comprehensive 2011 guide to the genres, historical contexts, cultural diversity and major authors of American fiction since the Second World War.
Author: Elizabeth Young Publisher: NYU Press ISBN: 0814745377 Category : Social Science Languages : en Pages : 320
Book Description
For all the scholarship devoted to Mary Shelley's English novel Frankenstein, there has been surprisingly little attention paid to its role in American culture, and virtually none to its racial resonances in the United States. In Black Frankenstein, Elizabeth Young identifies and interprets the figure of a black American Frankenstein monster as it appears with surprising frequency throughout nineteenth- and twentieth-century U.S. culture, in fiction, film, essays, oratory, painting, and other media, and in works by both whites and African Americans. Black Frankenstein stories, Young argues, effect four kinds of racial critique: they humanize the slave; they explain, if not justify, black violence; they condemn the slaveowner; and they expose the instability of white power. The black Frankenstein's monster has served as a powerful metaphor for reinforcing racial hierarchy—and as an even more powerful metaphor for shaping anti-racist critique. Illuminating the power of parody and reappropriation, Black Frankenstein tells the story of a metaphor that continues to matter to literature, culture, aesthetics, and politics.
Author: Clive Baldwin Publisher: Edinburgh University Press ISBN: 1474423884 Category : Literary Criticism Languages : en Pages : 272
Book Description
Focusing on a complex and contentious period that was formative in shaping American society and culture in the twentieth century, this book sheds new light on the ways in which fiction engaged with contemporary notions of masculinity.
Author: James W. Coleman
Author: James W. Coleman
Author: Jeffrey B. Leak
Author: Darryl Dickson-Carr
Author: Keith Clark
Author: Dellita Martin-Ogunsola
Author: Karen Dillon
Author: James W. Coleman
Author: John N. Duvall
Author: Elizabeth Young
Author: Clive Baldwin