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Author: Publisher: ISBN: Category : African Americans Languages : en Pages : 0
Book Description
Most of the authors and writings covered in Gale's Black Literature Criticism: Excerpts of the Most Significant Works of Black Authors over the Past 200 Years (1992) and its one-volume supplement (1998) were published prior to 1950, hence this new set of three volumes focusing on African-American (and some African and Caribbean) writers and works published since 1950. It includes coverage of 80 writers whose works are considered canon and have therefore been subjected to major critiques, as well as writers who have appeared in major anthologies and encyclopedias of African American literature. Each author entry includes an introduction that covers biographical details, the major literary interests of the author, descriptions and summaries of the author's best known works, and critical commentary about the author's achievement, status, and importance; a chronological list of principal works; and multiple excerpts of criticism, including book reviews, academic studies of individual works, and comparative studies, arranged chronologically to give a sense of how critical reception evolved over time; and, finally, a further reading list. Also included are author, nationality, and title indexes, comprehensive for these volumes together with the predecessors mentioned above. Annotation.
Author: Publisher: ISBN: Category : African Americans Languages : en Pages : 0
Book Description
Most of the authors and writings covered in Gale's Black Literature Criticism: Excerpts of the Most Significant Works of Black Authors over the Past 200 Years (1992) and its one-volume supplement (1998) were published prior to 1950, hence this new set of three volumes focusing on African-American (and some African and Caribbean) writers and works published since 1950. It includes coverage of 80 writers whose works are considered canon and have therefore been subjected to major critiques, as well as writers who have appeared in major anthologies and encyclopedias of African American literature. Each author entry includes an introduction that covers biographical details, the major literary interests of the author, descriptions and summaries of the author's best known works, and critical commentary about the author's achievement, status, and importance; a chronological list of principal works; and multiple excerpts of criticism, including book reviews, academic studies of individual works, and comparative studies, arranged chronologically to give a sense of how critical reception evolved over time; and, finally, a further reading list. Also included are author, nationality, and title indexes, comprehensive for these volumes together with the predecessors mentioned above. Annotation.
Author: Jelena O. Krstovic Publisher: Gale Cengage ISBN: Category : Literary Criticism Languages : en Pages : 488
Book Description
Focuses on writers and works published since 1950. The majority of the authors surveyed are African American, but representative African and Caribbean authors are also included.
Author: Kenneth W. Warren Publisher: University of Chicago Press ISBN: 0226873803 Category : Education Languages : en Pages : 142
Book Description
"So Black and Blue is the best work we have on Ellison in his combined roles of writer, critic, and intellectual. By locating him in the precarious cultural transition between Jim Crow and the era of promised civil rights, Warren has produced a thoroughly engaging and compelling book, original in its treatment of Ellison and his part in shaping the history of ideas in the twentieth century."—Eric J. Sundquist, University of California, Los Angeles What would it mean to read Invisible Man as a document of Jim Crow America? Using Ralph Ellison's classic novel and many of his essays as starting points, Kenneth W. Warren illuminates the peculiar interrelation of politics, culture, and social scientific inquiry that arose during the post-Reconstruction era and persisted through the Civil Rights movement. Warren argues that Ellison's novel expresses the problem of who or what could represent and speak for the Negro in an age of limited political representation. So Black and Blue shows that Ellison's successful transformation of these limits into possibilities has also, paradoxically, cast a shadow on the postsegregation world. What can be the direction of African American culture once the limits that have shaped it are stricken down? Here Warren takes up the recent, ongoing, and often contradictory veneration of Ellison's artistry by black writers and intellectuals to reveal the impoverished terms often used in discussions about the political and cultural future of African Americans. Ultimately, by showing what it would mean to take seriously the idea of American novels as creatures of their moment, Warren questions whether there can be anything that deserves the label of classic American literature.
Author: Henry Louis Gates, Jr Publisher: Routledge ISBN: 1134838344 Category : Literary Criticism Languages : en Pages : 328
Book Description
The imaginative literature of African and Afro-American authors writing in Western languages has long been seen as standing outside the Western literary canon. In fact, however, black literature not only has a complex formal relation to that canon, but tends to revise and reflect Western rhetorical strategies even more than it echoes black vernacular literary forms. This book, first published in 1984, is divided into two sections, thus clarifying the nature of black literary theory on the one hand, and the features of black literary practice on the other. Rather than merely applying contemporary Western theory to black literature, these critics instead challenge and redefine the theory in order to make fresh, stimulating comments not only on black criticism and literature but also on the general state of criticism today.
Author: Houston A. Baker Publisher: University of Chicago Press ISBN: 022616084X Category : Literary Criticism Languages : en Pages : 240
Book Description
Relating the blues to American social and literary history and to Afro-American expressive culture, Houston A. Baker, Jr., offers the basis for a broader study of American culture at its "vernacular" level. He shows how the "blues voice" and its economic undertones are both central to the American narrative and characteristic of the Afro-American way of telling it.
Author: John Glenn Publisher: ISBN: 9781425948252 Category : African Americans in literature. Languages : en Pages : 160
Book Description
John Glenn's innovative criticism champions the connection between African and African American literature, unfolding a new theory that elaborates on the black experience itself. Linking resistance to the literary history and to the expressiveness of blacks, Glenn provides the basis for a study of African and African American fiction at the social level. He shows how empiricism and action are both central to African and African American methods of social adaptation or "acting out." Investigating performance in black literature by exploring the social resistance and adaptation of fictional archetypes, Glenn elaborates what he calls the three performative modes: linguistic, narrative, and theatrical-modes that describe the interaction of fictional characters. Glenn's critical approach analyzes the work of major authors in African and African American literature, including Chinua Achebe, Ralph Ellison, Sam Greenlee, Buchi Emecheta, Wole Soyinka, Langston Hughes, Gwendolyn Brooks, Audre Lorde, Okot p'Bitek, and Paul Laurence Dunbar-showing that these author's works are performative in context. A remarkable piece of work, Glenn's book examines the nature of the African diaspora. It looks within the action of performance to categorize self-identity. Through a pleasing tenacity, his research makes the black community as a whole aware of an "acting out" niche, which has paved an enduring road through black oppression. Truly, this book is a great contribution to African and African American literature.
Author: Henry Louis Gates Jr. Chairman of the Department of Afro-American Studies and W.E.B. DuBois Professor of the Humanities Harvard University Publisher: Oxford University Press, USA ISBN: 0199729174 Category : African Americans in literature Languages : en Pages : 350
Book Description
"The originality, brilliance, and scope of the work is remarkable.... Gates will instruct, delight, and stimulate a broad range of readers, both those who are already well versed in Afro-American literature, and those who, after reading this book, will eagerly begin to be."--Barbara E. Johnson, Harvard University. "A critical enterprise of the first importance.... Gates promises to lead and to show the way in boldness of conception, in vigor of execution, and in vitality and pertinence of expression."--James Olney, Louisiana State University. Recently awarded Honorable Mention from the John Hope Franklin Publication Prize Committee of the American Studies Association, Figures in Black takes a provocative new look at how we analyze and define black literature. Henry Louis Gates, Jr., attacks the notion that the dominant mode of Afro-American literature is, or should be, a kind of social realism, evaluated primarily as a reflection of the "Black Experience." Instead, Gates insists that critics turn to the language of the text and bring to their work the close, methodical analysis of language made possible by modern literary theory. But his goal in this volume is not merely to "apply" contemporary theory to black texts. Indeed, as he ranges from 18th-century poet Phillis Wheatley to modern writers Ishmael Reed and Alice Walker, he attempts to redefine literary criticism itself, moving it away from a Eurocentric notion of a hierarchical canon--mostly white, Western, and male--to foster a truly comparative and pluralisic notion of literature. In doing so, he provides critics with a powerful tool for the analysis of black art and, more important, reveals for all readers the brilliance and depth of the Afro-American tradition.
Author: John Glenn Publisher: ISBN: 9781425948245 Category : African Americans in literature Languages : en Pages : 192
Book Description
John Glenn's innovative criticism champions the connection between African and African American literature, unfolding a new theory that elaborates on the black experience itself. Linking resistance to the literary history and to the expressiveness of blacks, Glenn provides the basis for a study of African and African American fiction at the social level. He shows how empiricism and action are both central to African and African American methods of social adaptation or acting out. Investigating performance in black literature by exploring the social resistance and adaptation of fictional archetypes, Glenn elaborates what he calls the three performative modes: linguistic, narrative, and theatrical-modes that describe the interaction of fictional characters. Glenn's critical approach analyzes the work of major authors in African and African American literature, including Chinua Achebe, Ralph Ellison, Sam Greenlee, Buchi Emecheta, Wole Soyinka, Langston Hughes, Gwendolyn Brooks, Audre Lorde, Okot p'Bitek, and Paul Laurence Dunbar-showing that these author's works are performative in context. A remarkable piece of work, Glenn's book examines the nature of the African diaspora. It looks within the action of performance to categorize self-identity. Through a pleasing tenacity, his research makes the black community as a whole aware of an acting out niche, which has paved an enduring road through black oppression. Truly, this book is a great contribution to African and African American literature.
Author: Winston Napier Publisher: NYU Press ISBN: 0814758096 Category : Literary Criticism Languages : en Pages : 745
Book Description
Fifty-one essays by writers such as Langston Hughes, W.E.B. Du Bois, Ralph Ellison, and Zora Neale Hurston, as well as critics and academics such as Henry Louis Gates, Jr. examine the central texts and arguments in African American literary theory from the 1920s through the present. Contributions are organized chronologically beginning with the rise of a black aesthetic criticism, through the Black Arts Movement, feminism, structuralism and poststructuralism, queer theory, and cultural studies. Annotation copyrighted by Book News Inc., Portland, OR
Author: 
Author: 
Author: Jelena O. Krstovic
Author: Kenneth W. Warren
Author: Henry Louis Gates, Jr
Author: 
Author: Houston A. Baker
Author: John Glenn
Author: Henry Louis Gates Jr. Chairman of the Department of Afro-American Studies and W.E.B. DuBois Professor of the Humanities Harvard University
Author: John Glenn
Author: Winston Napier