Author: David E. Weaver
Publisher: Univ. Press of Mississippi
ISBN: 1628467533
Category : Biography & Autobiography
Languages : en
Pages : 269
Book Description
While undergoing routine surgery to remove a benign tumor, Ruby Elzy died. She was only thirty-five. Had she lived, she would have been one of the first Black artists to appear in grand opera. Although now in the shadows, she was a shining star in her day. She entertained Eleanor Roosevelt in the White House. She was Paul Robeson's leading lady in the movie version of The Emperor Jones. She starred in Birth of the Blues opposite Bing Crosby and Mary Martin. She sang at Harlem's Apollo Theater and in the Hollywood Bowl. Her remarkable soprano voice was known to millions over the radio. She was personally chosen by George Gershwin to create one of the leading roles in his masterpiece, that of Serena in the original production of Porgy and Bess. Her signature song was the vocally demanding “My Man's Gone Now.” From obscurity she had risen to great heights. Ruby Pearl Elzy (1908-1943) was born in abject poverty in Pontotoc, Mississippi. Her father abandoned the family when she was five, leaving her mother, a strong, devout woman, to raise four small children. Ruby first sang publicly at the age of four and even in childhood dreamed of a career on the stage. Good fortune struck when a visiting professor, overwhelmed upon hearing her beautiful voice at Rust College in Mississippi, arranged for her to study music at Ohio State University. Later, on a Rosenwald Fellowship, she enrolled at the Juilliard School in New York City. After more than eight hundred performances in Porgy and Bess, she set her sights on a huge goal, to sing in grand opera. She was at the peak of her form. While she was preparing for her debut in the title role of Verdi's Aida, tragedy struck. During her brief career, Ruby Elzy was in the top tier of American sopranos and a precursor who paved a way for Leontyne Price, Jessye Norman, Kathleen Battle, and other black divas of the operatic stage. This biography acknowledges her exceptional talent, recognizes her contribution to American music, and tells her tragic yet inspiring story.
Black Diva of the Thirties
Author: David E. Weaver
Publisher: Univ. Press of Mississippi
ISBN: 1628467533
Category : Biography & Autobiography
Languages : en
Pages : 269
Book Description
While undergoing routine surgery to remove a benign tumor, Ruby Elzy died. She was only thirty-five. Had she lived, she would have been one of the first Black artists to appear in grand opera. Although now in the shadows, she was a shining star in her day. She entertained Eleanor Roosevelt in the White House. She was Paul Robeson's leading lady in the movie version of The Emperor Jones. She starred in Birth of the Blues opposite Bing Crosby and Mary Martin. She sang at Harlem's Apollo Theater and in the Hollywood Bowl. Her remarkable soprano voice was known to millions over the radio. She was personally chosen by George Gershwin to create one of the leading roles in his masterpiece, that of Serena in the original production of Porgy and Bess. Her signature song was the vocally demanding “My Man's Gone Now.” From obscurity she had risen to great heights. Ruby Pearl Elzy (1908-1943) was born in abject poverty in Pontotoc, Mississippi. Her father abandoned the family when she was five, leaving her mother, a strong, devout woman, to raise four small children. Ruby first sang publicly at the age of four and even in childhood dreamed of a career on the stage. Good fortune struck when a visiting professor, overwhelmed upon hearing her beautiful voice at Rust College in Mississippi, arranged for her to study music at Ohio State University. Later, on a Rosenwald Fellowship, she enrolled at the Juilliard School in New York City. After more than eight hundred performances in Porgy and Bess, she set her sights on a huge goal, to sing in grand opera. She was at the peak of her form. While she was preparing for her debut in the title role of Verdi's Aida, tragedy struck. During her brief career, Ruby Elzy was in the top tier of American sopranos and a precursor who paved a way for Leontyne Price, Jessye Norman, Kathleen Battle, and other black divas of the operatic stage. This biography acknowledges her exceptional talent, recognizes her contribution to American music, and tells her tragic yet inspiring story.
Publisher: Univ. Press of Mississippi
ISBN: 1628467533
Category : Biography & Autobiography
Languages : en
Pages : 269
Book Description
While undergoing routine surgery to remove a benign tumor, Ruby Elzy died. She was only thirty-five. Had she lived, she would have been one of the first Black artists to appear in grand opera. Although now in the shadows, she was a shining star in her day. She entertained Eleanor Roosevelt in the White House. She was Paul Robeson's leading lady in the movie version of The Emperor Jones. She starred in Birth of the Blues opposite Bing Crosby and Mary Martin. She sang at Harlem's Apollo Theater and in the Hollywood Bowl. Her remarkable soprano voice was known to millions over the radio. She was personally chosen by George Gershwin to create one of the leading roles in his masterpiece, that of Serena in the original production of Porgy and Bess. Her signature song was the vocally demanding “My Man's Gone Now.” From obscurity she had risen to great heights. Ruby Pearl Elzy (1908-1943) was born in abject poverty in Pontotoc, Mississippi. Her father abandoned the family when she was five, leaving her mother, a strong, devout woman, to raise four small children. Ruby first sang publicly at the age of four and even in childhood dreamed of a career on the stage. Good fortune struck when a visiting professor, overwhelmed upon hearing her beautiful voice at Rust College in Mississippi, arranged for her to study music at Ohio State University. Later, on a Rosenwald Fellowship, she enrolled at the Juilliard School in New York City. After more than eight hundred performances in Porgy and Bess, she set her sights on a huge goal, to sing in grand opera. She was at the peak of her form. While she was preparing for her debut in the title role of Verdi's Aida, tragedy struck. During her brief career, Ruby Elzy was in the top tier of American sopranos and a precursor who paved a way for Leontyne Price, Jessye Norman, Kathleen Battle, and other black divas of the operatic stage. This biography acknowledges her exceptional talent, recognizes her contribution to American music, and tells her tragic yet inspiring story.
The Encyclopedia of Musicians and Bands on Film
Author: Melissa U. D. Goldsmith
Publisher: Rowman & Littlefield
ISBN: 1442269871
Category : Performing Arts
Languages : en
Pages : 487
Book Description
Musicians, both fictional and real, have long been subjects of cinema. From biopics of composers Beethoven and Mozart to the rise (and often fall) of imaginary bands in The Commitments and Almost Famous, music of all types has inspired hundreds of films. The Encyclopedia of Musicians and Bands on Film features the most significant productions from around the world, including straightforward biographies, rockumentaries, and even the occasional mockumentary. The wide-ranging scope of this volume allows for the inclusion of films about fictional singers and bands, with emphasis on a variety of themes: songwriter–band relationships, the rise and fall of a career, music saving the day, the promoter’s point of view, band competitions, the traveling band, and rock-based absurdity. Among the films discussed in this book are Amadeus, The Blues Brothers, The Buddy Holly Story, The Commitments, Dreamgirls, The Glenn Miller Story, A Hard Day’s Night, I’m Not There, Jailhouse Rock, A Mighty Wind, Ray, ’Round Midnight, The Runaways, School of Rock, That Thing You Do!, and Walk the Line.With entries that span the decades and highlight a variety of music genres, The Encyclopedia of Musicians and Bands on Film is a valuable resource for moviegoers and music lovers alike, as well as scholars of both film and music.
Publisher: Rowman & Littlefield
ISBN: 1442269871
Category : Performing Arts
Languages : en
Pages : 487
Book Description
Musicians, both fictional and real, have long been subjects of cinema. From biopics of composers Beethoven and Mozart to the rise (and often fall) of imaginary bands in The Commitments and Almost Famous, music of all types has inspired hundreds of films. The Encyclopedia of Musicians and Bands on Film features the most significant productions from around the world, including straightforward biographies, rockumentaries, and even the occasional mockumentary. The wide-ranging scope of this volume allows for the inclusion of films about fictional singers and bands, with emphasis on a variety of themes: songwriter–band relationships, the rise and fall of a career, music saving the day, the promoter’s point of view, band competitions, the traveling band, and rock-based absurdity. Among the films discussed in this book are Amadeus, The Blues Brothers, The Buddy Holly Story, The Commitments, Dreamgirls, The Glenn Miller Story, A Hard Day’s Night, I’m Not There, Jailhouse Rock, A Mighty Wind, Ray, ’Round Midnight, The Runaways, School of Rock, That Thing You Do!, and Walk the Line.With entries that span the decades and highlight a variety of music genres, The Encyclopedia of Musicians and Bands on Film is a valuable resource for moviegoers and music lovers alike, as well as scholars of both film and music.
Choice
Night's Dancer
Author: Yaël Tamar Lewin
Publisher: Wesleyan University Press
ISBN: 0819571156
Category : Literary Criticism
Languages : en
Pages : 399
Book Description
The biography of the first African-American prima ballerina Winner of the The Marfield Prize / National Award for Arts Writing (2011) Dancer Janet Collins, born in New Orleans in 1917 and raised in Los Angeles, soared high over the color line as the first African-American prima ballerina at the Metropolitan Opera. Night's Dancer chronicles the life of this extraordinary and elusive woman, who became a unique concert dance soloist as well as a black trailblazer in the white world of classical ballet. During her career, Collins endured an era in which racial bias prevailed, and subsequently prevented her from appearing in the South. Nonetheless, her brilliant performances transformed the way black dancers were viewed in ballet. The book begins with an unfinished memoir written by Collins in which she gives a captivating account of her childhood and young adult years, including her rejection by the Ballet Russe de Monte Carlo. Dance scholar Yaël Tamar Lewin then picks up the thread of Collins's story. Drawing on extensive research and interviews with Collins and her family, friends, and colleagues to explore Collins's development as a dancer, choreographer, and painter, Lewin gives us a profoundly moving portrait of an artist of indomitable spirit.
Publisher: Wesleyan University Press
ISBN: 0819571156
Category : Literary Criticism
Languages : en
Pages : 399
Book Description
The biography of the first African-American prima ballerina Winner of the The Marfield Prize / National Award for Arts Writing (2011) Dancer Janet Collins, born in New Orleans in 1917 and raised in Los Angeles, soared high over the color line as the first African-American prima ballerina at the Metropolitan Opera. Night's Dancer chronicles the life of this extraordinary and elusive woman, who became a unique concert dance soloist as well as a black trailblazer in the white world of classical ballet. During her career, Collins endured an era in which racial bias prevailed, and subsequently prevented her from appearing in the South. Nonetheless, her brilliant performances transformed the way black dancers were viewed in ballet. The book begins with an unfinished memoir written by Collins in which she gives a captivating account of her childhood and young adult years, including her rejection by the Ballet Russe de Monte Carlo. Dance scholar Yaël Tamar Lewin then picks up the thread of Collins's story. Drawing on extensive research and interviews with Collins and her family, friends, and colleagues to explore Collins's development as a dancer, choreographer, and painter, Lewin gives us a profoundly moving portrait of an artist of indomitable spirit.
The Mississippi Encyclopedia
Author: Ted Ownby
Publisher: Univ. Press of Mississippi
ISBN: 1496811593
Category : Reference
Languages : en
Pages : 1461
Book Description
Recipient of the 2018 Special Achievement Award from the Mississippi Institute of Arts and Letters and Recipient of a 2018 Heritage Award for Education from the Mississippi Heritage Trust The perfect book for every Mississippian who cares about the state, this is a mammoth collaboration in which thirty subject editors suggested topics, over seven hundred scholars wrote entries, and countless individuals made suggestions. The volume will appeal to anyone who wants to know more about Mississippi and the people who call it home. The book will be especially helpful to students, teachers, and scholars researching, writing about, or otherwise discovering the state, past and present. The volume contains entries on every county, every governor, and numerous musicians, writers, artists, and activists. Each entry provides an authoritative but accessible introduction to the topic discussed. The Mississippi Encyclopedia also features long essays on agriculture, archaeology, the civil rights movement, the Civil War, drama, education, the environment, ethnicity, fiction, folklife, foodways, geography, industry and industrial workers, law, medicine, music, myths and representations, Native Americans, nonfiction, poetry, politics and government, the press, religion, social and economic history, sports, and visual art. It includes solid, clear information in a single volume, offering with clarity and scholarship a breadth of topics unavailable anywhere else. This book also includes many surprises readers can only find by browsing.
Publisher: Univ. Press of Mississippi
ISBN: 1496811593
Category : Reference
Languages : en
Pages : 1461
Book Description
Recipient of the 2018 Special Achievement Award from the Mississippi Institute of Arts and Letters and Recipient of a 2018 Heritage Award for Education from the Mississippi Heritage Trust The perfect book for every Mississippian who cares about the state, this is a mammoth collaboration in which thirty subject editors suggested topics, over seven hundred scholars wrote entries, and countless individuals made suggestions. The volume will appeal to anyone who wants to know more about Mississippi and the people who call it home. The book will be especially helpful to students, teachers, and scholars researching, writing about, or otherwise discovering the state, past and present. The volume contains entries on every county, every governor, and numerous musicians, writers, artists, and activists. Each entry provides an authoritative but accessible introduction to the topic discussed. The Mississippi Encyclopedia also features long essays on agriculture, archaeology, the civil rights movement, the Civil War, drama, education, the environment, ethnicity, fiction, folklife, foodways, geography, industry and industrial workers, law, medicine, music, myths and representations, Native Americans, nonfiction, poetry, politics and government, the press, religion, social and economic history, sports, and visual art. It includes solid, clear information in a single volume, offering with clarity and scholarship a breadth of topics unavailable anywhere else. This book also includes many surprises readers can only find by browsing.
Autobiographical Reminiscences of African-American Classical Singers, 1853-present
Author: Elizabeth Nash
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 548
Book Description
Artist profiles. Eva Alberta Jessye -- James Langston Hughes -- Josephine Wright -- Elizabeth Taylor Greenfield -- Sissieretta Jones -- Estelle Pinckney Clough -- Dena J. Epstein -- Benjamin M. Holmes -- Jennie Jackson -- Minnie Tate -- Maggie Porter Cole -- Thomas Rutling -- Georgie Gordon -- Julia Jackson -- Mabel Lewis -- Hinton D. Alexander -- Ella Sheppard -- E. Azalia Hackley -- Julius C. Bledsoe -- Carl Diton -- Abbie Mitchell -- Roland Hayes -- George Shirley -- Todd Duncan -- Camilla Williams -- Marian Anderson -- Paul Robeson -- Dorothy Maynor -- Betty Allen -- Leontyne Price -- William Warfield -- Shirley Verrett -- Grace Bumbry -- Simon Estes -- Jessye Norman -- Sylvia Olden Lee -- Kathleen Battle -- Vinson Cole -- Herbert Perry -- Mark S. Doss -- Denyce Graves -- Paul Laurence Dunbar -- Rosalyn M. Story -- James Weldon Johnson -- John Lovell, Jr. -- John Wesley Work -- J.A. Myers -- Marion Kerby -- Edward H. Boatner -- Harry T. Burleigh -- Hall Johnson -- Norman L. Merrifield -- Marvin V. Curtis -- Lee V. Cloud.
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 548
Book Description
Artist profiles. Eva Alberta Jessye -- James Langston Hughes -- Josephine Wright -- Elizabeth Taylor Greenfield -- Sissieretta Jones -- Estelle Pinckney Clough -- Dena J. Epstein -- Benjamin M. Holmes -- Jennie Jackson -- Minnie Tate -- Maggie Porter Cole -- Thomas Rutling -- Georgie Gordon -- Julia Jackson -- Mabel Lewis -- Hinton D. Alexander -- Ella Sheppard -- E. Azalia Hackley -- Julius C. Bledsoe -- Carl Diton -- Abbie Mitchell -- Roland Hayes -- George Shirley -- Todd Duncan -- Camilla Williams -- Marian Anderson -- Paul Robeson -- Dorothy Maynor -- Betty Allen -- Leontyne Price -- William Warfield -- Shirley Verrett -- Grace Bumbry -- Simon Estes -- Jessye Norman -- Sylvia Olden Lee -- Kathleen Battle -- Vinson Cole -- Herbert Perry -- Mark S. Doss -- Denyce Graves -- Paul Laurence Dunbar -- Rosalyn M. Story -- James Weldon Johnson -- John Lovell, Jr. -- John Wesley Work -- J.A. Myers -- Marion Kerby -- Edward H. Boatner -- Harry T. Burleigh -- Hall Johnson -- Norman L. Merrifield -- Marvin V. Curtis -- Lee V. Cloud.
Bulletproof Diva
Author: Lisa Jones
Publisher: Anchor
ISBN: 0385471238
Category : Literary Collections
Languages : en
Pages : 321
Book Description
In Bulletproof Diva, Lisa Jones brings the wit and candor of her infamous Village Voice column, "Skin Trade," to a much larger audience. Chock full of the "fierce black girl humor" that has made her column so popular, this provocative collection of essays and observations on race, sex, identity, and the politics of style speaks to a young generation of blacks who were raised in an integrated society and are now waiting for America to deliver on its promises of equality. The thirty-seven short pieces and six long essays in Bulletproof Diva cover a wide range of topics, many of them extremely controversial. Jones moves smoothly from issues of ethnicity in a changing America, challenging viewpoints on African-American and mixed race identity, to "butt theory" and the roller-coaster politics of black hair. Written in a style that is as appealing as it is unapologetic, Bulletproof Diva marks the debut of a genuinely gifted young writer with a distinctive voice and a fresh perspective on the black cultural scene.
Publisher: Anchor
ISBN: 0385471238
Category : Literary Collections
Languages : en
Pages : 321
Book Description
In Bulletproof Diva, Lisa Jones brings the wit and candor of her infamous Village Voice column, "Skin Trade," to a much larger audience. Chock full of the "fierce black girl humor" that has made her column so popular, this provocative collection of essays and observations on race, sex, identity, and the politics of style speaks to a young generation of blacks who were raised in an integrated society and are now waiting for America to deliver on its promises of equality. The thirty-seven short pieces and six long essays in Bulletproof Diva cover a wide range of topics, many of them extremely controversial. Jones moves smoothly from issues of ethnicity in a changing America, challenging viewpoints on African-American and mixed race identity, to "butt theory" and the roller-coaster politics of black hair. Written in a style that is as appealing as it is unapologetic, Bulletproof Diva marks the debut of a genuinely gifted young writer with a distinctive voice and a fresh perspective on the black cultural scene.
American Diva: Extraordinary, Unruly, Fabulous
Author: Deborah Paredez
Publisher: W. W. Norton & Company
ISBN: 1324035315
Category : Performing Arts
Languages : en
Pages : 221
Book Description
An impassioned homage to the divas who shake up our world and transform it with their bold, dazzling artistry. What does it mean to be a “diva”? A shifting, increasingly loaded term, it has been used to both deride and celebrate charismatic and unapologetically fierce performers like Aretha Franklin, Divine, and the women of Labelle. In this brilliant, powerful blend of incisive criticism and electric memoir, Deborah Paredez—scholar, cultural critic, and lifelong diva devotee—unravels our enduring fascination with these icons and explores how divas have challenged American ideas about feminism, performance, and freedom. American Diva journeys into Tina Turner’s scintillating performances, Celia Cruz’s command of the male-dominated salsa world, the transcendent revival of Jomama Jones after a period of exile, and the unparalleled excellence of Venus and Serena Williams. Recounting how she and her mother endlessly watched Rita Moreno’s powerhouse portrayal of Anita in West Side Story and how she learned much about being bigger than life from her fabulous Tía Lucia, Paredez chronicles the celebrated and skilled performers who not only shaped her life but boldly expressed the aspiration for freedom among brown, Black, and gay communities. Paredez also traces the evolution of the diva through the decades, dismayed at the mid-aughts’ commodification and juvenilizing of its meaning but finding its lasting beauty and power. Filled with sharp insights and great heart, American Diva is a spirited tribute to the power of performance and the joys of fandom.
Publisher: W. W. Norton & Company
ISBN: 1324035315
Category : Performing Arts
Languages : en
Pages : 221
Book Description
An impassioned homage to the divas who shake up our world and transform it with their bold, dazzling artistry. What does it mean to be a “diva”? A shifting, increasingly loaded term, it has been used to both deride and celebrate charismatic and unapologetically fierce performers like Aretha Franklin, Divine, and the women of Labelle. In this brilliant, powerful blend of incisive criticism and electric memoir, Deborah Paredez—scholar, cultural critic, and lifelong diva devotee—unravels our enduring fascination with these icons and explores how divas have challenged American ideas about feminism, performance, and freedom. American Diva journeys into Tina Turner’s scintillating performances, Celia Cruz’s command of the male-dominated salsa world, the transcendent revival of Jomama Jones after a period of exile, and the unparalleled excellence of Venus and Serena Williams. Recounting how she and her mother endlessly watched Rita Moreno’s powerhouse portrayal of Anita in West Side Story and how she learned much about being bigger than life from her fabulous Tía Lucia, Paredez chronicles the celebrated and skilled performers who not only shaped her life but boldly expressed the aspiration for freedom among brown, Black, and gay communities. Paredez also traces the evolution of the diva through the decades, dismayed at the mid-aughts’ commodification and juvenilizing of its meaning but finding its lasting beauty and power. Filled with sharp insights and great heart, American Diva is a spirited tribute to the power of performance and the joys of fandom.
Dvorak's Prophecy: And the Vexed Fate of Black Classical Music
Author: Joseph Horowitz
Publisher: W. W. Norton & Company
ISBN: 0393881253
Category : Music
Languages : en
Pages : 256
Book Description
A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”
Publisher: W. W. Norton & Company
ISBN: 0393881253
Category : Music
Languages : en
Pages : 256
Book Description
A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”
Fifty Black Women Who Changed America
Author: Amy Alexander
Publisher: Dafina Books
ISBN: 9780758201850
Category : Biography & Autobiography
Languages : en
Pages : 324
Book Description
From former slaves, housewives and college professors to Nobel Award-, Pulitzer Prize- and Olympic Gold-winners, this compelling anthology offers vivid and inspiring portraits of fifty black women who made monumental contributions to the world, including Sojourner Truth, Hattie McDaniel, Ella Fitzgerald, Oprah Winfrey, Tina Turner and many more women - both famous and little-known.
Publisher: Dafina Books
ISBN: 9780758201850
Category : Biography & Autobiography
Languages : en
Pages : 324
Book Description
From former slaves, housewives and college professors to Nobel Award-, Pulitzer Prize- and Olympic Gold-winners, this compelling anthology offers vivid and inspiring portraits of fifty black women who made monumental contributions to the world, including Sojourner Truth, Hattie McDaniel, Ella Fitzgerald, Oprah Winfrey, Tina Turner and many more women - both famous and little-known.