Author: Michael J. Warren
Publisher: D. S. Brewer
ISBN: 9781843845911
Category :
Languages : en
Pages : 270
Book Description
First full-length study of birds and their metamorphoses as treated in a wide range of medieval poetry, from the Anglo-Saxons to Chaucer and Gower.
Birds in Medieval English Poetry
Author: Michael J. Warren
Publisher: D. S. Brewer
ISBN: 9781843845911
Category :
Languages : en
Pages : 270
Book Description
First full-length study of birds and their metamorphoses as treated in a wide range of medieval poetry, from the Anglo-Saxons to Chaucer and Gower.
Publisher: D. S. Brewer
ISBN: 9781843845911
Category :
Languages : en
Pages : 270
Book Description
First full-length study of birds and their metamorphoses as treated in a wide range of medieval poetry, from the Anglo-Saxons to Chaucer and Gower.
Sung Birds
Author: Elizabeth Eva Leach
Publisher: Cornell University Press
ISBN: 1501727575
Category : Music
Languages : en
Pages : 362
Book Description
Is birdsong music? The most frequent answer to this question in the Middle Ages was resoundingly "no." In Sung Birds, Elizabeth Eva Leach traces postmedieval uses of birdsong within Western musical culture. She first explains why such melodious sound was not music for medieval thinkers and then goes on to consider the ontology of music, the significance of comparisons between singers and birds, and the relationship between art and nature as enacted by the musical performance of late-medieval poetry. If birdsong was not music, how should we interpret the musical depiction of birdsong in human music-making? What does it tell us about the singers, their listeners, and the moral status of secular polyphony? Why was it the fourteenth century that saw the beginnings of this practice, continued to this day in the music of Messiaen and others?Leach explores medieval arguments about song, language, and rationality whose basic terms survive undiminished into the present. She considers not only lyrics that have their singers voice the songs or speech of birds but also those that represent other natural, nonmusical, sounds such as human cries or the barks of dogs. The dangerous sweetness of birdsong was invoked in discussions of musical ethics, which, because of the potential slippage between irrational beast and less rational woman in comparisons with rational human masculinity, depict women's singing as less than fully human. Leach's argument comes full circle with the advent of sound recording. This technological revolution-like its medieval equivalent, the invention of the music book-once again made the relationship between music and nature an acute preoccupation of Western culture.
Publisher: Cornell University Press
ISBN: 1501727575
Category : Music
Languages : en
Pages : 362
Book Description
Is birdsong music? The most frequent answer to this question in the Middle Ages was resoundingly "no." In Sung Birds, Elizabeth Eva Leach traces postmedieval uses of birdsong within Western musical culture. She first explains why such melodious sound was not music for medieval thinkers and then goes on to consider the ontology of music, the significance of comparisons between singers and birds, and the relationship between art and nature as enacted by the musical performance of late-medieval poetry. If birdsong was not music, how should we interpret the musical depiction of birdsong in human music-making? What does it tell us about the singers, their listeners, and the moral status of secular polyphony? Why was it the fourteenth century that saw the beginnings of this practice, continued to this day in the music of Messiaen and others?Leach explores medieval arguments about song, language, and rationality whose basic terms survive undiminished into the present. She considers not only lyrics that have their singers voice the songs or speech of birds but also those that represent other natural, nonmusical, sounds such as human cries or the barks of dogs. The dangerous sweetness of birdsong was invoked in discussions of musical ethics, which, because of the potential slippage between irrational beast and less rational woman in comparisons with rational human masculinity, depict women's singing as less than fully human. Leach's argument comes full circle with the advent of sound recording. This technological revolution-like its medieval equivalent, the invention of the music book-once again made the relationship between music and nature an acute preoccupation of Western culture.
Birds, Birds, Birds: A Comparative Study of Medieval Persian and English Poetry, especially Attar’s Conference of Birds, The Owl and the Nightingale, Chaucer’s The Parliament of Fowls and The Canterbury Tales
Author: Somayeh Baeten
Publisher: utzverlag GmbH
ISBN: 3831648603
Category : Language Arts & Disciplines
Languages : en
Pages : 132
Book Description
Somayeh Baeten, née Shafiei, is a German citizen born in Tehran in 1981. She was raised in a caring Persian family with her beloved mom, Soosan, who inspired and supported her devotedly through all stages of life, to whom this book is devoted. After finishing school, Somayeh as a talented student, finished her Bachelors and Masters in English Language and Literature in her hometown. She came later to Germany to continue her studies and received her Dr. Phil. (Ph.D.) in English Linguistics and Medieval Literature from Ludwig Maximilian University of Munich. In Munich, she got to know her dear husband, Andre, and later gave birth to her lovely daughter, Niki. Since 2005, she has been teaching classes in English Linguistics and Literature at universities in both her hometown, Tehran, and Munich. Moreover, she has experienced Establishing and Organizing EFL Learning Centres at Universities in her hometown. Being motivated in her academic life and interested in both Persian and English literature, reading literary books, lecturing, translating and travelling around the world, she got a deep understanding and knowledge of literature to write the present book: “Birds, Birds, Birds: A Comparative Study of Medieval Persian and English Poetry, especially Attar’s Conference of Birds, The Owl and the Nightingale, Chaucer’s The Parliament of Fowls and The Canterbury Tales”, in which she compares these medieval literary masterpieces of the East and the West.
Publisher: utzverlag GmbH
ISBN: 3831648603
Category : Language Arts & Disciplines
Languages : en
Pages : 132
Book Description
Somayeh Baeten, née Shafiei, is a German citizen born in Tehran in 1981. She was raised in a caring Persian family with her beloved mom, Soosan, who inspired and supported her devotedly through all stages of life, to whom this book is devoted. After finishing school, Somayeh as a talented student, finished her Bachelors and Masters in English Language and Literature in her hometown. She came later to Germany to continue her studies and received her Dr. Phil. (Ph.D.) in English Linguistics and Medieval Literature from Ludwig Maximilian University of Munich. In Munich, she got to know her dear husband, Andre, and later gave birth to her lovely daughter, Niki. Since 2005, she has been teaching classes in English Linguistics and Literature at universities in both her hometown, Tehran, and Munich. Moreover, she has experienced Establishing and Organizing EFL Learning Centres at Universities in her hometown. Being motivated in her academic life and interested in both Persian and English literature, reading literary books, lecturing, translating and travelling around the world, she got a deep understanding and knowledge of literature to write the present book: “Birds, Birds, Birds: A Comparative Study of Medieval Persian and English Poetry, especially Attar’s Conference of Birds, The Owl and the Nightingale, Chaucer’s The Parliament of Fowls and The Canterbury Tales”, in which she compares these medieval literary masterpieces of the East and the West.
The Husband's Message & the Accompanying Riddles of the Exeter Book
Author: Francis Adelbert Blackburn
Publisher:
ISBN:
Category : Exeter book
Languages : en
Pages : 34
Book Description
Publisher:
ISBN:
Category : Exeter book
Languages : en
Pages : 34
Book Description
Two Early Renaissance Bird Poems
Author: Malcolm Andrew
Publisher: Associated University Presses
ISBN: 9780918016737
Category : Poetry
Languages : en
Pages : 132
Book Description
This volume presents annotated texts of two poems that have not appeared in a previous critical edition. They are specimens of noncourtly minor poetry; the bird convention which links them is formulaic rather than experimental, their mode is predictable, their outlook decidedly conventional. A publication of the Renaissance English Text Society.
Publisher: Associated University Presses
ISBN: 9780918016737
Category : Poetry
Languages : en
Pages : 132
Book Description
This volume presents annotated texts of two poems that have not appeared in a previous critical edition. They are specimens of noncourtly minor poetry; the bird convention which links them is formulaic rather than experimental, their mode is predictable, their outlook decidedly conventional. A publication of the Renaissance English Text Society.
The Parliament of Birds
Author: Geoffrey Chaucer
Publisher: Hesperus Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 180
Book Description
In this collection of poems, among his very best, Chaucer showcases his lyrical skills to perfection. Verging from tragic to comic, the overriding theme of the poetry is love, in its many guises. Chaucer tells of his passion for reading, which allows him to eavesdrop on a "parliament of birds" on St Valentine's Day; he tells how he, as an inveterate reader, forsakes his books on the first of May to wander into the fields; he complains of being short of money; and he complains to his scribe for copying his verses badly. All in all, in the course of the poetry he reveals a lot about himself, and does so throughout in an engaging and civilized manner.
Publisher: Hesperus Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 180
Book Description
In this collection of poems, among his very best, Chaucer showcases his lyrical skills to perfection. Verging from tragic to comic, the overriding theme of the poetry is love, in its many guises. Chaucer tells of his passion for reading, which allows him to eavesdrop on a "parliament of birds" on St Valentine's Day; he tells how he, as an inveterate reader, forsakes his books on the first of May to wander into the fields; he complains of being short of money; and he complains to his scribe for copying his verses badly. All in all, in the course of the poetry he reveals a lot about himself, and does so throughout in an engaging and civilized manner.
The Boundaries of the Human in Medieval English Literature
Author: Dorothy Yamamoto
Publisher: Oxford University Press, USA
ISBN: 9780198186748
Category : Animals in literature
Languages : en
Pages : 276
Book Description
This study analyzes the fear of beastly transformation that recurs throughout Medieval literature. Yamamoto explores how humans envisioned animals with human characteristics in bestiaries and literatures that involve aspects of the hunt and heraldry. Minor texts, as well as major works likeChaucer's "Knight's Tale," are investigated. Additionally, she explores both examples of humans changing into animal form and those that hover enigmatically between species as wild men and women. Investigating this topic, she looks to Alexander romances, the poetry of Gower, and othersources.
Publisher: Oxford University Press, USA
ISBN: 9780198186748
Category : Animals in literature
Languages : en
Pages : 276
Book Description
This study analyzes the fear of beastly transformation that recurs throughout Medieval literature. Yamamoto explores how humans envisioned animals with human characteristics in bestiaries and literatures that involve aspects of the hunt and heraldry. Minor texts, as well as major works likeChaucer's "Knight's Tale," are investigated. Additionally, she explores both examples of humans changing into animal form and those that hover enigmatically between species as wild men and women. Investigating this topic, she looks to Alexander romances, the poetry of Gower, and othersources.
Nature Speaks
Author: Kellie Robertson
Publisher: University of Pennsylvania Press
ISBN: 0812248651
Category : Literary Criticism
Languages : en
Pages : 456
Book Description
Nature Speaks recovers the common ground shared between physics—what used to be known as "natural philosophy"—and fiction-writing as ways of representing the natural world. In doing so, it traces how nature gained an authoritative voice in the late medieval period only to lose it at the outset of modernity.
Publisher: University of Pennsylvania Press
ISBN: 0812248651
Category : Literary Criticism
Languages : en
Pages : 456
Book Description
Nature Speaks recovers the common ground shared between physics—what used to be known as "natural philosophy"—and fiction-writing as ways of representing the natural world. In doing so, it traces how nature gained an authoritative voice in the late medieval period only to lose it at the outset of modernity.
Kes
Author: Barry Hines
Publisher: MIT Press
ISBN: 9781854594860
Category : Drama
Languages : en
Pages : 84
Book Description
"This new stage adaptation of Barry Hines' well-known film and novel once again proves its gritty charm and popular staying power..." --Back cover.
Publisher: MIT Press
ISBN: 9781854594860
Category : Drama
Languages : en
Pages : 84
Book Description
"This new stage adaptation of Barry Hines' well-known film and novel once again proves its gritty charm and popular staying power..." --Back cover.
Say what I Am Called
Author: Dieter Bitterli
Publisher: University of Toronto Press
ISBN: 0802093523
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
Perhaps the most enigmatic cultural artifacts that survive from the Anglo-Saxon period are the Old English riddle poems that were preserved in the tenth century Exeter Book manuscript. Clever, challenging, and notoriously obscure, the riddles have fascinated readers for centuries and provided crucial insight into the period. In Say What I Am Called, Dieter Bitterli takes a fresh look at the riddles by examining them in the context of earlier Anglo-Latin riddles. Bitterli argues that there is a vigorous common tradition between Anglo-Latin and Old English riddles and details how the contents of the Exeter Book emulate and reassess their Latin predecessors while also expanding their literary and formal conventions. The book also considers the ways in which convention and content relate to writing in a vernacular language. A rich and illuminating work that is as intriguing as the riddles themselves, Say What I Am Called is a rewarding study of some of the most interesting works from the Anglo-Saxon period.
Publisher: University of Toronto Press
ISBN: 0802093523
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
Perhaps the most enigmatic cultural artifacts that survive from the Anglo-Saxon period are the Old English riddle poems that were preserved in the tenth century Exeter Book manuscript. Clever, challenging, and notoriously obscure, the riddles have fascinated readers for centuries and provided crucial insight into the period. In Say What I Am Called, Dieter Bitterli takes a fresh look at the riddles by examining them in the context of earlier Anglo-Latin riddles. Bitterli argues that there is a vigorous common tradition between Anglo-Latin and Old English riddles and details how the contents of the Exeter Book emulate and reassess their Latin predecessors while also expanding their literary and formal conventions. The book also considers the ways in which convention and content relate to writing in a vernacular language. A rich and illuminating work that is as intriguing as the riddles themselves, Say What I Am Called is a rewarding study of some of the most interesting works from the Anglo-Saxon period.