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Author: Gerald L. Carr Publisher: ISBN: 9780935037906 Category : Hudson River school of landscape painting Languages : en Pages : 0
Book Description
Albert Bierstadt (1830-1902) took his first trip West early in 1859 with Frederic Lander. He was chosen to be a civilian artist on a government expedition which set out to improve the wagon roads of the South Pass from Fort Kearny to the eastern border of California. By the middle of the year, Bierstadt was following the same steps taken by Alfred Jacob Miller twenty-two years earlier, on the Oregon Trail. Along the way he met and sketched thousands of discouraged gold seekers and immigrants. In late summer he returned east and began turning his sketches into huge canvases. Included among some of these earlier scenes were Chimney Rock, Fort Laramie and Laramie Park .Bierstadt's second trip, this time to the far West, took place in 1863. He traveled with his friend Fitz Ludlow. They spent several weeks in Yosemite Valley beyond the Sierra Nevada, eventually traveling up into Oregon. By 1864, scarcely five years after painting his first Rocky Mountain picture, Bierstadt was the most highly acclaimed American painter, rivaling even Frederick Church. As an artist, Bierstadt was concerned more with communicating his image of the West to the American public than with following changing styles in the art world. For him, the immensity of the Rocky Mountains could find appropriate expression only on large canvases. Despite their size, and the immensity of terrain represented, he also managed to include a lavish amount of detail, particularly in his foregrounds. As a consequence, he was often criticized in later years for overstatement, for combining several paintings into one canvas, sometimes from different perspectives. When he did not lose sight of the whole in his efforts to combine large vistas and accurate amounts of detail, the impact of his work could be universalizing.
Author: Gerald L. Carr Publisher: ISBN: 9780935037906 Category : Hudson River school of landscape painting Languages : en Pages : 0
Book Description
Albert Bierstadt (1830-1902) took his first trip West early in 1859 with Frederic Lander. He was chosen to be a civilian artist on a government expedition which set out to improve the wagon roads of the South Pass from Fort Kearny to the eastern border of California. By the middle of the year, Bierstadt was following the same steps taken by Alfred Jacob Miller twenty-two years earlier, on the Oregon Trail. Along the way he met and sketched thousands of discouraged gold seekers and immigrants. In late summer he returned east and began turning his sketches into huge canvases. Included among some of these earlier scenes were Chimney Rock, Fort Laramie and Laramie Park .Bierstadt's second trip, this time to the far West, took place in 1863. He traveled with his friend Fitz Ludlow. They spent several weeks in Yosemite Valley beyond the Sierra Nevada, eventually traveling up into Oregon. By 1864, scarcely five years after painting his first Rocky Mountain picture, Bierstadt was the most highly acclaimed American painter, rivaling even Frederick Church. As an artist, Bierstadt was concerned more with communicating his image of the West to the American public than with following changing styles in the art world. For him, the immensity of the Rocky Mountains could find appropriate expression only on large canvases. Despite their size, and the immensity of terrain represented, he also managed to include a lavish amount of detail, particularly in his foregrounds. As a consequence, he was often criticized in later years for overstatement, for combining several paintings into one canvas, sometimes from different perspectives. When he did not lose sight of the whole in his efforts to combine large vistas and accurate amounts of detail, the impact of his work could be universalizing.
Author: Peter H. Hassrick Publisher: ISBN: 9780806160047 Category : Bison in art Languages : en Pages : 0
Book Description
As one of America's most prominent nineteenth-century painters, Albert Bierstadt (1830-1902) is justly renowned for his majestic paintings of the western landscape. Yet Bierstadt was also a painter of history, and his figural works, replete with images of Plains Indians and the American bison, are an important part of his legacy as well. This splendid full-color volume highlights his achievements in chronicling a rapidly changing American West. Born in Germany, Bierstadt rose to prominence as an American artist in the late 1850s and enjoyed nearly two decades of critical success. His paintings propelled him to the forefront of the American art scene, but they also met with reproach from his peers and critics in the press who viewed his painting style as outmoded. Bierstadt's star has both risen and fallen as modern art historians have reconsidered his complex oeuvre. This volume takes a major step in reappraising Bierstadt's contributions by reexamining the artist through a new lens. It shows how Bierstadt conveyed moral messages through his paintings, often to preserve the dignity of Native peoples and call attention to the tragic slaughter of the American bison. More broadly, the book reconsiders the artist's engagement with contemporary political and social debates surrounding wildlife conservation in America, the creation and perpetuation of national parks, and the prospects for the West's indigenous peoples. Bierstadt's final history paintings, including his dual masterworks titled The Last of the Buffalo--a special focus of this volume--stand out as elegiac odes to an earlier era, giving voice to concerns about the intertwined fates of Native peoples and endangered wildlife, especially bison. Along with its rich sampling of Bierstadt's diverse artwork, Albert Bierstadt: Witness to a Changing West features informative essays by noted curators, scholars of art history, and historians of the American West.
Author: Peter E. Palmquist Publisher: Stanford University Press ISBN: 9780804738835 Category : Photography Languages : en Pages : 716
Book Description
This extraordinarily comprehensive, well-documented, biographical dictionary of some 1,500 photographers (and workers engaged in photographically related pursuits) active in western North America before 1865 is enriched by some 250 illustrations. Far from being simply a reference tool, the book provides a rich trove of fascinating narratives that cover both the professional and personal lives of a colorful cast of characters.
Author: Michael Kowalewski Publisher: Cambridge University Press ISBN: 9780521565592 Category : Literary Collections Languages : en Pages : 322
Book Description
The American West of myth and legend has always exerted a strong hold on the popular imagination, and the essays in Reading the West examine some of the basis of that fascination. Reading the West, first published in 1996, is a collection of critical essays by writers, independent scholars and critics on the literature of the American West in the last two centuries. It showcases new ways of reading and understanding western writing. Arguing for the importance of 'place' in literature, these essays explore what makes representative literary works 'western'. They also explore the multicultural and ecological dimensions of western writing. This volume helps enrich our understanding of a distinguished body of literary work which has sometimes been unjustly ignored. It deals not only with literature but with the changing conception of the West in the American imagination.
Author: Mindy N. Besaw Publisher: Rizzoli International Publications ISBN: 084783705X Category : Art Languages : en Pages : 290
Book Description
This expansive survey of the art and culture of the American West presents richly diverse works by more than 35 distinct Native American nations considered alongside non-Native artists from the late eighteenth to early twentieth centuries. Knowing the West encourages deeper consideration of the variety of cultures that together reflect the complex histories and stories of the American West. Astonishing in range, historical significance, medium, and quality, more than 120 artworks by Native American and non-Native artists are presented—including textiles, baskets, paintings, pottery, beadwork, saddles, and prints—including many by women. The artworks are shown in meaningful dialogue, such as baskets by Elizabeth Hickox (Wiyot/Karuk) juxtaposed with a large-scale California landscape by Albert Bierstadt, or New Mexican tinwork in conversation with a beaded valise by Nellie Two Bear Gates (Dakota), emphasizing influence and exchange and pointing out different ways of thinking about land and place. Multiple texts by a diverse range of scholars with broad-reaching perspectives explore topics such as history and making of Lakota winter counts, the development of saddles and bridles from across cultures, and the influence of the railroad and tourism on Southwestern pottery. This unprecedented volume centers Native voices and perspectives, prompting further thinking and research about the art history of the West.
Author: Nancy K. Anderson Publisher: ISBN: 9781555950590 Category : Art Languages : en Pages : 327
Book Description
Bierstadt was the great recorder of the American western landscape. He was the first artist with both the technique and the talent to convey the powerful visual impact of western space and to capture the scale of America's mountains. This magnificent volume provides a full appreciation of his talent as an artist.
Author: Greg Dickinson Publisher: University of Alabama Press ISBN: 081736157X Category : History Languages : en Pages : 265
Book Description
An engrossing exploration of conflicting and complex narratives about the American West and its Native American heritage, violent colonial settlement, and natural history
Author: Tyler Green Publisher: Univ of California Press ISBN: 0520963024 Category : History Languages : en Pages : 594
Book Description
"[A] fascinating and indispensable book."—Christopher Knight, Los Angeles Times Best Books of 2018—The Guardian Gold Medal for Contribution to Publishing, 2019 California Book Awards Carleton Watkins (1829–1916) is widely considered the greatest American photographer of the nineteenth century and arguably the most influential artist of his era. He is best known for his pictures of Yosemite Valley and the nearby Mariposa Grove of giant sequoias. Watkins made his first trip to Yosemite Valley and Mariposa Grove in 1861 just as the Civil War was beginning. His photographs of Yosemite were exhibited in New York for the first time in 1862, as news of the Union’s disastrous defeat at Fredericksburg was landing in newspapers and while the Matthew Brady Studio’s horrific photographs of Antietam were on view. Watkins’s work tied the West to Northern cultural traditions and played a key role in pledging the once-wavering West to Union. Motivated by Watkins’s pictures, Congress would pass legislation, signed by Abraham Lincoln, that preserved Yosemite as the prototypical “national park,” the first such act of landscape preservation in the world. Carleton Watkins: Making the West American includes the first history of the birth of the national park concept since pioneering environmental historian Hans Huth’s landmark 1948 “Yosemite: The Story of an Idea.” Watkins’s photographs helped shape America’s idea of the West, and helped make the West a full participant in the nation. His pictures of California, Oregon, and Nevada, as well as modern-day Washington, Utah, and Arizona, not only introduced entire landscapes to America but were important to the development of American business, finance, agriculture, government policy, and science. Watkins’s clients, customers, and friends were a veritable “who’s who” of America’s Gilded Age, and his connections with notable figures such as Collis P. Huntington, John and Jessie Benton Frémont, Eadweard Muybridge, Frederick Billings, John Muir, Albert Bierstadt, and Asa Gray reveal how the Gilded Age helped make today’s America. Drawing on recent scholarship and fresh archival discoveries, Tyler Green reveals how an artist didn’t just reflect his time, but acted as an agent of influence. This telling of Watkins’s story will fascinate anyone interested in American history; the West; and how art and artists impacted the development of American ideas, industry, landscape, conservation, and politics.
Author: Metropolitan Museum of Art (New York, N.Y.) Publisher: Metropolitan Museum of Art ISBN: 0870994972 Category : Hudson River school of landscape painting Languages : en Pages : 367
Book Description
Traces the history of the Hudson River School of American painters, shows works by Church, Cole, and Inness, and describes the background of each painting.
Author: Lee Clark Mitchell Publisher: University of Chicago Press ISBN: 9780226532356 Category : Literary Criticism Languages : en Pages : 358
Book Description
Ranging from the novels of James Fenimore Cooper to Louis L'Amour, and from classic films such as STAGECOACH to spaghetti Westerns like A FISTFUL OF DOLLARS, culture scholar Lee Clark Mitchell shows how Westerns as a genre helped assuage a series of crises in American culture by responding to fears and obsessions of its audience--particularly what it means to be a "man". 30 photos. 5 line drawings.
Author: Gerald L. Carr
Author: Gerald L. Carr
Author: Peter H. Hassrick
Author: Peter E. Palmquist
Author: Michael Kowalewski
Author: Mindy N. Besaw
Author: Nancy K. Anderson
Author: Greg Dickinson
Author: Tyler Green
Author: Metropolitan Museum of Art (New York, N.Y.)
Author: Lee Clark Mitchell