Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 82
Book Description
Bibliotheca Splendidissima Rendorpiana
Author: Bibliotheca Splendidissima Rendorpiana. The Entire, Very Elegant and Valuable Library of the Late Learned John Rendorp, Esq. of Marquettæ and Amsterdam ... which Will be Sold by Auction, by Mr. Sotheby, at His House, No. 3, Wellington Street, Starnd, on Monday, February 28, 1825, and Seven Following Days (Sunday Excepted), at Twelve O'clock
Author: Bibliotheca Curiosa
Author: Andrew J. OdellPublisher:
ISBN:
Category : Literary curiosa
Languages : en
Pages : 484
Book Description
The Entire, Very Elegant and Valuable Library of the Late Learned John Rendorp, Esq. of Marquettæ and Amsertdam
Author: A Catalogue of a Singularly Curious and Interesting Collection of Spanish Books
Author: Catalogues [of Auction Sales
Author: Sotheby & Co. (London, England)Publisher:
ISBN:
Category :
Languages : en
Pages : 820
Book Description
Manuscript Illumination in the Modern Age
Author: Sandra HindmanPublisher: Mary & Leigh Block Gallery
ISBN:
Category : Art
Languages : en
Pages : 396
Book Description
How medieval manuscripts were understood in the 19th and 20th centuries is the basis for this volume co-written by four art historians; Hindman (Northwestern U.), Michael Camille (U. of Chicago), Rowan Watson (Victoria and Albert Museum), and Nina Rowe (Block Museum, Northwestern U.). The attitudes
From Wolfram and Petrarch to Goethe and Grass
Author: Leonard ForsterPublisher:
ISBN:
Category : Baroque literature
Languages : de
Pages : 648
Book Description
Christine de Pizan's "Epistre Othéa"
Author: Sandra HindmanPublisher: PIMS
ISBN: 9780888440778
Category : Art
Languages : en
Pages : 352
Book Description
Flemish Manuscript Painting in Context
Author: Elizabeth MorrisonPublisher: Getty Publications
ISBN: 0892368527
Category : Art
Languages : en
Pages : 212
Book Description
A companion to the Getty’s prize-winning exhibition catalogue Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, this volume contains thirteen selected papers presented at two conferences held in conjunction with that exhibition. The first was organized by the Getty Museum, and the second was held at the Courtauld Institute of Art under the sponsorship of the Courtauld Institute and the Royal Academy of Arts. Added here is an essay by Margaret Scott on the role of dress during the reign of Charles the Bold. Texts include Lorne Campbell’s research into Rogier van der Weyden’s work as an illuminator, Nancy Turner’s investigation of materials and methods of painting in Flemish manuscripts, and trenchant commentary by Jonathan Alexander and James Marrow on the state of current research on Flemish illumination. A recurring theme is the structure of collaboration in manuscript production. The essays also reveal an important new patron of manuscript illumination and address the role of illuminated manuscripts at the Burgundian court. A series of biographies of Burgundian scribes is featured.