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Author: Marlies Ter Borg Publisher: Createspace Independent Pub ISBN: 9781468029154 Category : Art Languages : en Pages : 46
Book Description
The colorful images in this book show that we have more in common than is generally supposed. They are miniature figures well known from BIBLE AND QURAN. Adam, Noah, Moses, Mary and Jesus, and many others revered by Muslims and Christians alike. Surprising to find them rendered here by Muslim artists! Islamic art, admired for its non-figurative beauty, sometimes ventures into the figurative sphere, for educational and illustrative purposes. Tucked discreetly into books, rather than proudly displayed in mosques, they are now buried in the cellars of mainly Western museums. Reason enough to make these jewels available for the general public. For the images show not only similarities with Christian art but also fascinating differences both in content and style. Adam and Eve/Hawwa revered by angels, and then leaving Paradise on a four legged snake; the child Moses on Pharaoh's lap; King Solomon conversing with animals; Jesus on horseback raising Lazarus from the dead; finally Mary, Jesus and Moses depicted together with Muhammad; the last two with discreetly covered faces. Each image is accompanied by a short explanation and relevant Qur'anic texts. Reproductions of the images, stemming from the 16th and 17th century, admired by Christians and Muslims, have been shown in a mobile exhibition. Negotiations are underway for a full fledged exhibition with some if not all of the authentic miniatures. Compiled by Marlies ter Borg, www.marliesterborg.net [email protected] author of Sharing Mary, Bible and Qur'an Side by Side Images courtesy of: The Nour Foundation, Khalili Family Trust, London The Arthur M. Sackler Gallery, Smithsonian, Washington D.C. The Topkapi museum, Istanbul The Wereldmuseum, Rotterdam The David Collection, Copenhagen
Author: Seiichi Suzuki Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110788063 Category : History Languages : en Pages : 764
Book Description
The Old English Genesis is the sole illustrated Anglo-Saxon poem. In full appreciation of this unique concurrent execution of visualization and versification in a single manuscript, this multidisciplinary work explores the pictorial (Vol. 1) and the metrical (Vol. 2) organization from both synchronic–structural and diachronic–comparative perspectives. Among the most significant findings of each volume are: The first twenty-two images in the Old English Genesis originated on the whole from the Touronian Bibles; and the underlying classical Old English and Old Saxon meters were interactively reshaped through mutual adaptation and recomposition aimed at their firm integration into a synthesized Old English Genesis. While each part is solidly embedded in the respective scholarly tradition and pursues its own disciplinary concerns and problematics, vigorous formal and cognitive reasoning and theorizing run commonly through both. By way of mutual corroboration and integration, the twin volumes eventually converge on the hypothesis that the earliest portion of the extant Old English Genesis (lines 1–966) derived from the corresponding episodes of an illustrated Touronian Old Saxon Genesis in both pictorial and metrical terms.
Author: Bruce M. Metzger Publisher: Oxford University Press ISBN: 9780195365320 Category : Bibles Languages : en Pages : 164
Book Description
After a thorough survey of the fundamentals of Greek palaeograpy, the author discusses many of the distinctive features of biblical manuscripts, such as musical neumes, lectionaries, glosses, commentaries and illuminations.