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Author: Archana Narayanan Publisher: ISBN: Category : Languages : en Pages : 26
Book Description
Kolam is an Indian art form traditionally drawn using rice flour on floors of houses or in courtyards. This story is about a little girl, Bhoomi, who falls in love with her mother's kolams and decides to learn the art of drawing kolams. Join Bhoomi in her quest!
Author: Archana Narayanan Publisher: ISBN: Category : Languages : en Pages : 26
Book Description
Kolam is an Indian art form traditionally drawn using rice flour on floors of houses or in courtyards. This story is about a little girl, Bhoomi, who falls in love with her mother's kolams and decides to learn the art of drawing kolams. Join Bhoomi in her quest!
Author: Archana Narayanan Publisher: ISBN: Category : Languages : en Pages : 26
Book Description
Bhoomi loves everything about the festive season of Navaratri. Most of all, she loves setting up the golu! While Bhoomi loves to set up the golu the traditional way with clay dolls of gods and goddesses, she wants to do something different this year. What does she do? Read on to find out!
Author: Vijaya Nagarajan Publisher: ISBN: 0195170822 Category : Design Languages : en Pages : 337
Book Description
Every day millions of Tamil women in southeast India wake up before dawn to create a kolam, an ephemeral ritual design made with rice flour, on the thresholds of homes, businesses and temples. This thousand-year-old ritual welcomes and honors Lakshmi, the goddess of wealth and alertness, and Bhudevi, the goddess of the earth. Created by hand with great skill, artistry, and mathematical precision, the kolam disappears in a few hours, borne away by passing footsteps and hungry insects. This is the first comprehensive study of the kolam in the English language. It examines its significance in historical, mathematical, ecological, anthropological, and literary contexts. The culmination of Vijaya Nagarajan's many years of research and writing on this exacting ritual practice, Feeding a Thousand Souls celebrates the experiences, thoughts, and voices of the Tamil women who keep this tradition alive.
Author: Phyllis K. Herman Publisher: Cambridge Scholars Publishing ISBN: 1443807028 Category : Religion Languages : en Pages : 320
Book Description
The Constant and Changing Faces of the Goddess: Goddess Traditions of Asia contains essays written by established scholars in the field that trace the multiplicity of Asian goddesses: their continuities, discontinuities, and importance as symbols of wisdom, power, transformation, compassion, destruction, and creation. The essays demonstrate that while treatments of the goddess may vary regionally, culturally, and historically, it is possible to note some consistencies in the overall picture of the goddess in Asia. The book provides a comprehensive treatment of the goddess, culminating in the selections that draw from research on Indian, Nepali, Chinese, Japanese, and Vietnamese traditions, seldom found in other works of similar subject. The volume will be useful for students in religious studies, gender studies, Asian studies, and women's studies. With the intent of making the volume truly broad in scope, an effort has been made to include works written by art historians, sociologists, anthropologists, and religious studies scholars. Culture cannot be separated from religion; they are intertwined as an organic whole, and variations manifest themselves in the rituals and daily lives of the people. In this sense, all the essays are interconnected: the goddess manifests in many forms and appeals to differing aspects of a particular culture as a paradigm of the divine feminine.
Author: Zainul Abidin Rasheed Publisher: World Scientific ISBN: 981121252X Category : History Languages : en Pages : 808
Book Description
The year 2019 marks Singapore's Bicentennial milestone since the arrival of Sir Stamford Raffles in Singapore in 1819. It was in anticipation of the arrival of the Bicentennial that this book, Beyond Bicentennial: Perspectives on Malays, was initiated. This book is a collection of articles from prominent individuals and academicians that touch not only on the 200 years since the arrival of Raffles, but goes back much earlier, 720 years earlier, when Sang Nila Utama first set foot on the island in 1299.This book hopes to heighten the readers' sense of history and to reflect upon how Singapore has journeyed over the last two centuries, witnessing the perseverance, trials, challenges, and efforts of Singaporeans, and to see how the nation has gone through a transformation from a feudal setting to a cosmopolitan and multi-racial society.Prior to this book, Majulah! 50 Years of Malay/Muslim Community in Singapore was published in 2016 when Singapore celebrated SG50 — an initiative launched to celebrate the nation's 50 years of independence. The book highlighted the progress, the contributions, and the challenges of the community for the past 50 years since Singapore's independence in 1965.Both books can be read hand-in-hand. While Majulah! 50 Years of Malay/Muslim Community in Singapore called on the community to reflect on the past and to look ahead, this book, Beyond Bicentennial: Perspectives on Malays, calls on readers to reflect and re-examine the position and contributions of the Malays to Singapore's history and its development, as Singapore commemorates its Bicentennial.Related Link(s)
Author: Isabella Nardi Publisher: Routledge ISBN: 1134165234 Category : Art Languages : en Pages : 281
Book Description
The study of technical treatises in Indian art has increasingly attracted much interest. This work puts forward a critical re-examination of the key Indian concepts of painting described in the Sanskrit treatises, called citrasutras. In an in-depth and systematic analysis of the texts on the theory of Indian painting, it critically examines the different ways in which the texts have been interpreted and used in the study of Indian painting, and suggests a new approach to reading and understanding their concepts. Contrary to previous publications on the subject, it is argued that the intended use of such texts as a standard of critique largely failed due to a fundamental misconceptualization of the significance of ‘text’ for Indian painters. Isabella Nardi offers an original approach to research in this field by drawing on the experiences of painters, who are considered as a valid source of knowledge for our understanding of the citrasutras, and provides a new conceptual framework for understanding the interlinkages between textual sources and the practice of Indian painting. Filling a significant gap in Indian scholarship, Nardi's study will appeal to those studying Indian painting and Indian art in general.
Author: Archana Narayanan
Author: Archana Narayanan
Author: Archana Narayanan
Author: Vijaya Nagarajan
Author: Phyllis K. Herman
Author: Travancore (Princely State)
Author: Edgar Thurston
Author: Zainul Abidin Rasheed
Author: Aditi Ranjan
Author: Isabella Nardi
Author: Niveditha Subramaniam