Bhakti Karuna Agepe PDF Download

Author: Marko Zlomislic
Publisher: Global Academic Publishing
ISBN: 9785868423581
Category : Religion
Languages : en
Pages : 0

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A collection of essays on the nature of love in religious tradition and theory, inspired by Raimundo Panikkar's ecumenical embrace of Christianity, Hinduism, and Buddhism.

Author: Marko Zlomislić
Publisher: Global Academic Publishing
ISBN: 9781586842352
Category : Philosophy
Languages : en
Pages : 348

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Category : Agape
Languages : en
Pages : 339

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Author: Marko Zlomislić
Publisher: Wipf and Stock Publishers
ISBN: 1630876933
Category : Religion
Languages : en
Pages : 366

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This volume poses the question of the relationship between the two main influences on the thought of John D. Caputo, one of the most well-known philosophers of religion working in North America today: Jacques Derrida and Jesus Christ. Given the seemingly abstract character of Derrida's account of the messianic, how can one reconcile deconstruction and the "concrete messianism" of Christianity, as Caputo tries to do over and over again? How can one hold together the love of a God willing to be crucified and the dry, desert khora, which doesn't care? This collection of essays from world-renowned scholars seeks to illuminate the difficulties inherent in this seemingly contradictory pair of influences. With his trademark wit and humor, Caputo responds to his interlocutors while clarifying his position on numerous matters of interest to the church and in the academy. In addition to dealing with the concern for issues of hermeneutics, phenomenology, and negative theology for which Caputo has become famous, these essays also evaluate Caputo's legacy in fields previously not thought to be affected by his "deconstructive" version of religion: feminism, sacramental theology, Analytic philosophy of religion, and Christology.

Author: Rajiv Kaushik
Publisher: State University of New York Press
ISBN: 1438476779
Category : Philosophy
Languages : en
Pages : 204

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Merleau-Ponty says in his Institution and Passivity lectures that he wants to "consider criticism itself as a symbolic form" instead of doing "a philosophy of symbolic form." This invites the possibility of an unconventional thought: If critical philosophy is a symbolic form, it cannot disclose its own limits and is, in fact, uncritical. Furthermore, the symbolic form can never itself be thought according to the terms of the criticism it produces but is always only constellated and matrixed within them—a symbolic form within both reflection and what it reflects on, within consciousness and the world. Thus, as Rajiv Kaushik argues, the symbolic form is another name for what Merleau-Ponty calls ontological divergence. Only now divergence introduces the question of a limit to both the subject and philosophy itself. This is nothing less than a psychoanalysis of philosophy. Kaushik's analyses of the matrices between space—imagination, light—dark, awake—asleep, and repression—expression reveal this symbolism in its form of divergence, its lack of origin and destination. Kaushik also argues that the phenomenology of symbolism must detour from the purely descriptive method. Drawing from Merleau-Ponty's recently published course materials, and attentive to his reliance on literature and literary language, Merleau-Ponty between Philosophy and Symbolism continues the living force of Merleau-Ponty's thought and develops his radical insight of the primacy of the symbolic form, even in an ontology that claims to be about the sensible and its elements.

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Category : Languages, Modern
Languages : en
Pages : 2426

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Author: David Goicoechea
Publisher: Global Academic Publishing
ISBN: 9781586842406
Category : Philosophy
Languages : en
Pages : 428

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A study of Nietzche’s Zarathustra.

Author: Emmanuel Alloa
Publisher: State University of New York Press
ISBN: 1438476922
Category : Philosophy
Languages : en
Pages : 326

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Maurice Merleau-Ponty is widely recognized as one of the major figures of twentieth-century philosophy. The recent publication of his lecture courses and posthumous working notes has opened new avenues for both the interpretation of his thought and philosophy in general. These works confirm that, with a surprising premonition, Merleau-Ponty addressed many of the issues that concern philosophy today. With the benefit of this fuller picture of his thought, Merleau-Ponty and Contemporary Philosophy undertakes an assessment of the philosopher's relevance for contemporary thinking. Covering a diverse range of topics, including ontology, epistemology, anthropology, embodiment, animality, politics, language, aesthetics, and art, the editors gather representative voices from North America and Europe, including both Merleau-Ponty specialists and thinkers who have come to the philosopher's work through their own thematic interest.

Author: Maurice Merleau-Ponty
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 322

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Institution and Passivity is based on course notes for classes taught at the Bibliothèque Nationale de Paris. Philosophically, this collection connects the issue of passive constitution of meaning with the dimension of history, furthering discussions and completing arguments started in The Visible and the Invisible and Signs (both published by Northwestern). Leonard Lawlor and Heath Massey’s translation makes available to an English-speaking readership a critical transitional text in the history of phenomenology.

Author: Rajiv Kaushik
Publisher: Bloomsbury Publishing
ISBN: 1441138730
Category : Philosophy
Languages : en
Pages : 177

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Art and Institution examines how for Merleau-Ponty the work of art opens up, without conceptualizing, the event of being. Rajiv Kaushik treats Merleau-Ponty's renderings of the artwork - specifically in his later writings during the period ranging from 1952-1961 - as a path into the being that precedes phenomenology. Replete with references to Merleau-Ponty's reflections on Matisse, Cézanne, Proust and others, and featuring Kaushik's own original reflections on various artworks, this book is guided by the notion that art does not iterate the findings of phenomenology so much as it allows phenomenology to finally discover what, as a matter of principle, it seeks: the very foundation of experience that is not itself available to thought. Kaushik is thus concerned with the ways in which the work of art restores the principle of institution, prior to the intentional structures of consciousness, so that phenomenology may settle questions concerning ontological difference, the origination of significance, and the relationship between interiority and exteriority.