Author: Arthur C. Danto
Publisher: Univ of California Press
ISBN: 9780520216747
Category : Art
Languages : en
Pages : 292
Book Description
This essays explore how conceptions of art -and resulting historical narrativesdiffer according to culture.
Beyond the Brillo Box
Author: Arthur C. Danto
Publisher: Univ of California Press
ISBN: 9780520216747
Category : Art
Languages : en
Pages : 292
Book Description
This essays explore how conceptions of art -and resulting historical narrativesdiffer according to culture.
Publisher: Univ of California Press
ISBN: 9780520216747
Category : Art
Languages : en
Pages : 292
Book Description
This essays explore how conceptions of art -and resulting historical narrativesdiffer according to culture.
Beyond the Brillo Box
Author: Arthur Coleman Danto
Publisher: Farrar Straus & Giroux
ISBN: 9780374112424
Category : Art
Languages : en
Pages : 263
Book Description
A collection of essays on issues of aesthetics grapples with the challenges of contempory pluralism, state sponsorship of the arts, the philosophical idea of the master narrative, and much more. By the author of Encounters and Reflections.
Publisher: Farrar Straus & Giroux
ISBN: 9780374112424
Category : Art
Languages : en
Pages : 263
Book Description
A collection of essays on issues of aesthetics grapples with the challenges of contempory pluralism, state sponsorship of the arts, the philosophical idea of the master narrative, and much more. By the author of Encounters and Reflections.
Beyond the Brillo Box
Author: Arthur Coleman Danto
Publisher: Farrar, Straus and Giroux
ISBN: 9780374523916
Category : Art
Languages : en
Pages : 264
Book Description
Arthur C. Danto's ground-breaking collection of interconnected essays grapples with the most challenging issues in art today, among them the problems of contemporary pluralism and the dilemmas of censorship and state support for artists.
Publisher: Farrar, Straus and Giroux
ISBN: 9780374523916
Category : Art
Languages : en
Pages : 264
Book Description
Arthur C. Danto's ground-breaking collection of interconnected essays grapples with the most challenging issues in art today, among them the problems of contemporary pluralism and the dilemmas of censorship and state support for artists.
After the End of Art
Author: Arthur C. Danto
Publisher: Princeton University Press
ISBN: 0691209308
Category : Art
Languages : en
Pages : 350
Book Description
The classic and provocative account of how art changed irrevocably with pop art and why traditional aesthetics can’t make sense of contemporary art A classic of art criticism and philosophy, After the End of Art continues to generate heated debate for its radical and famous assertion that art ended in the 1960s. Arthur Danto, a philosopher who was also one of the leading art critics of his time, argues that traditional notions of aesthetics no longer apply to contemporary art and that we need a philosophy of art criticism that can deal with perhaps the most perplexing feature of current art: that everything is possible. An insightful and entertaining exploration of art’s most important aesthetic and philosophical issues conducted by an acute observer of contemporary art, After the End of Art argues that, with the eclipse of abstract expressionism, art deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, Danto makes the case for a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol’s Brillo Box and the product found in the grocery store. After the End of Art addresses art history, pop art, “people’s art,” the future role of museums, and the critical contributions of Clement Greenberg, whose aesthetics-based criticism helped a previous generation make sense of modernism. Tracing art history from a mimetic tradition (the idea that art was a progressively more adequate representation of reality) through the modern era of manifestos (when art was defined by the artist’s philosophy), Danto shows that it wasn’t until the invention of pop art that the historical understanding of the means and ends of art was nullified. Even modernist art, which tried to break with the past by questioning the ways in which art was produced, hinged on a narrative.
Publisher: Princeton University Press
ISBN: 0691209308
Category : Art
Languages : en
Pages : 350
Book Description
The classic and provocative account of how art changed irrevocably with pop art and why traditional aesthetics can’t make sense of contemporary art A classic of art criticism and philosophy, After the End of Art continues to generate heated debate for its radical and famous assertion that art ended in the 1960s. Arthur Danto, a philosopher who was also one of the leading art critics of his time, argues that traditional notions of aesthetics no longer apply to contemporary art and that we need a philosophy of art criticism that can deal with perhaps the most perplexing feature of current art: that everything is possible. An insightful and entertaining exploration of art’s most important aesthetic and philosophical issues conducted by an acute observer of contemporary art, After the End of Art argues that, with the eclipse of abstract expressionism, art deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, Danto makes the case for a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol’s Brillo Box and the product found in the grocery store. After the End of Art addresses art history, pop art, “people’s art,” the future role of museums, and the critical contributions of Clement Greenberg, whose aesthetics-based criticism helped a previous generation make sense of modernism. Tracing art history from a mimetic tradition (the idea that art was a progressively more adequate representation of reality) through the modern era of manifestos (when art was defined by the artist’s philosophy), Danto shows that it wasn’t until the invention of pop art that the historical understanding of the means and ends of art was nullified. Even modernist art, which tried to break with the past by questioning the ways in which art was produced, hinged on a narrative.
The Madonna of the Future
Author: Arthur C. Danto
Publisher: Univ of California Press
ISBN: 9780520230026
Category : Art
Languages : en
Pages : 484
Book Description
Danto writes about the contemporary art to be seen in museums and galleries, placing it in the context of the history of modern art and of current debates about essential ideas in our society.
Publisher: Univ of California Press
ISBN: 9780520230026
Category : Art
Languages : en
Pages : 484
Book Description
Danto writes about the contemporary art to be seen in museums and galleries, placing it in the context of the history of modern art and of current debates about essential ideas in our society.
Philosophizing Art
Author: Arthur C. Danto
Publisher: Univ of California Press
ISBN: 9780520229068
Category : Art
Languages : en
Pages : 296
Book Description
An eclectic collection of essays centering on the intersection of art and philosophy, especially in the late 20th century.
Publisher: Univ of California Press
ISBN: 9780520229068
Category : Art
Languages : en
Pages : 296
Book Description
An eclectic collection of essays centering on the intersection of art and philosophy, especially in the late 20th century.
Andy Warhol
Author: Arthur C. Danto
Publisher: Yale University Press
ISBN: 0300154984
Category : Art
Languages : en
Pages : 185
Book Description
“Astutely traces the ripple effects of Warhol’s blurring of the lines between commercial and fine art, and art and real life…masterful.”—Booklist (starred review) Art critic, philosopher, and winner of a National Book Critics Circle Award Arthur Danto delivers a compact, masterful tour of Andy Warhol’s personal, artistic, and philosophical transformations. Danto traces the evolution of the pop artist, including his early reception, relationships with artists such as Jasper Johns and Robert Rauschenberg, and the Factory phenomenon. He offers close readings of individual Warhol works, including their social context and philosophical dimensions, key differences with predecessors such as Marcel Duchamp, and parallels with successors like Jeff Koons. By drawing on subject matter understandable to the ordinary American, Warhol revolutionized the way we look at art. In this book, Danto brings to bear encyclopedic knowledge of Warhol’s time and shows us Warhol as an endlessly multidimensional figure—artist, political activist, filmmaker, writer, philosopher—who retains permanent residence in our national imagination.
Publisher: Yale University Press
ISBN: 0300154984
Category : Art
Languages : en
Pages : 185
Book Description
“Astutely traces the ripple effects of Warhol’s blurring of the lines between commercial and fine art, and art and real life…masterful.”—Booklist (starred review) Art critic, philosopher, and winner of a National Book Critics Circle Award Arthur Danto delivers a compact, masterful tour of Andy Warhol’s personal, artistic, and philosophical transformations. Danto traces the evolution of the pop artist, including his early reception, relationships with artists such as Jasper Johns and Robert Rauschenberg, and the Factory phenomenon. He offers close readings of individual Warhol works, including their social context and philosophical dimensions, key differences with predecessors such as Marcel Duchamp, and parallels with successors like Jeff Koons. By drawing on subject matter understandable to the ordinary American, Warhol revolutionized the way we look at art. In this book, Danto brings to bear encyclopedic knowledge of Warhol’s time and shows us Warhol as an endlessly multidimensional figure—artist, political activist, filmmaker, writer, philosopher—who retains permanent residence in our national imagination.
The Abuse of Beauty
Author: Arthur C. Danto
Publisher: Open Court Publishing
ISBN: 9780812695403
Category : Aesthetics
Languages : en
Pages : 198
Book Description
Leading art critic and philosopher Arthur Danto here explains how the anti-beauty revolution was hatched, and how the modernist avant-garde dislodged beauty from its throne. Danto argues not only that the modernists were right to deny that beauty is vital to art, but also that beauty is essential to human life and need not always be excluded from art.
Publisher: Open Court Publishing
ISBN: 9780812695403
Category : Aesthetics
Languages : en
Pages : 198
Book Description
Leading art critic and philosopher Arthur Danto here explains how the anti-beauty revolution was hatched, and how the modernist avant-garde dislodged beauty from its throne. Danto argues not only that the modernists were right to deny that beauty is vital to art, but also that beauty is essential to human life and need not always be excluded from art.
The Transfiguration of the Commonplace
Author: Arthur C. Danto
Publisher: Harvard University Press
ISBN: 9780674903463
Category : Art
Languages : en
Pages : 228
Book Description
Danto argues that recent developments in art--in particular the production of works that cannot be told from ordinary things--make urgent the need for a new theory of art. He demonstrates the relationship between philosophy and art and the connections that hold between art, social institutions, and art history.
Publisher: Harvard University Press
ISBN: 9780674903463
Category : Art
Languages : en
Pages : 228
Book Description
Danto argues that recent developments in art--in particular the production of works that cannot be told from ordinary things--make urgent the need for a new theory of art. He demonstrates the relationship between philosophy and art and the connections that hold between art, social institutions, and art history.
What Art Is
Author: Arthur C. Danto
Publisher: Yale University Press
ISBN: 030017487X
Category : Art
Languages : en
Pages : 190
Book Description
One of America's most celebrated art critics offers a lively meditation on the nature of art.
Publisher: Yale University Press
ISBN: 030017487X
Category : Art
Languages : en
Pages : 190
Book Description
One of America's most celebrated art critics offers a lively meditation on the nature of art.