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Author: Andrew Dell'Antonio Publisher: Univ of California Press ISBN: 9780520237605 Category : Music Languages : en Pages : 350
Book Description
Rose Subotnik criticized 'structural listening' as an attempt to situate musical meaning solely within the unfolding of the musical structure itself. The authors of this volume take up her challenge, writing on repertoires ranging from Beethoven to MTV.
Author: Andrew Dell'Antonio Publisher: Univ of California Press ISBN: 9780520237605 Category : Music Languages : en Pages : 350
Book Description
Rose Subotnik criticized 'structural listening' as an attempt to situate musical meaning solely within the unfolding of the musical structure itself. The authors of this volume take up her challenge, writing on repertoires ranging from Beethoven to MTV.
Author: Andrew Dell'Antonio Publisher: Univ of California Press ISBN: 0520237579 Category : Music Languages : en Pages : 346
Book Description
Rose Subotnik criticized 'structural listening' as an attempt to situate musical meaning solely within the unfolding of the musical structure itself. The authors of this volume take up her challenge, writing on repertoires ranging from Beethoven to MTV.
Author: Andrew Dell'Antonio Publisher: Univ of California Press ISBN: 0520269292 Category : History Languages : en Pages : 232
Book Description
In this volume the author looks at the rise of a cultivated audience whose skill involved listening rather than playing or singing, in the early 17th century.
Author: Nicholas Cook Publisher: Oxford University Press ISBN: 0199357404 Category : Music Languages : en Pages : 482
Book Description
In Beyond the Score: Music as Performance, author Nicholas Cook supplants the traditional musicological notion of music as writing, asserting instead that it is as performance that music is loved, understood, and consumed. This book reconceives music as an activity through which meaning is generated in real time, as Cook rethinks familiar assumptions and develops new approaches. Focusing primarily but not exclusively on the Western 'art' tradition, Cook explores perspectives that range from close listening to computational analysis, from ethnography to the study of recordings, and from the social relations constructed through performance to the performing (and listening) body. In doing so, he reveals not only that the notion of music as text has hampered academic understanding of music, but also that it has inhibited performance practices, placing them in a textualist straightjacket. Beyond the Score has a strong historical emphasis, touching on broad developments in twentieth-century performance style and setting them into their larger cultural context. Cook also investigates the relationship between recordings and performance, arguing that we do not experience recordings as mere reproductions of a performance but as performances in their own right. Beyond the Score is a comprehensive exploration of new approaches and methods for the study of music as performance, and will be an invaluable addition to the libraries of music scholars-including musicologists, music theorists, and music cognition scholars-everywhere.
Author: Andrew Dell'Antonio
Author: Andrew Dell'Antonio
Author: Andrew Dell'Antonio
Author: Austin Clarkson
Author: Andrew Dell'Antonio
Author: Nicholas Cook
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