Beyond Representation in Contemporary Caribbean Art PDF Download

Author: Carlos Garrido Castellano
Publisher: Rutgers University Press
ISBN: 0813594820
Category : Art
Languages : en
Pages : 231

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Book Description
The Caribbean has been traditionally associated with externally devised mappings and categories, thus appearing as a passive entity to be consumed and categorized. Challenging these forces and representations, Carlos Garrido Castellano argues that something more must be added to the discussion in order to address contemporary Caribbean visual creativity. Beyond Representation in Contemporary Caribbean Art arises from several years of field research and curatorial activity in museums, universities, and cultural institutions of Jamaica, Trinidad, Martinique, Guadeloupe, Cuba, Dominican Republic, Puerto Rico, and the United States. This book explores the ways in which Caribbean individuals and communities have recurred to art and visual creativity to create and sustain public spaces of discussion and social interaction. The book analyzes contemporary Caribbean art in relation to broader discussions of citizenship, cultural agency, critical geography, migration, and social justice. Covering a broad range of artistic projects, including curatorial practice, socially engaged art, institutional politics, public art, and performance, this book is about the imaginative ways in which Caribbean subjects and communities rearrange the sociocultural framework(s) they inhabit and share.

Author: Carlos Garrido Castellano
Publisher: University of Wales Press
ISBN: 1786838745
Category : Art
Languages : en
Pages : 328

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Book Description
Combining postcolonial studies, curating and contemporary art, this book surveys the role played by artistic curatorship and contemporary art museums in the shaping of identities and cultural planning in contemporary Iberia. The book’s main hypothesis is that contemporary art has been pivotal in the construction of contemporary Iberia, a process marked by the attention paid (in heterogeneous, not always satisfactory ways) to the entanglement of the legacies of colonialism and the present-day status of Iberian territories as cosmopolitan societies now integrated in the European Union. We argue that, at least from the 1990s, curating emerged as a key activity for Iberian societies to display and configure an image of themselves as modern and fully integrated in the European cultural landscape. Such an image, however, had to cope with the legacies of colonialism and the profound socioeconomic transformations of these societies. This book is concerned with bringing together, while redefining and expanding, Iberian and curatorial studies.

Author: Carlos Garrido Castellano
Publisher: State University of New York Press
ISBN: 1438485743
Category : Art
Languages : en
Pages : 467

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Book Description
Analyzing the confluence between coloniality and activist art, Art Activism for an Anticolonial Future argues that there is much to gain from approaching contemporary politically committed art practices from the angle of anticolonial, postcolonial, and decolonial struggles. These struggles inspired a vast yet underexplored set of ideas about art and cultural practices and did so decades before the acceptance of radical artistic practices by mainstream art institutions. Carlos Garrido Castellano argues that art activism has been confined to a limited spatial and temporal framework—that of Western culture and the modernist avant-garde. Assumptions about the individual creator and the belated arrival of derivative avant-garde aesthetics to the periphery have generated a narrow view of “political art” at the expense of our capacity to perceive a truly global alternative praxis. Garrido Castellano then illuminates such a praxis, focusing attention on socially engaged art from the Global South, challenging the supposed universality of Western artistic norms, and demonstrating the role of art in promoting and configuring a collective critical consciousness in postcolonial public spheres. This book is freely available in an open access edition thanks to Knowledge Unlatched—an initiative that provides libraries and institutions with a centralized platform to support OA collections and from leading publishing houses and OA initiatives. Learn more at the Knowledge Unlatched website at: https://www.knowledgeunlatched.org/, and access the book online at the SUNY Open Access Repository at http://hdl.handle.net/20.500.12648/7166.

Author: Amy E. Elkins
Publisher: Oxford University Press
ISBN: 0192857835
Category :
Languages : en
Pages : 289

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Book Description
Crafting Feminism develops a dynamic study of craft and art-making in modern and contemporary feminist writing. In evocative readings of literary works from Virginia Woolf to Zadie Smith, this book expands our sense of transartistic modernist scholarship to encompass process-oriented and medium-specific analyses of textile arts, digital design, collage, photography, painting, and sculpture in literary culture. By integrating these craft practices into the book's enlightening archive, Elkins's theoretical argument extends a reading of craft metaphors into the material present. Crafting Feminism demonstrates how writers have engaged with handiwork across generations and have undertaken the crafting of a new modernity, one that is queer and feminist-threaded, messy, shattered, cut-up, pasted together, preserved, repaired, reflected, and spun out. An avant-garde work of scholarship, this book interweaves queer research methods and interdisciplinary rigor with a series of surprising archival discoveries. Making visible the collaborative, creative features of craft, Elkins captivates readers with generous illustrations and a series of "Techne" interchapters-interludes between longer chapters, which powerfully convey the symbiosis between feminist theory and method, and detail the network of archival influences that underpin this volume's hybrid approach. Foregrounding the work of decentering patriarchal and Eurocentric legacies of artistic authority, Elkins champions the diverse, intergenerational history of craft as a way to reposition intersectional makers at the heart of literary culture. An original and compelling study, Crafting Feminism breaks new ground in modernist and visual studies, digital humanities, and feminist, queer, and critical race theory.

Author: Tatiana Flores
Publisher: Duke University Press
ISBN: 9781934491577
Category : Art
Languages : en
Pages : 352

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Book Description
Relational Undercurrents accompanies an exhibition by the same name that opens at the Museum of Latin American Art in Long Beach, California in September, 2017. The exhibition and edited volume call attention to the artistic production of the Caribbean islands and their diasporas, challenging the conventional geographic and conceptual boundaries of Latin America.

Author: Grant H. Kester
Publisher: Duke University Press
ISBN: 1478027479
Category : Art
Languages : en
Pages : 161

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Book Description
In Beyond the Sovereign Self Grant H. Kester continues the critique of aesthetic autonomy begun in The Sovereign Self, showing how socially engaged art provides an alternative aesthetic with greater possibilities for critical practice. Instead of grounding art in its distance from the social, Kester shows how socially engaged art, developed in conjunction with forms of social or political resistance, encourages the creative capacity required for collective political transformation. Among others, Kester analyzes the work of conceptual artist Adrian Piper, experimental practices associated with the escrache tradition in Argentina, and indigenous Canadian artists such as Nadia Myre and Michèle Taïna Audette, showing how socially engaged art catalyzes forms of resistance that operate beyond the institutional art world. From the Americas and Europe to Iran and South Africa, Kester presents a historical genealogy of recent engaged art practices rooted in a deep history of cultural production, beginning with nineteenth-century political struggles and continuing into contemporary anticolonial resistance and other social movements.

Author: Annie Paul
Publisher: Philip Wilson Publishers
ISBN:
Category : Art
Languages : en
Pages : 232

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Book Description
"The artists represented in this book reflect the region's hybrid culture and offer competing ideas about Caribbean identity in a variety of works done in the last six years in a wide range of media. Two introductory essays by contemporary-art historians survey the themes treated by the artists and offer insights into the different traditions and contemporary-art scenes in the region. The book contains 200 colour illustrations, including a colorplate section complemented by commentaries that place the individual works in the context of each artist's oeuvre. Artist biographies and a selected bibliography complete the volume."--BOOK JACKET.

Author: Gerardo Mosquera
Publisher: MIT Press
ISBN:
Category : Art
Languages : en
Pages : 366

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Book Description
Copublished with the Institute of International Visual Arts, London. This anthology, edited by Cuban art historian and critic Gerardo Mosquera, offers a wide selection of writings by some of the most important cultural theoreticians of contemporary Latin America. Together they comprise a distinctive corpus of new theoretical discourses, critical of modernity and solidly and pragmatically anti-utopian. The collection balances traditional and popular aesthetic-symbolic production as well as Afro- and Indo-American presences in the visual arts, and covers the whole of the Americans, including the Caribbean and the United States.Contributors: Mó(R)(c)£a Amor. Pierre E. Bocquet. Gustavo Buntinx. Luis Camnitzer. Né3 ́or Garcí¡ Canclini. Ticio Escobar. Andrea Giunta. Guillermo Gó- °-Peñ¡(R) Paulo Herkenhoff. Mirko Lauer. Celeste Olalquiaga. Gabriel Peluffo Linari. Carolina Ponce de Leó(R)(R) Mari Carmen Ramí2 z. Nelly Richard. Tomá3 Ybarra-Frausto. George Y?.

Author: Katerina Gonzalez Seligmann
Publisher: Rutgers University Press
ISBN: 1978822421
Category : History
Languages : en
Pages : 217

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Book Description
This book demonstrates the material, political, and aesthetic dimensions of Pan-Caribbean literary discourse in magazine texts by Suzanne and Aimé Césaire, Nicolás Guillén, José Lezama Lima, Alejo Carpentier, George Lamming, Derek Walcott and their contemporaries. Thus far, the canonical centrality of literary magazines to Caribbean literature, politics, and social theory has been obscured. Up against the global book industry, Caribbean literary magazines have waged a guerrilla pursuit for the terms of Caribbean representation.

Author: Maurizio Cattelan
Publisher: Les Presses du réel
ISBN:
Category : Art
Languages : en
Pages : 208

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Book Description
Une vraie fausse biennale imaginée par Maurizio Cattelan sur le site de l'île antillaise de St. Kitts. Des artistes dans un hôtel, partagent les repas, la plage, les bains, effaçant toute trace d'art...