Author: John Pickering
Publisher: John Hunt Publishing
ISBN: 1780993838
Category : Body, Mind & Spirit
Languages : en
Pages : 228
Book Description
This, the second book in the Beyond Trilogy, expands on John and Katie's experiences and photographs of the orb phenomena covered in their first book. It reveals astounding new photographs and opens up exciting new questions about the whole nature of paranormal phenomena in general. John and Katie's photographs of orbs, angels and other apparitions have brought them into worldwide contact with other experiencers and researchers: it is from this basis that they now take a major step beyond the visible photographable phenomena, and current New Age notions about orbs, to reveal new insights about the paranormal. Could it be that orbs are the indicators of a wider, "beyond" reality? Is the symbology of orbs as images of oneness, drawing our attention to the most important orb of all: the orb of Earth on which we all live? Their ongoing photographs, personal experiences, and the amazing synchronistic events they found themselves part of reveal a conscious, purposeful phenomena that can interact with us as individuals, whoever and wherever we are. This inevitably leads to a spiritual perspective that crosses all religious and cultural boundaries, helping us to see that this one blue orb of Earth on which we all live, is greater than all that divides us! Orbs & Beyond is the vital visual link between Beyond Photography, and the forthcoming Beyond Reality.
William Henry Fox Talbot
Author: Mirjam Brusius
Publisher: Studies in British Art
ISBN: 9780300179347
Category : Photography
Languages : en
Pages : 0
Book Description
William Henry Fox Talbot (1800-1877) was a British pioneer in photography, yet he also embraced the wider preoccupations of the Victorian Age--a time that saw many political, social, intellectual, technical, and industrial changes. His manuscripts, now in the archive of the British Library, reveal the connections and contrasts between his photographic innovations and his investigations into optics, mathematics, botany, archaeology, and classical studies. Drawing on Talbot's fascinating letters, diaries, research notebooks, botanical specimens, and photographic prints, distinguished scholars from a range of disciplines, including historians of science, art, and photography, broaden our understanding of Talbot as a Victorian intellectual and a man of science. Distributed for the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art
Publisher: Studies in British Art
ISBN: 9780300179347
Category : Photography
Languages : en
Pages : 0
Book Description
William Henry Fox Talbot (1800-1877) was a British pioneer in photography, yet he also embraced the wider preoccupations of the Victorian Age--a time that saw many political, social, intellectual, technical, and industrial changes. His manuscripts, now in the archive of the British Library, reveal the connections and contrasts between his photographic innovations and his investigations into optics, mathematics, botany, archaeology, and classical studies. Drawing on Talbot's fascinating letters, diaries, research notebooks, botanical specimens, and photographic prints, distinguished scholars from a range of disciplines, including historians of science, art, and photography, broaden our understanding of Talbot as a Victorian intellectual and a man of science. Distributed for the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art
Orbs and Beyond
Author: John Pickering
Publisher: John Hunt Publishing
ISBN: 1780993838
Category : Body, Mind & Spirit
Languages : en
Pages : 228
Book Description
This, the second book in the Beyond Trilogy, expands on John and Katie's experiences and photographs of the orb phenomena covered in their first book. It reveals astounding new photographs and opens up exciting new questions about the whole nature of paranormal phenomena in general. John and Katie's photographs of orbs, angels and other apparitions have brought them into worldwide contact with other experiencers and researchers: it is from this basis that they now take a major step beyond the visible photographable phenomena, and current New Age notions about orbs, to reveal new insights about the paranormal. Could it be that orbs are the indicators of a wider, "beyond" reality? Is the symbology of orbs as images of oneness, drawing our attention to the most important orb of all: the orb of Earth on which we all live? Their ongoing photographs, personal experiences, and the amazing synchronistic events they found themselves part of reveal a conscious, purposeful phenomena that can interact with us as individuals, whoever and wherever we are. This inevitably leads to a spiritual perspective that crosses all religious and cultural boundaries, helping us to see that this one blue orb of Earth on which we all live, is greater than all that divides us! Orbs & Beyond is the vital visual link between Beyond Photography, and the forthcoming Beyond Reality.
Publisher: John Hunt Publishing
ISBN: 1780993838
Category : Body, Mind & Spirit
Languages : en
Pages : 228
Book Description
This, the second book in the Beyond Trilogy, expands on John and Katie's experiences and photographs of the orb phenomena covered in their first book. It reveals astounding new photographs and opens up exciting new questions about the whole nature of paranormal phenomena in general. John and Katie's photographs of orbs, angels and other apparitions have brought them into worldwide contact with other experiencers and researchers: it is from this basis that they now take a major step beyond the visible photographable phenomena, and current New Age notions about orbs, to reveal new insights about the paranormal. Could it be that orbs are the indicators of a wider, "beyond" reality? Is the symbology of orbs as images of oneness, drawing our attention to the most important orb of all: the orb of Earth on which we all live? Their ongoing photographs, personal experiences, and the amazing synchronistic events they found themselves part of reveal a conscious, purposeful phenomena that can interact with us as individuals, whoever and wherever we are. This inevitably leads to a spiritual perspective that crosses all religious and cultural boundaries, helping us to see that this one blue orb of Earth on which we all live, is greater than all that divides us! Orbs & Beyond is the vital visual link between Beyond Photography, and the forthcoming Beyond Reality.
Photography
Kallitype, Vandyke Brown, and Argyrotype
Author: Donald W. Nelson
Publisher: Taylor & Francis
ISBN: 1000913929
Category : Photography
Languages : en
Pages : 411
Book Description
Focusing on three iron-silver processes—kallitype, Vandyke Brown, and argyrotype—this book will guide readers through how to create prints using these accessible and historic processes in the digital age. Often termed the Brownprint processes, author Donald W. Nelson provides step-by-step detail on how to create prints using kallitype, Vandyke brown, and argyrotype methods, including information on the materials needed, troubleshooting issues, and examples from contemporary artists. The book consists of two parts. Part I is a step-by-step how-to section including all the information that a practitioner at any level needs to achieve successful kallitype, Vandyke brown, and argyrotype prints. Part II is devoted to contemporary artists who have integrated the process into their creative practice. The book includes the following: A list of equipment and supplies needed Concise step-by-step instructions for creating kallitype, Vandyke brown, and argyrotype prints successfully Troubleshooting common issues A range of creative ideas on how to use the processes in the classroom Examples from over 20 contemporary artists, including their prints and how they came to make them Ideal for students and professionals alike, this book is an accessible introduction to alternative process photography.
Publisher: Taylor & Francis
ISBN: 1000913929
Category : Photography
Languages : en
Pages : 411
Book Description
Focusing on three iron-silver processes—kallitype, Vandyke Brown, and argyrotype—this book will guide readers through how to create prints using these accessible and historic processes in the digital age. Often termed the Brownprint processes, author Donald W. Nelson provides step-by-step detail on how to create prints using kallitype, Vandyke brown, and argyrotype methods, including information on the materials needed, troubleshooting issues, and examples from contemporary artists. The book consists of two parts. Part I is a step-by-step how-to section including all the information that a practitioner at any level needs to achieve successful kallitype, Vandyke brown, and argyrotype prints. Part II is devoted to contemporary artists who have integrated the process into their creative practice. The book includes the following: A list of equipment and supplies needed Concise step-by-step instructions for creating kallitype, Vandyke brown, and argyrotype prints successfully Troubleshooting common issues A range of creative ideas on how to use the processes in the classroom Examples from over 20 contemporary artists, including their prints and how they came to make them Ideal for students and professionals alike, this book is an accessible introduction to alternative process photography.
Photography and Its Origins
Author: Tanya Sheehan
Publisher: Routledge
ISBN: 1317578953
Category : Photography
Languages : en
Pages : 301
Book Description
Recent decades have seen a flourishing interest in and speculation about the origins of photography. Spurred by rediscoveries of ‘first’ photographs and proclamations of photography’s death in the digital age, scholars have been rethinking who and what invented the medium. Photography and Its Origins reflects on this interest in photography’s beginnings by reframing it in critical and specifically historiographical terms. How and why do we write about the origins of the medium? Whom or what do we rely on to construct those narratives? What’s at stake in choosing to tell stories of photography’s genesis in one way or another? And what kind of work can those stories do? Edited by Tanya Sheehan and Andrés Mario Zervigón, this collection of 16 original essays, illustrated with 32 colour images, showcases prominent and emerging voices in the field of photography studies. Their research cuts across disciplines and methodologies, shedding new light on old questions about histories and their writing. Photography and Its Origins will serve as a valuable resource for students and scholars in art history, visual and media studies, and the history of science and technology.
Publisher: Routledge
ISBN: 1317578953
Category : Photography
Languages : en
Pages : 301
Book Description
Recent decades have seen a flourishing interest in and speculation about the origins of photography. Spurred by rediscoveries of ‘first’ photographs and proclamations of photography’s death in the digital age, scholars have been rethinking who and what invented the medium. Photography and Its Origins reflects on this interest in photography’s beginnings by reframing it in critical and specifically historiographical terms. How and why do we write about the origins of the medium? Whom or what do we rely on to construct those narratives? What’s at stake in choosing to tell stories of photography’s genesis in one way or another? And what kind of work can those stories do? Edited by Tanya Sheehan and Andrés Mario Zervigón, this collection of 16 original essays, illustrated with 32 colour images, showcases prominent and emerging voices in the field of photography studies. Their research cuts across disciplines and methodologies, shedding new light on old questions about histories and their writing. Photography and Its Origins will serve as a valuable resource for students and scholars in art history, visual and media studies, and the history of science and technology.
Data Practices
Author: Evelyn Ruppert
Publisher: MIT Press
ISBN: 191268585X
Category : Social Science
Languages : en
Pages : 257
Book Description
How EU data practices establish and assign people to categories, and how this matters in enacting--"making up"--Europe as a population and people. What is "Europe" and who are "Europeans"? Data Practices approaches this contemporary political and theoretical question by treating it as a practical problem of counting. Only through the myriad data practices that make up methods such as censuses can EU member states know their national populations, and this in turn is utilized by the EU to understand the population of Europe. But this volume approaches data practices not simply as reflecting populations but as performative in two senses: they simultaneously enact--that is, "make up"--a European population and, by so doing--intentionally or otherwise--also contribute to making up a European people. The book develops a conception of data practices to analyze and interpret findings from collaborative ethnographic multisite fieldwork conducted by an interdisciplinary team of social science researchers as part of a five-year project, Peopling Europe: How Data Make a People. The book focuses on data practices that involve establishing and assigning people to categories and how this matters in enacting Europe as a population and people. Five core chapters explore key categories of people--usual residents, refugees, homeless people, migrants, and ethnic minorities--and how they come into being through specific data practices such as defining, estimating, recalibrating and inferring. Two additional chapters address two key subject positions that data practices produce and require: the data subject and the statistician subject.
Publisher: MIT Press
ISBN: 191268585X
Category : Social Science
Languages : en
Pages : 257
Book Description
How EU data practices establish and assign people to categories, and how this matters in enacting--"making up"--Europe as a population and people. What is "Europe" and who are "Europeans"? Data Practices approaches this contemporary political and theoretical question by treating it as a practical problem of counting. Only through the myriad data practices that make up methods such as censuses can EU member states know their national populations, and this in turn is utilized by the EU to understand the population of Europe. But this volume approaches data practices not simply as reflecting populations but as performative in two senses: they simultaneously enact--that is, "make up"--a European population and, by so doing--intentionally or otherwise--also contribute to making up a European people. The book develops a conception of data practices to analyze and interpret findings from collaborative ethnographic multisite fieldwork conducted by an interdisciplinary team of social science researchers as part of a five-year project, Peopling Europe: How Data Make a People. The book focuses on data practices that involve establishing and assigning people to categories and how this matters in enacting Europe as a population and people. Five core chapters explore key categories of people--usual residents, refugees, homeless people, migrants, and ethnic minorities--and how they come into being through specific data practices such as defining, estimating, recalibrating and inferring. Two additional chapters address two key subject positions that data practices produce and require: the data subject and the statistician subject.
Encyclopedia of Nineteenth-Century Photography
Author: John Hannavy
Publisher: Routledge
ISBN: 1135873275
Category : Photography
Languages : en
Pages : 1629
Book Description
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Publisher: Routledge
ISBN: 1135873275
Category : Photography
Languages : en
Pages : 1629
Book Description
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
The Photographic Experience, 1839Ð1914: Images and Attitudes
Author:
Publisher: Penn State Press
ISBN: 9780271044491
Category : Art
Languages : en
Pages : 484
Book Description
The Photographic Experience deals with episodes and issues relating to the spread and practice of photography from its beginnings to World War I. Bridget and Heinz Henisch concern themselves with the reception accorded to the new art by professionals, amateurs, and the general public. They examine reactions to the new invention in the press, literature, poetry, music, and fashion; the response of intellectuals and painters; and the beliefs held by prominent photographers concerning the nature of the medium and its mission. With a wide array of images - many never before published - they illustrate the photograph's use as a record of public and private moments in life.
Publisher: Penn State Press
ISBN: 9780271044491
Category : Art
Languages : en
Pages : 484
Book Description
The Photographic Experience deals with episodes and issues relating to the spread and practice of photography from its beginnings to World War I. Bridget and Heinz Henisch concern themselves with the reception accorded to the new art by professionals, amateurs, and the general public. They examine reactions to the new invention in the press, literature, poetry, music, and fashion; the response of intellectuals and painters; and the beliefs held by prominent photographers concerning the nature of the medium and its mission. With a wide array of images - many never before published - they illustrate the photograph's use as a record of public and private moments in life.
Archaeology's Visual Culture
Author: Roger Balm
Publisher: Routledge
ISBN: 1317377443
Category : Social Science
Languages : en
Pages : 299
Book Description
Archaeology’s Visual Culture explores archaeology through the lens of visual culture theory. The insistent visuality of archaeology is a key stimulus for the imaginative and creative interpretation of our encounters with the past. Balm investigates the nature of this projection of the visual, revealing an embedded subjectivity in the imagery of archaeology and acknowledging the multiplicity of meanings that cohere around artifacts, archaeological sites and museum displays. Using a wide range of case studies, the book highlights how archaeologists can view objects and the consequences that ensue from these ways of seeing. Throughout the book Balm considers the potential for documentary images and visual material held in archives to perform cultural work within and between groups of specialists. With primary sources ranging from the mid-nineteenth to the early twenty-first century, this volume also maps the intellectual and social connections between archaeologists and their peers. Geographical settings include Britain, Cyprus, Mesoamerica, the Middle East and the United States, and the sites of visual encounter are no less diverse, ranging from excavation reports in salvage archaeology to instrumentally derived data-sets and remote-sensing imagery. By forensically examining selected visual records from published accounts and archival sources, enduring tropes of representation become apparent that transcend issues of style and reflect fundamental visual sensibilities within the discipline of archaeology.
Publisher: Routledge
ISBN: 1317377443
Category : Social Science
Languages : en
Pages : 299
Book Description
Archaeology’s Visual Culture explores archaeology through the lens of visual culture theory. The insistent visuality of archaeology is a key stimulus for the imaginative and creative interpretation of our encounters with the past. Balm investigates the nature of this projection of the visual, revealing an embedded subjectivity in the imagery of archaeology and acknowledging the multiplicity of meanings that cohere around artifacts, archaeological sites and museum displays. Using a wide range of case studies, the book highlights how archaeologists can view objects and the consequences that ensue from these ways of seeing. Throughout the book Balm considers the potential for documentary images and visual material held in archives to perform cultural work within and between groups of specialists. With primary sources ranging from the mid-nineteenth to the early twenty-first century, this volume also maps the intellectual and social connections between archaeologists and their peers. Geographical settings include Britain, Cyprus, Mesoamerica, the Middle East and the United States, and the sites of visual encounter are no less diverse, ranging from excavation reports in salvage archaeology to instrumentally derived data-sets and remote-sensing imagery. By forensically examining selected visual records from published accounts and archival sources, enduring tropes of representation become apparent that transcend issues of style and reflect fundamental visual sensibilities within the discipline of archaeology.
Photographic Theory
Author: Andrew E. Hershberger
Publisher: John Wiley & Sons
ISBN: 140519846X
Category : Photography
Languages : en
Pages : 476
Book Description
Hershberger is the winner of a 2015 Insight Award from the Society for Photographic Education for his work on this book and for his overall contributions to the field! Photographic Theory: An Historical Anthology presents a compendium of readings spanning ancient times to the digital age that are related to the history, nature, and current status of debates in photographic theory. Offers an authoritative and academically up-to-date compendium of the history of photographic theory Represents the only collection to include ancient, Renaissance, and 19th-, 20th-, and 21st-century writings related to the subject Stresses the drama of historical and contemporary debates within theoretical circles Features comprehensive coverage of recent trends in digital photography Fills a much-needed gap in the existing literature
Publisher: John Wiley & Sons
ISBN: 140519846X
Category : Photography
Languages : en
Pages : 476
Book Description
Hershberger is the winner of a 2015 Insight Award from the Society for Photographic Education for his work on this book and for his overall contributions to the field! Photographic Theory: An Historical Anthology presents a compendium of readings spanning ancient times to the digital age that are related to the history, nature, and current status of debates in photographic theory. Offers an authoritative and academically up-to-date compendium of the history of photographic theory Represents the only collection to include ancient, Renaissance, and 19th-, 20th-, and 21st-century writings related to the subject Stresses the drama of historical and contemporary debates within theoretical circles Features comprehensive coverage of recent trends in digital photography Fills a much-needed gap in the existing literature