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Author: Ruth El Saffar Publisher: Univ of California Press ISBN: 0520347455 Category : Literary Criticism Languages : en Pages : 234
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1984.
Author: Ruth El Saffar Publisher: Univ of California Press ISBN: 0520347455 Category : Literary Criticism Languages : en Pages : 234
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1984.
Author: T. Bourus Publisher: Springer ISBN: 1137344229 Category : Literary Criticism Languages : en Pages : 576
Book Description
Did Shakespeare really join John Fletcher to write Cardenio, a lost play based on Don Quixote? With an emphasis on the importance of theatrical experiment, a script and photos from Gary Taylor's recent production, and essays by respected early modern scholars, this book will make a definitive statement about the collaborative nature of Cardenio.
Author: Roger Chartier Publisher: John Wiley & Sons ISBN: 0745683304 Category : Literary Criticism Languages : en Pages : 256
Book Description
How should we read a text that does not exist, or present a playthe manuscript of which is lost and the identity of whose authorcannot be established for certain? Such is the enigma posed by Cardenio – a playperformed in England for the first time in 1612 or 1613 andattributed forty years later to Shakespeare (and Fletcher). Itsplot is that of a ‘novella’ inserted into Don Quixote,a work that circulated throughout the major countries of Europe,where it was translated and adapted for the theatre. In England,Cervantes’ novel was known and cited even before it wastranslated in 1612 and had inspired Cardenio. But there is more at stake in this enigma. This was a time when,thanks mainly to the invention of the printing press, there was aproliferation of discourses. There was often a reaction when it wasfeared that this proliferation would become excessive, and manywritings were weeded out. Not all were destined to survive, inparticular plays for the theatre, which, in many cases, were neverpublished. This genre, situated at the bottom of the literaryhierarchy, was well suited to the existence of ephemeral works.However, if an author became famous, the desire for an archive ofhis works prompted the invention of textual relics, the restorationof remainders ruined by the passing of time or, in order to fill inthe gaps, in some cases, even the fabrication of forgeries. Suchwas the fate of Cardenio in the eighteenth century. Retracing the history of this play therefore leads one to wonderabout the status, in the past, of works today judged to becanonical. In this book the reader will rediscover the malleabilityof texts, transformed as they were by translations and adaptations,their migrations from one genre to another, and their changingmeanings constructed by their various publics. Thanks to RogerChartier’s forensic skills, fresh light is cast upon themystery of a play lacking a text but not an author.
Author: David Carnegie Publisher: Oxford University Press ISBN: 0199641811 Category : Drama Languages : en Pages : 435
Book Description
Bringing together leading scholars, critics, and theatre practitioners, this collection of essays is devoted to 'The History of Cardenio', a play based on Don Quixote and said to have been written by Shakespeare and the young man who was taking his place, John Fletcher.
Author: Frances E. Dolan Publisher: University of Pennsylvania Press ISBN: 0812244850 Category : History Languages : en Pages : 345
Book Description
Examining seventeenth-century crises of evidence and genres of evidence on which both literary critics and historians now depend, True Relations explores the notion that we apprehend truth through other people's relations of it and that those relations, and our own relation to them, are a function of social relationships in conflict.
Author: Cesáreo Bandera Publisher: CUA Press ISBN: 0813214521 Category : Literary Criticism Languages : en Pages : 329
Book Description
In this original study by Cesáreo Bandera, the intimate connection between the simplicity and humility of the story and its greatness is explored. Other comparisons are also made: the story of the picaresque rogue, on the one hand, and the psychological insights of the pastoral novel, on the other.
Author: William Shakespeare Publisher: Bloomsbury Publishing ISBN: 1408198789 Category : Drama Languages : en Pages : 1382
Book Description
This revised edition of the Arden Shakespeare Complete Works includes the full text of Double Falsehood, which was published in the Arden Third series to critical acclaim in 2010. The play is an eighteenth century rewrite of Shakespeare's "lost" play Cardenio and as such is a fascinating testament to the original. A short introduction outlines its complex textual history and the arguments for including it within the Shakespeare canon. The Complete Works contains the texts of all Shakespeare's plays, poems and sonnets, edited by leading Shakespeare scholars for the renowned Arden series. A general introduction gives the reader an overall view of how and why Shakespeare has become such an influential cultural icon, and how perceptions of his work have changed in the intervening four centuries. The introduction summarises the known facts about the dramatist's life, his reading and use of sources, and the nature of theatrical performance during his lifetime. Brief introductions to each play, written specially for this volume by the Arden General Editors, discuss the date and contemporary context of the play, its position within Shakespeare's oeuvre, and its subsequent performance history. An extensive glossary explains vocabulary which may be unfamiliar to modern readers.
Author: Deborah C. Payne Publisher: Springer ISBN: 3319465147 Category : Literary Criticism Languages : en Pages : 147
Book Description
This collection of essays centres on Double Falsehood, Lewis Theobald’s 1727 adaptation of the “lost” play of Cardenio, possibly co-authored by John Fletcher and William Shakespeare. In a departure from most scholarship to date, the contributors fold Double Falsehood back into the milieu for which it was created rather than searching for traces of Shakespeare in the text. Robert D. Hume’s knowledge of theatre history permits a fresh take on the forgery question as well as the Shakespeare authorship controversy. Diana Solomon’s understanding of eighteenth-century rape culture and Jean I. Marsden’s command of contemporary adaptation practices both emphasise the play’s immediate social and theatrical contexts. And, finally, Deborah C. Payne’s familiarity with the eighteenth-century stage allows for a reconsideration of Double Falsehood as integral to a debate between Theobald, Alexander Pope, and John Gay over the future of the English drama.
Author: L. Leigh Publisher: Springer ISBN: 1137465999 Category : Literary Criticism Languages : en Pages : 224
Book Description
Shakespeare and the Embodied Heroine is a bold new investigation of Shakespeare's female characters using the late plays and the early adaptations written and staged during the seventeenth and eighteenth century.
Author: Ruth El Saffar
Author: Ruth El Saffar
Author: T. Bourus
Author: A. M. Hernanz
Author: Roger Chartier
Author: David Carnegie
Author: Frances E. Dolan
Author: Cesáreo Bandera
Author: William Shakespeare
Author: Deborah C. Payne
Author: L. Leigh