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Author: Athena Devlin Publisher: Routledge ISBN: 1135876835 Category : Literary Criticism Languages : en Pages : 180
Book Description
Between 1800 and the First World War, white middle-class men were depicted various forms of literature as weak and nervous. This book explores cultural writings dedicated to the physical and mental health of the male subject, showing that men have mobilized gender constructions repeatedly and self-consciously to position themselves within the culture. Aiming to join those who offer nuanced accounts of masculinity, Devlin investigates the various and changing interests white manhood was positioned to cultivate and the ways elite white men used "their own," so to speak, to promote larger agendas for their class and race.
Author: Athena Devlin Publisher: Routledge ISBN: 1135876835 Category : Literary Criticism Languages : en Pages : 180
Book Description
Between 1800 and the First World War, white middle-class men were depicted various forms of literature as weak and nervous. This book explores cultural writings dedicated to the physical and mental health of the male subject, showing that men have mobilized gender constructions repeatedly and self-consciously to position themselves within the culture. Aiming to join those who offer nuanced accounts of masculinity, Devlin investigates the various and changing interests white manhood was positioned to cultivate and the ways elite white men used "their own," so to speak, to promote larger agendas for their class and race.
Author: Patrick Chura Publisher: Routledge ISBN: 1135501327 Category : Literary Criticism Languages : en Pages : 251
Book Description
The book analyzes American literature about middle or upper class characters who voluntarily descend the class ranks to experience vital contact by living or associating, temporarily, with the poor. The motivations of these characters--and historical figures such as John Reed and Walter Wyckoff--range from straightforward bohemian slumming among the exotics to more complex and psychologically wrought investigations of cross-class empathy. The study begins by charting downclasing processes in works of canonical nineteenth-century authors, including Melville, Hawthorne, James, Howells and Jewett. It then undertakes an original analysis of John Reed's involvement with the 1913 Paterson silk workers' strike as a context for understanding Ernest Poole's (now forgotten, but then best-selling) fictionalization of the strike in his novel, The Harbor . In other richly historicized chapters, it analyzes distillations of class radicalism in several works by Upton Sinclair, in the early drama of Eugene O'Neill, and in feminist novels of the 1910s by Elia Peattie and Clara Laughlin. The concluding chapter looks at sophisticated treatments of vital contact in fiction of the 1930s by Dos Passos, Steinbeck and Richard Wright. The book provides Americanists with important new ways of thinking about various forms of class identification as they developed in the nineteenth and early twentieth centuries.
Author: Martin Brückner Publisher: U of Minnesota Press ISBN: 1452965420 Category : Architecture Languages : en Pages : 372
Book Description
How making models allows us to recall what was and to discover what still might be Whether looking inward to the intricacies of human anatomy or outward to the furthest recesses of the universe, expanding the boundaries of human inquiry depends to a surprisingly large degree on the making of models. In this wide-ranging volume, scholars from diverse fields examine the interrelationships between a model’s material foundations and the otherwise invisible things it gestures toward, underscoring the pivotal role of models in understanding and shaping the world around us. Whether in the form of reproductions, interpretive processes, or constitutive tools, models may bridge the gap between the tangible and the abstract. By focusing on the material aspects of models, including the digital ones that would seem to displace their analogue forebears, these insightful essays ground modeling as a tactile and emphatically humanistic endeavor. With contributions from scholars in the history of science and technology, visual studies, musicology, literary studies, and material culture, this book demonstrates that models serve as invaluable tools across every field of cultural development, both historically and in the present day. Modelwork is unique in calling attention to modeling’s duality, a dynamic exchange between imagination and matter. This singular publication shows us how models shape our ability to ascertain the surrounding world and to find new ways to transform it. Contributors: Hilary Bryon, Virginia Tech; Johanna Drucker, UCLA; Seher Erdoğan Ford, Temple U; Peter Galison, Harvard U; Lisa Gitelman, New York U; Reed Gochberg, Harvard U; Catherine Newman Howe, Williams College; Christopher J. Lukasik, Purdue U; Martin Scherzinger, New York U; Juliet S. Sperling, U of Washington; Annabel Jane Wharton, Duke U.
Author: William Slocombe Publisher: Routledge ISBN: 1135489289 Category : Literary Criticism Languages : en Pages : 225
Book Description
This book examines the relationship between nihilism and postmodernism in relation to the sublime, and is divided into three parts: history, theory, and praxis. Arguing against the simplistic division in literary criticism between nihilism and the sublime, the book demonstrates that both are clearly implicated with the Enlightenment. Postmodernism, as a product of the Enlightenment, is therefore implicitly related to both nihilism and the sublime, despite the fact that it is often characterised as either nihilistic or sublime. Whereas prior forms of nihilism are 'modernist' because they seek to codify reality, postmodernism creates a new formulation of nihilism - 'postmodern nihilism' - that is itself sublime. This is explored in relation to a broad survey of postmodern literature in two chapters, the first on aesthetics and the second on ethics. It offers a coherent thesis for reappraising the relationship between nihilism and the sublime, and grounds this argument with frequent references to postmodern literature, making it a book suitable for both researchers and those more generally interested in postmodern literature.
Author: Timothy Gauthier Publisher: Routledge ISBN: 1135492158 Category : History Languages : en Pages : 218
Book Description
This book examines and explains the obsession with history in the contemporary British novel. It frames these historical novels as expressions of narrative desire, highlighting the reciprocal relationship between a desire to disclose and to rid ourselves of anxieties elicited by the past. Scrutinizing representative novels from Byatt, McEwan and Rushdie, contemporary fiction is revealed as capable of advocating a viable ethical stance and as a form of authentic commentary. Our anxieties often exist in response to what might be perceived as the oppression or eradication of values, whether this is through the modern repudiation of Victorian principles (Byatt), the Western rethinking of Enlightenment narratives in light of the Holocaust (McEwan), or pluralism threatened by religious fundamentalism (Rushdie). Each of these novelists differentially employs postmodern artifice, sometimes as a way to reject the notion of historical construction, sometimes to advocate for it, but always to bring us closer to what the author believes are significant values and truths, rather than relativism. The representative qualities of these novels serve to highlight themes, concerns, and anxieties present in many of the works of each author and by extension those of their contemporaries.
Author: Katherine E. Ellison Publisher: Routledge ISBN: 1135502447 Category : Literary Criticism Languages : en Pages : 169
Book Description
What was "information" in the early eighteenth century, and what influence did the emergence of information, as potential physical and psychological threat, have on readers of the period? Recent scholarship in eighteenth-century print culture and in twenty-first-century media studies and theory offers a unique opportunity to reconsider how and why information is figuratively imagined during the eighteenth century as an abstract yet bodily entity that can flood, suffocate, and incapacitate readers. Focusing on 1678 to 1722 -- a period that experienced impressive innovations in communication -- this study reveals that the term "information" undergoes a significant transformation with social, cultural, and literary consequences. By investigating discussions of information and media that are evident in works by literary authors, the author finds that writers like John Bunyan, Aphra Behn, Jonathan Swift, and Daniel Defoe confront the idea of information overload and provide case studies in literacy reform that operate on institutional, generic, and consumer levels. For example, while in Defoe's Journal of the Plague Year information is infectious and citizens depend upon comets and phantoms to construct reader-controlled, decentralized media, in Swift's Tale of a Tub commonplace books and collections demonstrate a new type of organizational, or secretarial, impulse in society.
Author: Martin T. Buinicki Publisher: Routledge ISBN: 1135502161 Category : Literary Criticism Languages : en Pages : 247
Book Description
This book examines how debates over copyright law in the United States during the nineteenth century, particularly over the lack of an international copyright law, intersected with the business practices and political and artistic beliefs of American authors. These debates shaped a discourse of literary property rights that forced authors to negotiate their copyrights not only with their publishers, but with their readers as well. The author argues that the act of taking out a copyright was more than a mere legal mechanism marking a transition from amateur to professional or artist to businessperson. Taking out a copyright had a profound impact on how audiences viewed authors, how authors perceived their profession, and how they represented individual rights and property ownership within their texts. The book is unique in the scope of its research, tracking developments from the 1820s through the 1890s, and in the way it approaches the work and careers of well-known authors. The author employs research from the American Antiquarian Society, the Harriet Beecher Stowe Center, and the Government and Special Collections at the University of Iowa, drawing on an array of documents including newspaper editorials, legislative hearings, court decisions, and the public and private writing of James Fenimore Cooper, Walt Whitman, Harriet Beecher Stowe, Samuel Clemens, and Emily Dickinson to demonstrate how authors found themselves in an uneasy opposition to their reading public.
Author: Valerie Padilla Carroll Publisher: U of Nebraska Press ISBN: 1496233255 Category : History Languages : en Pages : 294
Book Description
In Who Gets to Go Back-to-the-Land?, Valerie Padilla Carroll examines a variety of media from the last century that proselytized self-sufficiency as a solution to the economic instability, environmental destruction, and perceived disintegration of modern America. In the early twentieth century, books already advocated an escape for the urban, white-collar male. The suggestion became more practical during the Great Depression, and magazines pushed self-sufficiency lifestyles. By the 1970s, the idea was reborn in newsletters and other media as a radical response to a damaged world, allowing activists to promote the simple life as environmental, gender, and queer justice. At the century's end, a great variety of media promoted self-sufficiency as the solution to a different set of problems, from survival at the millennium to wanderlust of millennials. Nevertheless, these utopian narratives are written overwhelmingly for a particular audience--one that is white, male, and white-collar. Padilla Carroll's archival research of the books, newspapers, magazines, newsletters, websites, blogs, and videos promoting the life of the agrarian smallholder illuminates how embedded race, class, gender, and heteronormative dogmas in these texts reinforce dominant power ideologies and ignore the experiences of marginalized people. Still, Padilla Carroll also highlights how those left out have continued to demand inclusion by telling their own stories of self-sufficiency, rewriting and reimagining the movement to be collaborative, inclusive, and rooted in both human and ecological justice.
Author: Athena Devlin
Author: Athena Devlin
Author: Athena B. Devlin
Author: Richard S. Tedlow
Author: Patrick Chura
Author: Martin Brückner
Author: William Slocombe
Author: Timothy Gauthier
Author: Katherine E. Ellison
Author: Martin T. Buinicki
Author: Valerie Padilla Carroll