Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages :
Book Description
The Best Plays of 1937-1938
Best Plays of 1937-1938
The Best Plays of 1993-1994
Author: Otis L. Guernsey
Publisher: Hal Leonard Corporation
ISBN: 9780879101831
Category : Drama
Languages : en
Pages : 690
Book Description
"Featuring scenes from the ten best plays"--Jacket.
Publisher: Hal Leonard Corporation
ISBN: 9780879101831
Category : Drama
Languages : en
Pages : 690
Book Description
"Featuring scenes from the ten best plays"--Jacket.
The Villainous Stage
Author: Marvin Lachman
Publisher: McFarland
ISBN: 0786495340
Category : Performing Arts
Languages : en
Pages : 265
Book Description
Live theatre was once the main entertainment medium in the United States and the United Kingdom. The preeminent dramatists and actors of the day wrote and performed in numerous plays in which crime was a major plot element. This remains true today, especially with the longest-running shows such as The Phantom of the Opera, Les Miserables and Sweeney Todd. While hundreds of books have been published about crime fiction in film and on television, the topic of stage mysteries has been largely unexplored. Covering productions from the 18th century to the 2013-2014 theatre season, this is the first history of crime plays according to subject matter. More than 20 categories are identified, including whodunits, comic mysteries, courtroom dramas, musicals, crook plays, social issues, Sherlock Holmes, and Agatha Christie. Nearly 900 plays are described, including the reactions of critics and audiences.
Publisher: McFarland
ISBN: 0786495340
Category : Performing Arts
Languages : en
Pages : 265
Book Description
Live theatre was once the main entertainment medium in the United States and the United Kingdom. The preeminent dramatists and actors of the day wrote and performed in numerous plays in which crime was a major plot element. This remains true today, especially with the longest-running shows such as The Phantom of the Opera, Les Miserables and Sweeney Todd. While hundreds of books have been published about crime fiction in film and on television, the topic of stage mysteries has been largely unexplored. Covering productions from the 18th century to the 2013-2014 theatre season, this is the first history of crime plays according to subject matter. More than 20 categories are identified, including whodunits, comic mysteries, courtroom dramas, musicals, crook plays, social issues, Sherlock Holmes, and Agatha Christie. Nearly 900 plays are described, including the reactions of critics and audiences.
The London Stage 1930-1939
Author: J. P. Wearing
Publisher: Rowman & Littlefield
ISBN: 0810893045
Category : Performing Arts
Languages : en
Pages : 1133
Book Description
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1930–1939: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1930 through December 1939. The volume chronicles more than 4,250 productions at 61 major central London theatres during this period. For each production the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were The Barretts of Wimpole Street, French without Tears, George and Margaret, The Greeks Had a Word for It, Laburnum Grove, Lady Precious Stream, The Late Christopher Bean, Love on the Dole, Me and My Girl, Private Lives, and 1066 and All That, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1930-1939 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
Publisher: Rowman & Littlefield
ISBN: 0810893045
Category : Performing Arts
Languages : en
Pages : 1133
Book Description
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1930–1939: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1930 through December 1939. The volume chronicles more than 4,250 productions at 61 major central London theatres during this period. For each production the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were The Barretts of Wimpole Street, French without Tears, George and Margaret, The Greeks Had a Word for It, Laburnum Grove, Lady Precious Stream, The Late Christopher Bean, Love on the Dole, Me and My Girl, Private Lives, and 1066 and All That, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1930-1939 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
The Best Plays and the Year Book of the Drama in America
Author: Garrison P. Sherwood
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 600
Book Description
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 600
Book Description
1938
Author: Sheldon Spear
Publisher: Archway Publishing
ISBN: 1665740280
Category : History
Languages : en
Pages : 234
Book Description
Erika Funke, WVIA Senior Producer/Program Host, recommends this book: "The word "panorama" was introduced in the 1780s by Irish Artist Robert Barker, derived from Greek roots suggesting "a complete view." Barker hoped the viewer would "feel as if really on the spot." In titling his study 1938: American Historical Panorama, Dr. Spear signals his aim in examining this pivotal year, giving us the "big picture" but also human stories that allow us to "feel as if really on the spot." And clarity is a hallmark of his writing. The complex, multilayered Spanish Civil War is narrated with all its contradictions. The factions, alliances and consequences are explained with straightforward comprehensibility, and we feel the suffering of the civilians. Dr. Spear gives us a strong grounding in a critical year while evoking echoes in our own times. He addresses matters of race, gender, justice and the media in the big picture and through people's stories, so we feel the impact." Summary: Isolationism kept the U. S. out of war, but several thousand left-leaning Americans volunteered to fight in the Spanish Civil. There was also the diversion of a radio “war” as actor-director Orson Welles orchestrated an on-air version of the H. G. Wells 1890s science fiction classic about a Martian invasion of Earth. Advances in aviation were indeed real, however. The most successful effort belonged to Howard Hughes. Nineteen thirty-eight also marked the advent of the first “superhero,” Superman. But the Great Depression was still on-going. Yet misery in America was not universal. The advent of Swing, pioneered by bandleaders such as Benny Goodman, made the latter thirties a new Jazz Age. And baseball, seemed more exciting than ever. It included the efforts of Detroit’s Hank Greenberg to break Babe Ruth’s record of sixty homeruns set in 1927.
Publisher: Archway Publishing
ISBN: 1665740280
Category : History
Languages : en
Pages : 234
Book Description
Erika Funke, WVIA Senior Producer/Program Host, recommends this book: "The word "panorama" was introduced in the 1780s by Irish Artist Robert Barker, derived from Greek roots suggesting "a complete view." Barker hoped the viewer would "feel as if really on the spot." In titling his study 1938: American Historical Panorama, Dr. Spear signals his aim in examining this pivotal year, giving us the "big picture" but also human stories that allow us to "feel as if really on the spot." And clarity is a hallmark of his writing. The complex, multilayered Spanish Civil War is narrated with all its contradictions. The factions, alliances and consequences are explained with straightforward comprehensibility, and we feel the suffering of the civilians. Dr. Spear gives us a strong grounding in a critical year while evoking echoes in our own times. He addresses matters of race, gender, justice and the media in the big picture and through people's stories, so we feel the impact." Summary: Isolationism kept the U. S. out of war, but several thousand left-leaning Americans volunteered to fight in the Spanish Civil. There was also the diversion of a radio “war” as actor-director Orson Welles orchestrated an on-air version of the H. G. Wells 1890s science fiction classic about a Martian invasion of Earth. Advances in aviation were indeed real, however. The most successful effort belonged to Howard Hughes. Nineteen thirty-eight also marked the advent of the first “superhero,” Superman. But the Great Depression was still on-going. Yet misery in America was not universal. The advent of Swing, pioneered by bandleaders such as Benny Goodman, made the latter thirties a new Jazz Age. And baseball, seemed more exciting than ever. It included the efforts of Detroit’s Hank Greenberg to break Babe Ruth’s record of sixty homeruns set in 1927.
The London Stage 1940-1949
Author: J. P. Wearing
Publisher: Rowman & Littlefield
ISBN: 0810893061
Category : Performing Arts
Languages : en
Pages : 721
Book Description
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1940–1949: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1940 through December 1949. The volume chronicles more than 2,400 productions at 53 major central London theatres during this period. For each production the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were The Light of Heart, Mr. Bolfry, Perchance to Dream, Pacific 1860, Bless the Bride, The Lady’s Not for Burning, The Late Edwina Black, Outrageous Fortune, Seagulls over Sorrento, and Buoyant Billions, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1940-1949 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
Publisher: Rowman & Littlefield
ISBN: 0810893061
Category : Performing Arts
Languages : en
Pages : 721
Book Description
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1940–1949: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1940 through December 1949. The volume chronicles more than 2,400 productions at 53 major central London theatres during this period. For each production the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were The Light of Heart, Mr. Bolfry, Perchance to Dream, Pacific 1860, Bless the Bride, The Lady’s Not for Burning, The Late Edwina Black, Outrageous Fortune, Seagulls over Sorrento, and Buoyant Billions, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1940-1949 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
The Best Plays of ...
The Applause/Best Plays Theater Yearbook 1991-1992
Author: Otis L. Guernsey
Publisher: Hal Leonard Corporation
ISBN: 9781557831477
Category : Music
Languages : en
Pages : 564
Book Description
(Applause Books). The Applause Best Plays Yearbook was started by Burns Mantle in 1919 and has appeared every year since then, becoming the standard reference book for American Theater. This volume features synposes and excerpts for the ten best plays of the 1991-1992 season, including: Conversations With My Father * Crazy for You * Dancing at Lughnasa * The Extra Man * Fires in the Mirror * Lips Together, Teeth Apart * Mad Forest * Marvin's Room * Sight Unseen * Two Trains Running. This value-packed volume also includes Al Hirschfeld's complete gallery of the theater season as well as essays and statistics about the season around the United States, the Off-Off-Broadway season, the various awards, and more. Also includes lots of photos from the productions.
Publisher: Hal Leonard Corporation
ISBN: 9781557831477
Category : Music
Languages : en
Pages : 564
Book Description
(Applause Books). The Applause Best Plays Yearbook was started by Burns Mantle in 1919 and has appeared every year since then, becoming the standard reference book for American Theater. This volume features synposes and excerpts for the ten best plays of the 1991-1992 season, including: Conversations With My Father * Crazy for You * Dancing at Lughnasa * The Extra Man * Fires in the Mirror * Lips Together, Teeth Apart * Mad Forest * Marvin's Room * Sight Unseen * Two Trains Running. This value-packed volume also includes Al Hirschfeld's complete gallery of the theater season as well as essays and statistics about the season around the United States, the Off-Off-Broadway season, the various awards, and more. Also includes lots of photos from the productions.