Author: James K. Lyon
Publisher: Princeton University Press
ISBN: 140085590X
Category : Drama
Languages : en
Pages : 439
Book Description
This colorful account of Bertolt Brecht's move from Germany to America during the Hitler era explores his activities as a Hollywood writer, a playwright determined to conquer Broadway, a political commentator and activist, a social observer, and an exile in an alien land. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Bertolt Brecht in America
Author: James K. Lyon
Publisher: Princeton University Press
ISBN: 140085590X
Category : Drama
Languages : en
Pages : 439
Book Description
This colorful account of Bertolt Brecht's move from Germany to America during the Hitler era explores his activities as a Hollywood writer, a playwright determined to conquer Broadway, a political commentator and activist, a social observer, and an exile in an alien land. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 140085590X
Category : Drama
Languages : en
Pages : 439
Book Description
This colorful account of Bertolt Brecht's move from Germany to America during the Hitler era explores his activities as a Hollywood writer, a playwright determined to conquer Broadway, a political commentator and activist, a social observer, and an exile in an alien land. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Bertolt Brecht in America
Author: James K. Lyon
Publisher: Princeton University Press
ISBN: 140085590X
Category : Drama
Languages : en
Pages : 439
Book Description
This colorful account of Bertolt Brecht's move from Germany to America during the Hitler era explores his activities as a Hollywood writer, a playwright determined to conquer Broadway, a political commentator and activist, a social observer, and an exile in an alien land. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 140085590X
Category : Drama
Languages : en
Pages : 439
Book Description
This colorful account of Bertolt Brecht's move from Germany to America during the Hitler era explores his activities as a Hollywood writer, a playwright determined to conquer Broadway, a political commentator and activist, a social observer, and an exile in an alien land. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Bertolt Brecht
Author: John Fuegi
Publisher: Cambridge University Press
ISBN: 9780521282451
Category : Drama
Languages : en
Pages : 244
Book Description
Covers Brecht's day-to-day work as a theatre director telling how he worked with actors and how his productions were actually put together in rehearsal.
Publisher: Cambridge University Press
ISBN: 9780521282451
Category : Drama
Languages : en
Pages : 244
Book Description
Covers Brecht's day-to-day work as a theatre director telling how he worked with actors and how his productions were actually put together in rehearsal.
Brecht, Broadway and United States Theater
Author: J. Chris Westgate
Publisher: Cambridge Scholars Publishing
ISBN: 1443810185
Category : Performing Arts
Languages : en
Pages : 223
Book Description
Not long after the 2001 terrorist attacks in New York City, Bertolt Brecht’s name was on the lips of many writing about Broadway. Invoked knowingly—but not always knowledgeably—“Brecht” became something between marketing strategy and erudite justification for another season of Broadway musicals, another ignominy endured by the German playwright whose epic theater has only seldom been understood in the United States. To say that Brechtian and Broadway theatrical traditions represent divergence of philosophy, method, or ambition is to indulge—with the whimsy of Mark Twain—in understatement. Nevertheless, many references to Brecht since 2001 imply compatibility instead of contradiction—a confusion or corruption that suggested the need of looking closely at what Brecht wrote and intended in his epic theater more than seventy years after his first—and, unfortunately, typical—experience with United States theater. Beginning with the 1935 production of The Mother and moving through recent productions of political theater, including The Resistible Rise of Arturo Ui, Urinetown: The Musical, and My Name is Rachel Corrie, this anthology considers the encounters of Brecht and Broadway in terms of dramaturgy, performance, and reception. The essays in this anthology explore the political, cultural, and economic constraints shaping many of the encounters of Brecht and Broadway in U.S. theater history. This means looking at how, in many cases, epic theater has been co-opted and commodified by Broadway and what that commodification reveals about the culture of theater. Simultaneously, this means theorizing how epic theater finds—or can find—ways of providing a necessary bulwark against Broadway escapism, and what this suggests for the future of political theater in the U.S. What results is a dialectical history tracing Brecht’s encounters with Broadway, a history that opens-up and debates the complicated and often conflicted influence of Bertolt Brecht on United States theater. “Dr. Westgate's book on Brecht and Broadway is an excellent study of the reception of Brecht's work in the American theater and academe. Brecht, along with Moliere; Ibsen and Chekhov, is one of the most frequently performed playwrights in translation in America. A thorough investigation of the trajectory of Brecht stagings on Broadway has long been overdue. I am very grateful that Dr. Westgate has taken on the task and arrived at such a splendid result. The book is a must reading for any serious Brecht scholar.” —Carl Weber, Stanford Drama Department, Collaborator with Brecht at the Berliner Ensemble, Director of many Brecht stagings in the U.S. “This is a provocative collection of essays outlining the sometimes unexpected connections between Brecht and the Broadway theatre. Like Brecht himself, these essays are playful, argumentative, and productively dialectical in their contradictions. The book is both entertaining and educational, and bound to provoke healthy debate. I recommend it as a demonstration of the ongoing relevance of Brechtian theories of theatre to the analysis of mainstream commercial theatre." —Sean Carney, Associate Professor, McGill University
Publisher: Cambridge Scholars Publishing
ISBN: 1443810185
Category : Performing Arts
Languages : en
Pages : 223
Book Description
Not long after the 2001 terrorist attacks in New York City, Bertolt Brecht’s name was on the lips of many writing about Broadway. Invoked knowingly—but not always knowledgeably—“Brecht” became something between marketing strategy and erudite justification for another season of Broadway musicals, another ignominy endured by the German playwright whose epic theater has only seldom been understood in the United States. To say that Brechtian and Broadway theatrical traditions represent divergence of philosophy, method, or ambition is to indulge—with the whimsy of Mark Twain—in understatement. Nevertheless, many references to Brecht since 2001 imply compatibility instead of contradiction—a confusion or corruption that suggested the need of looking closely at what Brecht wrote and intended in his epic theater more than seventy years after his first—and, unfortunately, typical—experience with United States theater. Beginning with the 1935 production of The Mother and moving through recent productions of political theater, including The Resistible Rise of Arturo Ui, Urinetown: The Musical, and My Name is Rachel Corrie, this anthology considers the encounters of Brecht and Broadway in terms of dramaturgy, performance, and reception. The essays in this anthology explore the political, cultural, and economic constraints shaping many of the encounters of Brecht and Broadway in U.S. theater history. This means looking at how, in many cases, epic theater has been co-opted and commodified by Broadway and what that commodification reveals about the culture of theater. Simultaneously, this means theorizing how epic theater finds—or can find—ways of providing a necessary bulwark against Broadway escapism, and what this suggests for the future of political theater in the U.S. What results is a dialectical history tracing Brecht’s encounters with Broadway, a history that opens-up and debates the complicated and often conflicted influence of Bertolt Brecht on United States theater. “Dr. Westgate's book on Brecht and Broadway is an excellent study of the reception of Brecht's work in the American theater and academe. Brecht, along with Moliere; Ibsen and Chekhov, is one of the most frequently performed playwrights in translation in America. A thorough investigation of the trajectory of Brecht stagings on Broadway has long been overdue. I am very grateful that Dr. Westgate has taken on the task and arrived at such a splendid result. The book is a must reading for any serious Brecht scholar.” —Carl Weber, Stanford Drama Department, Collaborator with Brecht at the Berliner Ensemble, Director of many Brecht stagings in the U.S. “This is a provocative collection of essays outlining the sometimes unexpected connections between Brecht and the Broadway theatre. Like Brecht himself, these essays are playful, argumentative, and productively dialectical in their contradictions. The book is both entertaining and educational, and bound to provoke healthy debate. I recommend it as a demonstration of the ongoing relevance of Brechtian theories of theatre to the analysis of mainstream commercial theatre." —Sean Carney, Associate Professor, McGill University
Brecht's America
Author: Patty Lee Parmalee
Publisher: Columbus : Published for Miami University by the Ohio State University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 336
Book Description
Publisher: Columbus : Published for Miami University by the Ohio State University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 336
Book Description
Bertolt Brecht's American Cicerone
Author: James K. Lyon
Publisher:
ISBN:
Category : Authors, American
Languages : en
Pages : 242
Book Description
Publisher:
ISBN:
Category : Authors, American
Languages : en
Pages : 242
Book Description
Brecht's America
Author: Patty Lee Parmalee
Publisher: Columbus : Published for Miami University by the Ohio State University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 336
Book Description
Publisher: Columbus : Published for Miami University by the Ohio State University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 336
Book Description
American Culture and the Art of Bertolt Brecht
Author: Johnstone Campbell
Publisher:
ISBN:
Category : America
Languages : en
Pages : 416
Book Description
Publisher:
ISBN:
Category : America
Languages : en
Pages : 416
Book Description
A Political Biography of Arkadij Maslow, 1891-1941
Author: Mario Kessler
Publisher: Springer Nature
ISBN: 3030432572
Category : Political Science
Languages : en
Pages : 264
Book Description
This book is a political biography of Arkadij Maksimovich Maslow (1891-1941), a German Communist politician and later a dissident and opponent to Stalin. Together with his political and common-law marriage partner, Ruth Fischer, Maslow briefly led the Communist Party of Germany, the KPD, and brought about its submission to Moscow. Afterwards Fischer and Maslow were removed from the KPD leadership in the fall of 1925 and expelled from the party a year later. Henceforth they both lived as communist outsiders—persecuted by both Hitler and Stalin. Maslow escaped to Cuba via France and Portugal and was murdered under dubious circumstances in Havana in November 1941. He died as a communist dissident committed to the cause of a radical-socialist labor movement that lay in ruins. Kessler considers Maslow's role in pivotal events such as the Bolshevik Revolution, in Soviet revolutionary parties and organizations, through to the rise of Stalinism and Cold War anti-communism. What results is a deep dive into the life of a key yet understudied figure in dissident communism.
Publisher: Springer Nature
ISBN: 3030432572
Category : Political Science
Languages : en
Pages : 264
Book Description
This book is a political biography of Arkadij Maksimovich Maslow (1891-1941), a German Communist politician and later a dissident and opponent to Stalin. Together with his political and common-law marriage partner, Ruth Fischer, Maslow briefly led the Communist Party of Germany, the KPD, and brought about its submission to Moscow. Afterwards Fischer and Maslow were removed from the KPD leadership in the fall of 1925 and expelled from the party a year later. Henceforth they both lived as communist outsiders—persecuted by both Hitler and Stalin. Maslow escaped to Cuba via France and Portugal and was murdered under dubious circumstances in Havana in November 1941. He died as a communist dissident committed to the cause of a radical-socialist labor movement that lay in ruins. Kessler considers Maslow's role in pivotal events such as the Bolshevik Revolution, in Soviet revolutionary parties and organizations, through to the rise of Stalinism and Cold War anti-communism. What results is a deep dive into the life of a key yet understudied figure in dissident communism.
Bertolt Brecht's Furcht und Elend Des Dritten Reiches
Author: John J. White
Publisher: Camden House
ISBN: 1571133739
Category : Drama
Languages : en
Pages : 276
Book Description
First thorough treatment in English of one of Brecht's most important antifascist works.
Publisher: Camden House
ISBN: 1571133739
Category : Drama
Languages : en
Pages : 276
Book Description
First thorough treatment in English of one of Brecht's most important antifascist works.