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Bernart Van Orley as a Designer of Tapestry

Author: Maryan W. Ainsworth
Publisher:
ISBN:
Category : Dissertations
Languages : en
Pages : 246

Book Description

Tapestry in the Renaissance

Author: Thomas P. Campbell
Publisher: Metropolitan Museum of Art
ISBN: 1588390225
Category : Tapestry, Renaissance
Languages : en
Pages : 606

Book Description
Tapestries--the art form of kings--were a principal tool used by powerful Renaissance rulers to convey their wealth and might. From 1460 to 1560, courts and churches lavished vast sums on costly weavings in silk and gold thread from designs by leading artists. In this lavishly illustrated book, the first major survey of tapestry production of this period, contributors analyze some of these & beautiful tapestries, examine the stylistic and technical development of tapestry production in the Low Countries, France, and Italy during the Renaissance, and discuss the contribution that the medium made to art, liturgy, and propaganda of the day.

Bernard Van Orley's Tapestry Designs for The Story of Romulus and Remus, 1524

Author: Catherine Victoria Cordeiro
Publisher:
ISBN:
Category :
Languages : en
Pages : 212

Book Description
Bernard Van Orley's 1524 preparatory drawings for tapestries depicting The Story of Romulus and Remus have, until now, been largely ignored by art historical scholarship. The only signed and dated drawings in the artist's oeuvre, they serve as a valuable tool for establishing a system of attribution for Van Orley's work, particularly in tapestry. Van Orley was the leading tapestry designer in Brussels during the first few decades of the sixteenth century. He was the official court painter to Margaret of Austria and enjoyed a continuous stream of high-end commissions, which he used to experiment with new techniques in representation and compositional arrangement. Van Orley's career thus exemplifies the significant changes in Flemish tapestry production that occurred during this time. This study examines all aspects of the drawings' creation from their commission to their possible application in the weaving process. There is no surviving documentation regarding the commission for the project. A tentative case is made here for Margaret of Austria as the patron, working on behalf of her nephew, Charles V. The choice of subject and narrative treatment are considered in the context of the rising popularity of classical themes during the Renaissance. Stylistically, the drawings represent the moment of convergence of artistic influences on Van Orley from his contemporaries in both Italy and the North. From its origins through the late fifteenth century, tapestry was intended as a two-dimensional decorative wall hanging. Van Orley's development of a distinct Brussels style blurred the distinctions between the viewer's space and the narrative image. This new concept extended both the width and depth of space in tapestry and lent itself well to dramatic historiated designs that rivaled developments in contemporary painting. The drawings represent a definitive design stage within the complicated, multi-step collaborative process of Brussels tapestry production. The fact that they survive in such good condition is evidence of their importance as possible workshop models and later on as collectible works of art.

European Post-medieval Tapestries and Related Hangings in the Metropolitan Museum of Art

Author: Edith Appleton Standen
Publisher: Metropolitan Museum of Art
ISBN: 0870994069
Category : Tapestry
Languages : en
Pages : 426

Book Description
Tapestry making flourished in the major centers of western Europe from the fourteenth through the nineteenth centuries. Thousands of tapestries were woven as special commissions for church, crown, and nobility. This publication is a comprehensive catalogue of the Museum's collection of tapestries and allied works made after the Middle Ages.-- Metropolitan Museum of Art website.

Masterpieces of Tapestry from the Fourteenth to the Sixteenth Century

Author: Geneviève Souchal
Publisher: Metropolitan Museum of Art
ISBN: 0870990861
Category : Gobelin tapestry
Languages : en
Pages : 224

Book Description
The present exhibition is one of a series of five worked out in the partnership [between the Metropolitan Museum and the Réunion des Musées Nationaux of France]. The others are: Nineteenth-Century French Drawings from The Metropolitan Museum of Art, which closed at the Louvre last month and is now on view here; Italian Renaissance Drawings from the Louvre, to be shown at the Metropolitan in October; Impressionism, which will include some forty-five of the greatest paintings in the style and will be seen at the Louvre in September and here in December; and finally, French Painting from David to Delacroix, which is planned to open in Paris in the winter of 1974, followed by showings at the Detroit Institute of Art in the spring of 1975 and the Metropolitan in the summer.Following its appearance at the Grand Palais in Paris, Masterpieces of Tapestry is presented in New York in association with and under the patronage of the National Endowment for the Humanities, and the National Endowment for the Arts, and under the sponsorship of Mr. and Mrs. Ben Heller of New York City. Without the extraordinary aid of the two Endowments and the enlightened generosity of these two art-loving private patrons the exhibition simply would not have been possible here.

Bernard Van Orley: Drawings & Paintings (Annotated).

Author: Raya Yotova
Publisher:
ISBN: 9781794521193
Category :
Languages : en
Pages :

Book Description

Grand Design

Author: Elizabeth A. H. Cleland
Publisher: Metropolitan Museum of Art
ISBN: 0300208057
Category : Art
Languages : en
Pages : 416

Book Description
Pieter Coecke van Aelst (1502 – 1550) was renowned throughout Renaissance Europe as a draftsman, painter, and publisher of architectural treatises. The magnificent tapestries he designed were acquired by the wealthiest clients of the day, up to and including rulers such as Emperor Charles V, King Francis I of France, King Henry VIII of England, and Grand Duke Cosimo I de’ Medici of Tuscany. At the same time, Coecke was remarkable not only for the complexity and unparalleled quality of his tapestries, but also for his fluency in various media: this lavishly illustrated volume examines the full range of his work, from tapestry and stained-glass window designs to panel paintings, prints, drawings, and architectural treatises. Though only forty-eight when he died, Coecke was one of the greatest Netherlandish artists of the sixteenth century. His paintings and drawings, initially wrought in the style of the Antwerp Mannerists, evolved through his enthusiastic response to Italian Renaissance design, and influenced generations of artists in his wake. This comprehensive study explores Coecke’s stylistic development, as well as his substantial contribution to the body of great Renaissance art in Flanders. Featuring twenty monumental tapestries, along with many of their cartoons and preparatory sketches, plus seven paintings, additional drawings, and printed matter—many of them newly photographed for this volume—Grand Design provides a thorough reappraisal of Coecke’s work, amply justifying the high regard in which Coecke’s work was held and its wide dissemination long after his death.