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Author: Robert Michael Craig Publisher: Gibbs Smith Publishers ISBN: 1586854569 Category : Architecture Languages : en Pages : 514
Book Description
Focusing on the unique vision of architect Bernard Maybeck, this book reveals his work on Principia College in California, using interviews and conversations as well as three hundred fascinating photographs to illuiminate this architectural masterpiece.
Author: Robert Michael Craig Publisher: Gibbs Smith Publishers ISBN: 1586854569 Category : Architecture Languages : en Pages : 514
Book Description
Focusing on the unique vision of architect Bernard Maybeck, this book reveals his work on Principia College in California, using interviews and conversations as well as three hundred fascinating photographs to illuiminate this architectural masterpiece.
Author: Mark Anthony Wilson Publisher: Gibbs Smith ISBN: 1423611810 Category : Architecture Languages : en Pages : 243
Book Description
The work of Bernard Maybeck has influenced generations of architects. His landmark buildings include the Palace of Fine Arts and First Church of Christ, Scientist. His emphasis on an open use of natural materials marks him as a pioneer in sustainable architecture, or “green design.” Maybeck's work achieves that delicate balance between historicism and modernism, and his buildings are still in use throughout several states on the West Coast and the Midwest. This book includes more than two dozen Maybeck buildings that have never been photographed in color in any other book, as well as several of his buildings that were never documented before. Architect of Elegance not only encompasses his most memorable works but also includes letters and drawings from the family archives never before seen by the general public. The foreward is written by Maybeck's granddaugther, Cherry Maybeck Nittler. Author Mark Wilson's 22-year friendship with Bernard Maybeck's daughter-in-law, Jacomena Maybeck, gave him unique insights into the life and work of one of America's most important architects.
Author: Mark Anthony Wilson Publisher: Gibbs Smith ISBN: 1423611802 Category : Architecture Languages : en Pages : 243
Book Description
The work of Bernard Maybeck has influenced generations of architects. His landmark buildings include the Palace of Fine Arts and First Church of Christ, Scientist. His emphasis on an open use of natural materials marks him as a pioneer in sustainable architecture, or "green design." This book not only encompasses his most memorable works but also includes letters and drawings from the family archives never before seen by the general public.
Author: Sally Byrne Woodbridge Publisher: Abbeville Publishing Group ISBN: Category : Architecture Languages : en Pages : 252
Book Description
As for other patrons so loyal that they often hired him to design more than one house. Maybeck also created two of the most beautiful buildings in all of California: the exhilarating Church of Christ, Scientist, in Berkeley, and the gloriously romantic Palace of Fine Arts, in San Francisco. This incisive overview - the first to feature color reproductions of Maybeck's exquisite interiors and exteriors - analyzes every aspect of his life and work. Not only is his.
Author: Edward R. Bosley Publisher: Phaidon ISBN: Category : Architecture Languages : en Pages : 68
Book Description
Bernard Maybeck is one of the pivotal figures in the regionalist architecture of the San Francisco Bay area. He was also an architect in the tradition of the artist: versatile, colourful, inventive and eclectic. With First Church of Christ, Scientist, Berkeley, Maybeck was drawn by his client's sincere demand to have a church which expressed the congregation's deep-seated faith, and looked not only to Romanesque, Gothic and Byzantine forms, but also to contemporary Arts and Crafts philosophies to create an edifice which would evoke the 'reinstatement of primitive Christianity', a guiding objective of Christian Science. Maybeck's design has a convincing unity which contains and far transcends its sources. Massive concrete piers are in counterpoint to large expanses of translucent industrial sash, and the rich, Medieval interior comes to brilliant life through a hierarchy of intricately applied colour. The reverence for detail is complete, from carved beams to delicate pew lamps and gilded tracery.
Author: Robert Michael Craig Publisher: University of Georgia Press ISBN: 0820328987 Category : Architecture Languages : en Pages : 299
Book Description
Francis Palmer Smith was the principal designer of Atlanta-based Pringle and Smith, one of the leading firms of the early twentieth-century South. Smith was an academic eclectic who created traditional, history-based architecture grounded in the teachings of the cole des Beaux-Arts. As The Architecture of Francis Palmer Smith shows, Smith was central to the establishment of the Beaux-Arts perspective in the South through his academic and professional career. After studying with Paul Philippe Cret at the University of Pennsylvania, Smith moved to Atlanta in 1909 to head the new architecture program at the Georgia Institute of Technology. He would go on to train some of the South's most significant architects, including Philip Trammell Shutze, Flippen Burge, Preston Stevens, Ed Ivey, and Lewis E. Crook Jr. In 1922 Smith formed a partnership with Robert S. Pringle. In Atlanta, Savannah, Chattanooga, Jacksonville, Sarasota, Miami, and elsewhere, Smith built office buildings, hotels, and Art Deco skyscrapers; buildings at Georgia Tech, the Baylor School in Chattanooga, and the Darlington School in Rome, Georgia; Gothic Revival churches; standardized bottling plants for Coca-Cola; and houses in a range of traditional "period" styles in the suburbs. Smith's love of medieval architecture culminated with his 1962 masterwork, the Cathedral of St. Philip in Atlanta. As his career drew to a close, Modernism was establishing itself in America. Smith's own modern aesthetic was evidenced in the more populist modern of Art Deco, but he never embraced the abstract machine aesthetic of high Modern. Robert M. Craig details the role of history in design for Smith and his generation, who believed that architecture is an art and that ornament, cultural reference, symbolism, and tradition communicate to clients and observers and enrich the lives of both. This book was supported, in part, by generous grants from the Graham Foundation for Advanced Studies in the Fine Arts and the Georgia Tech Foundation, Inc.