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Author: David Cairns Publisher: Univ of California Press ISBN: 9780520240582 Category : Biography & Autobiography Languages : en Pages : 946
Book Description
Praise for Berlioz, Volume I "We now have a biography that not only takes in the immense documentation of Berlioz's early life but goes far beyond it in piecing together an incomparably rich portrait of the man and his milieu. . . . The picture is so vivid and the prose so magnetic that not a word seems wasted. . . . Cairns's biography of Berlioz must take its place with the handful of great lives of composers, such as Thayer's Beethoven, Newman's Wagner, and Walker's Wolf."--Hugh MacDonald, The Listener "Even at this halfway stage, [Cairns's] Berlioz stands as one of the great biographies of our day, and also one of the great feats of literary sympathy with an artistic genius, filled with a love, knowledge, and understanding of his subject that flame up on every page."--Max Loppert, Financial Times "This biography is kindled by sympathy and enthusiasm for its subject, and is written with a lifelong professional experience of Berlioz behind it. It is also beautifully and interestingly written. The chapters flow together like Berlioz's own harmonic changes, and with equal resonance."--Roger Norrington, Independent
Author: David Cairns Publisher: Univ of California Press ISBN: 9780520240582 Category : Biography & Autobiography Languages : en Pages : 946
Book Description
Praise for Berlioz, Volume I "We now have a biography that not only takes in the immense documentation of Berlioz's early life but goes far beyond it in piecing together an incomparably rich portrait of the man and his milieu. . . . The picture is so vivid and the prose so magnetic that not a word seems wasted. . . . Cairns's biography of Berlioz must take its place with the handful of great lives of composers, such as Thayer's Beethoven, Newman's Wagner, and Walker's Wolf."--Hugh MacDonald, The Listener "Even at this halfway stage, [Cairns's] Berlioz stands as one of the great biographies of our day, and also one of the great feats of literary sympathy with an artistic genius, filled with a love, knowledge, and understanding of his subject that flame up on every page."--Max Loppert, Financial Times "This biography is kindled by sympathy and enthusiasm for its subject, and is written with a lifelong professional experience of Berlioz behind it. It is also beautifully and interestingly written. The chapters flow together like Berlioz's own harmonic changes, and with equal resonance."--Roger Norrington, Independent
Author: Jacek Blaszkiewicz Publisher: Univ of California Press ISBN: 0520393481 Category : Music Languages : en Pages : 263
Book Description
Fanfare for a City invites us to listen to the sounds of Paris during the Second Empire (1852–1870), a regime that oversaw dramatic social change in the French capital. By exploring the sonic worlds of exhibitions, cafés, streets, and markets, Jacek Blaszkiewicz shows how the city's musical life shaped urban narratives about le nouveau Paris: a metropolis at a crossroads between its classical, Roman past and its capitalist, imperial future. At the heart of the narrative is "Baron" Haussmann, the engineer of imperial urbanism and the inspiration for a range of musical responses to modernity, from the enthusiastic to the nostalgic. Drawing on theoretical approaches from historical musicology, urban sociology, and sound studies to shed light on newly surfaced archival material, Fanfare for a City argues that urbanism was a driving force in how nineteenth-century music was produced, performed, and policed.
Author: Donna Marie Di Grazia Publisher: Routledge ISBN: 0415988527 Category : Music Languages : en Pages : 543
Book Description
Nineteenth-Century Choral Music is a collection of essays studying choral music making as a cultural phenomenon, one that had an impact on multiple parts of society. Rather than merely offering a collection of raw descriptions of works, the contributors focus their discussions on what these pieces reveal about their composers as craftsmen/women. Major works as well as other equally rich parts of the repertoire are discussed, including smaller choral works and contributions by composers such as Fanny Mendelssohn, Amy Beach, Charles Stanford,
Author: Colin Lawson Publisher: Cambridge University Press ISBN: 1316184420 Category : Music Languages : en Pages : 1066
Book Description
The intricacies and challenges of musical performance have recently attracted the attention of writers and scholars to a greater extent than ever before. Research into the performer's experience has begun to explore such areas as practice techniques, performance anxiety and memorisation, as well as many other professional issues. Historical performance practice has been the subject of lively debate way beyond academic circles, mirroring its high profile in the recording studio and the concert hall. Reflecting the strong ongoing interest in the role of performers and performance, this History brings together research from leading scholars and historians and, importantly, features contributions from accomplished performers, whose practical experiences give the volume a unique vitality. Moving the focus away from the composers and onto the musicians responsible for bringing the music to life, this History presents a fresh, integrated and innovative perspective on performance history and practice, from the earliest times to today.
Author: David Charlton Publisher: Cambridge University Press ISBN: 1139825895 Category : Music Languages : en Pages : 524
Book Description
This 2003 Companion is a fascinating and accessible exploration of the world of grand opera. Through this volume a team of scholars and writers on opera examine those important Romantic operas which embraced the Shakespearean sweep of tragedy, history, love in time of conflict, and the struggle for national self-determination. Rival nations, rival religions and violent resolutions are common elements, with various social or political groups represented in the form of operatic choruses. The book traces the origins and development of a style created during an increasingly technical age, which exploited the world-renowned skills of Parisian stage-designers, artists, and dancers as well as singers. It analyses in detail the grand operas by Rossini, Auber, Meyerbeer and Halévy, discusses grand opera in Russia and Germany, and also in the Czech lands, Italy, Britain and the Americas. The volume also includes an essay by the renowned opera director David Pountney.
Author: Francesca Brittan Publisher: University of Chicago Press ISBN: 0226837653 Category : Music Languages : en Pages : 356
Book Description
A collection of essays and short object lessons on the composer Hector Berlioz, published in collaboration with the Bard Music Festival. Hector Berlioz (1803–1869) has long been a difficult figure to place and interpret. Famously, in Richard Wagner’s estimation, he hovered as a “transient, marvelous exception,” a composer woefully and willfully isolated. In the assessment of German composer Ferdinand Hiller, he was a fleeting comet who “does not belong in our musical solar system,” the likes of whom would never be seen again. For his contemporaries, as for later critics, Berlioz was simply too strange—and too noisy, too loud, too German, too literary, too cavalier with genre and form, and too difficult to analyze. He was, in many ways, a composer without a world. Berlioz and His World takes a deep dive into the composer’s complex legacy, tracing lines between his musical and literary output and the scientific, sociological, technological, and political influences that shaped him. Comprising nine essays covering key facets of Berlioz’s contribution and six short “object lessons” meant as conversation starters, the book reveals Berlioz as a richly intersectional figure. His very difficulty, his tendency to straddle the worlds of composer, conductor, and critic, is revealed as a strength, inviting new lines of cross-disciplinary inquiry and a fresh look at his European and American reception.
Author: Barbara Kendall-Davies Publisher: Cambridge Scholars Publishing ISBN: 1443846937 Category : Biography & Autobiography Languages : en Pages : 638
Book Description
The name of Pauline Viardot Garcia was well known during her lifetime, but after her death in 1910, she passed into obscurity. She was born in Paris in 1821, the youngest child of the Spanish tenor, Manuel Garcia; her sister was Maria Malibran, and her brother, Manuel Patrizio Garcia, was an eminent teacher of singing. The first volume of her biography ranges from 1836 until 1863 and covers the most important years of her operatic career. Several composers wrote for her, including Meyerbeer, for whom she created Fidès in Le Prophète; Saint Saëns modelled the role of Delilah on her and Brahms composed the Alto Rhapsody, which she premiered in 1870. She encouraged Gounod to write his first opera, Sapho, and sang the title role in the premiere at the Paris Opéra and at Covent Garden. Schumann dedicated his Liederkreis Op. 24 to Viardot, and Fauré dedicated several of his songs to her. She launched the career of Jules Massenet, and gave valuable assistance to Sullivan, Bizet, Stanford, Arthur Goring Thomas and several other musicians at the beginning of their careers. Although she was not good looking, she had a fascinating personality and great charm and several men fell in love with her, including Alfred de Musset, Gounod, Maurice Sand, Ary Scheffer, Berlioz, and Ivan Turgenev, who loved her devotedly for forty years, although she was married to Louis Viardot for the whole of that time. She was a linguist, artist, composer and talented pianist who studied with Franz Liszt, as well as being a superb singer and actress. Liszt admired her songs and said that she was the first woman composer of genius. Her talent for friendship was great, and she counted Chopin and George Sand as two of her most intimate friends. From 1863 until 1870, she lived in Baden-Baden where she became a celebrated musical hostess, as well as a fine teacher and composer. This revised edition, which has additional images and an accompanying CD of songs by Viardot sung by the author, traces the life and work of one of the most important singers of the nineteenth century, Pauline Viardot Garcia. Her influence on figures such as Meyerbeer, Turgenev, Berlioz, Gounod and Liszt, makes this volume, only the second to appear in English, indispensable to the musicologist with an interest in the nineteenth century.
Author: David Cairns
Author: David Cairns
Author: David Cairns
Author: David Cairns
Author: David Cairns
Author: Jacek Blaszkiewicz
Author: Donna Marie Di Grazia
Author: Colin Lawson
Author: David Charlton
Author: Francesca Brittan
Author: Barbara Kendall-Davies