Berlin Dada Reconsidered PDF Download

Author: Margaret Scott Rasche
Publisher:
ISBN:
Category : Dadaism
Languages : en
Pages : 362

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Author: Thomas O. Haakenson
Publisher: Bloomsbury Publishing USA
ISBN: 1501369911
Category : Literary Criticism
Languages : en
Pages : 370

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Book Description
Grotesque Visions focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science. Demonstrating the often excessive measures that pathologists, anthropologists, sexologists, and medical professionals went to present their research in a seemingly unambiguous way, this volume shows how Friedländer/Mynona, Brugman, Höch, and other Berlin-based artists used the artistic grotesque to criticize, satirize, and subvert a variety of forms of supposed scientific objectivity. The volume concludes by examining the exhibition Grotesk!: 130 Jahre Kunst der Frechheit/Comic Grotesque: Wit and Mockery in German Arts, 1870-1940. In contrast to the ahistorical and amorphous concept informing the exhibition, Thomas O. Haakenson reveals a unique deployment of the artistic grotesque that targeted specific established and emerging scientific discourses at the turn of the last fin-de-siècle.

Author: Matthew Biro
Publisher: U of Minnesota Press
ISBN: 0816636192
Category : Art
Languages : en
Pages : 331

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In an era when technology, biology & culture are becoming ever more closely connected, 'The Dada Cyborg' explains how the cyborg as we know it today developed between 1918 & 1933 as German artists gave visual form to their utopian hopes & fantasies in a fearful response to World War I.

Author: Sarah Hegenbart
Publisher: Bloomsbury Publishing
ISBN: 1350227625
Category : Art
Languages : en
Pages : 361

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Book Description
What is the relevance of Dada and its artistic strategies in our current moment, one marked by post-truth politics, information floods and big data? How can contemporary art highlight the neglected nuances of cultural representation in the present day? While it may feel like we are living in a period of anomaly with the rise of the alt-right, this book shows how the Dada movement's artistic response to the aggressive nationalism and fascism of its time offers a fruitful analogy to our contemporary era. Dada's counter-cultural strategies, such as the distortion of reality and attacks on elites and rationality, have long been endorsed by artistic avantgardes and subcultures. Dada Data details how modern-day movements have appropriated such tactics in their ways of addressing the public both on- and offline. Bringing together contributions from interdisciplinary scholars, curators and artists working in global contexts that explore an array of artistic modes of persuasion and resistance, the book demonstrates how contemporary art can bring out neglected nuances of our post-truth moment. In linking the Dada movement's counter-cultural activities to modern phenomena such as post-internet art, information floods and big data mining, the book collates original propaganda with diverse artwork from such figures as Hannah Höch, Paula Rego, Tschabalala Self, Sheida Soleimani and South African artists donna Kukama and Kemang Wa Lehulere. In doing so, Dada Data brings together a rich scrapbook of Dada resources and perspectives that are highly relevant to present-day political concerns. With artistic contributions by IOCOSE, donna Kukama, Kemang Wa Lehulere and Montage Mädels.

Author: Timothy O. Benson
Publisher:
ISBN: 9780835720502
Category :
Languages : en
Pages : 298

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Author:
Publisher:
ISBN: 9780978108229
Category : Dadaism
Languages : en
Pages : 19

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Author: Maria Stavrinaki
Publisher: Stanford University Press
ISBN: 080479815X
Category : Art
Languages : en
Pages : 120

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Book Description
Dada is often celebrated for its strategies of shock and opposition, but in Dada Presentism, Maria Stavrinaki provides a new picture of Dada art and writings as a lucid reflection on history and the role of art within it. The original (Berlin-based) Dadaists' acute historical consciousness and their modern experience of time, she contends, anticipated the formulations of major historians such as Reinhart Koselleck and, more recently, François Hartog. The book explores Dada temporalities and concepts of history in works of art, artistic discourse, and in the photographs of the Berlin Dada movement. These photographs—including the famous one of the First International Dada Fair—are presented not as simple, transparent documents, but as formal deployments conforming to a very concrete theory of history. This approach allows Stavrinaki to link Dada to more contemporary artistic movements and practices interested in history and the archive. At the same time, she investigates what seems to be a real oxymoron of the movement: its simultaneous claim to the ephemeral and its compulsive writing of its own history. In this way, Dada Presentism also interrogates the limits between history and fiction.

Author: Stina Barchan
Publisher: Peter Lang Publishing
ISBN: 9781800798908
Category : Art
Languages : en
Pages : 0

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"The archive of the German artist Hannah Höch (1889-1978) has long been an important source of material for historians researching the interwar avant-garde and artists associated with Berlin Dada. This book explores Höch's practices of organisation when assembling the documents in her house outside Berlin from 1939 until her death. Through extensive research, the author argues that Höch's archive should be considered not just a collection of documents but a work in its own right, intimately connected with the artist's daily life. Noting the importance of understanding the mechanisms of this work, the book suggests that Höch took charge of both preserving and exploring the possibilities of Dada long after the group had been officially dissolved. The file that Höch assembled on her friend, the artist Kurt Schwitters (1887-1948), plays an important part in the book, its content revealing how domestic habits infused both artists' practices. Juxtaposing Höch's archive and Schwitters's Merzbau, the author argues for an interactive movement between the two that has fundamental implications on how we understand both artists' œuvres"--

Author: Leah Dickerman
Publisher: National Gallery of Art, Washington/D.A.P.
ISBN:
Category : Art
Languages : en
Pages : 542

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Edited by Leah Dickerman. Essays by Brigid Doherty, Sabine T. Kriebel, Dorothea Dietrich, Michael R. Taylor, Janine Mileaf and Matthew S. Witkovsky. Foreword by Earl A. Powell III.

Author: Richard Sheppard
Publisher: Northwestern University Press
ISBN: 9780810114920
Category : Literary Collections
Languages : en
Pages : 516

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Book Description
This new collection updates, integrates, and contextualizes Richard Sheppard's essays on the historical avant-garde. Sheppard examines responses of modernist writers, artists, and philosophers to a changed sense of reality and human nature. With its combination of previously published and new essays and its perspective on the theoretical avant-garde-modernism debate in the U.S., the volume provides the specialist and the general reader insight into European scholarly discourse on this hotly debated subject.