Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Berenice Abbott, portraits parisiens PDF full book. Access full book title Berenice Abbott, portraits parisiens by . Download full books in PDF and EPUB format.
Author: Publisher: ISBN: 9783869303536 Category : Languages : en Pages :
Book Description
Berenice Abbott en 1925 photographiait ses premiers portraits sur le balcon du studio de Man Ray à Paris. Soixante-cinq ans plus tard, en 1990, elle prenait son dernier portrait dans un bateau sur le lac d'Hebron dans le Maine, à quelques centaines de mètres du chalet dans lequel elle a passé ses dernières années. Abbott réalisait généralement ses portraits parisiens dans son propre studio, d'abord 44, rue du Bac, puis 18, rue Servandoni, mais aussi parfois sur place, au domicile du client, comme son premier portrait de James Joyce. En juin 1926, Jan Sliwinski exposa dans sa galerie des photographies de James Joyce, Jean Cocteau, Sylvia Beach, Marie Laurencin ou André Gide parmi tant d'autres. Les hommes et les femmes photographiés par Berenice Abbott étaient liés - socialement, intellectuellement, artistiquement ou sentimentalement. Elle ne photographiait pas des inconnus, à la différence d'Atget, qu'elle contribua à sortir de l'ombre. Ce livre, conçu par Hank O'Neal, regroupe plus de cent portraits, dont la plupart sont inédits. Les plaques de verre brutes, telles qu'elles sortaient de sa chambre noire, sont présentées avec le recadrage qu'elle souhaitait. Portraits parisiens est un livre rare au service d'une photographe essentielle dans l'art du portrait, de l'architecture ou de la photographie scientifique.
Author: Publisher: ISBN: 9783869303536 Category : Languages : en Pages :
Book Description
Berenice Abbott en 1925 photographiait ses premiers portraits sur le balcon du studio de Man Ray à Paris. Soixante-cinq ans plus tard, en 1990, elle prenait son dernier portrait dans un bateau sur le lac d'Hebron dans le Maine, à quelques centaines de mètres du chalet dans lequel elle a passé ses dernières années. Abbott réalisait généralement ses portraits parisiens dans son propre studio, d'abord 44, rue du Bac, puis 18, rue Servandoni, mais aussi parfois sur place, au domicile du client, comme son premier portrait de James Joyce. En juin 1926, Jan Sliwinski exposa dans sa galerie des photographies de James Joyce, Jean Cocteau, Sylvia Beach, Marie Laurencin ou André Gide parmi tant d'autres. Les hommes et les femmes photographiés par Berenice Abbott étaient liés - socialement, intellectuellement, artistiquement ou sentimentalement. Elle ne photographiait pas des inconnus, à la différence d'Atget, qu'elle contribua à sortir de l'ombre. Ce livre, conçu par Hank O'Neal, regroupe plus de cent portraits, dont la plupart sont inédits. Les plaques de verre brutes, telles qu'elles sortaient de sa chambre noire, sont présentées avec le recadrage qu'elle souhaitait. Portraits parisiens est un livre rare au service d'une photographe essentielle dans l'art du portrait, de l'architecture ou de la photographie scientifique.
Author: Berenice Abbott Publisher: ISBN: Category : Art and science Languages : en Pages : 186
Book Description
Berenice Abbott was an American photographer best known for her black-and-white photography of New York City architecture and urban design of the 1930s. Abbott's style of straight photography helped her make important contributions to scientific photography, as shown in this book.
Author: Julia Van Haaften Publisher: National Geographic Books ISBN: 0393292789 Category : Biography & Autobiography Languages : en Pages : 0
Book Description
The comprehensive biography of the iconic twentieth-century American photographer Berenice Abbott, a trailblazing documentary modernist, author, and inventor. Berenice Abbott is to American photography as Georgia O’Keeffe is to painting or Willa Cather to letters. She was a photographer of astounding innovation and artistry, a pioneer in both her personal and professional life. Abbott’s sixty-year career established her not only as a master of American photography, but also as a teacher, writer, archivist, and inventor. Famously reticent in public, Abbott’s fascinating life has long remained a mystery—until now. In Berenice Abbott: A Life in Photography, author, archivist, and curator Julia Van Haaften brings this iconic public figure to life alongside outlandish, familiar characters from artist Man Ray to cybernetics founder Norbert Wiener. A teenage rebel from Ohio, Abbott escaped first to Greenwich Village and then to Paris—photographing, in Sylvia Beach’s words, "everyone who was anyone." As the Roaring Twenties ended, Abbott returned to New York, where she soon fell in love with art critic Elizabeth McCausland, with whom she would spend thirty years. In the 1930s, Abbott began her best-known work, Changing New York, in which she fearlessly documented the city’s metamorphosis. When warned by an older male supervisor that "nice girls" avoid the Bowery—then Manhattan’s skid row—Abbott shot back, "I’m not a nice girl. I’m a photographer…I go anywhere." This bold, feminist attitude would characterize all Abbott’s accomplishments, including imaging techniques she invented in her influential, space race–era science photography and her tenure as The New School’s first photography teacher. With more than ninety stunning photos, this sweeping, cinematic biography secures Berenice Abbott’s place in the histories of photography and modern art, while framing her incredible accomplishments as a female artist and entrepreneur.
Author: Terri Weissman Publisher: Univ of California Press ISBN: 0520947452 Category : Art Languages : en Pages : 315
Book Description
The Realisms of Berenice Abbott provides the first in-depth consideration of the work of photographer Berenice Abbott. Though best known for her 1930s documentary images of New York City, this book examines a broad range of Abbott’s work—including portraits from the 1920s, little known and uncompleted projects from the 1930s, and experimental science photography from the 1950s. It argues that Abbott consistently relied on realism as the theoretical armature for her work, even as her understanding of that term changed over time and in relation to specific historical circumstances. But as Weissman demonstrates, Abbott’s unflinching commitment to "realist" aesthetics led her to develop a critical theory of documentary that recognizes the complexity of representation without excluding or obscuring a connection between art and engagement in the political public sphere. In telling Abbott’s story, The Realisms of Berenice Abbott reveals insights into the politics and social context of documentary production and presents a thoughtful analysis of why documentary remains a compelling artistic strategy today.
Author: Berenice Abbott Publisher: ISBN: 9783869303147 Category : Portrait photography Languages : en Pages : 0
Book Description
This is one in a series of books to be published by Steidl that will explore Berenice Abbott's exceptional body of work. Abbott began her photographic career in 1925, taking portraits in Paris of some the most celebrated artists and writers of the day including Marie Laurencin, Jean Cocteau, Peggy Guggenheim and James Joyce. Within a year her work was exhibited and acclaimed. Paris Portraits 1925-30 features the clear, honest results of Abbott's earliest photographic project and illustrates the philosophy of all her subsequent work. For this landmark book, 115 portraits of 83 subjects have been scanned from the original glass negatives, the full negatives have been printed, and a die-cut overleaf presents each portrait incorporating Abbott's cropping instructions. Berenice Abbott, born in Springfield, Ohio in 1898, was a dominant figure in twentieth-century American photography. Abbott moved to Paris from New York in 1921, and in 1923, after many false starts, was hired by her friend Man Ray. He was looking for an assistant who knew nothing about photography whom he could teach. Abbott learned quickly and within a year was taking her own photographs. Her first solo exhibition in 1926 was a success, and for the next 65 years Abbott mastered a wide range of subjects. Highlights of Abbott's career include the monumental project Changing New York (1935-1938), photographing rural America including US Route 1 from Maine to Florida, photographically interpreting scientific and natural phenomena, establishing the reputation of Eugène Atget, and founding the first university photography program in the United States. Steidl published the two-volume retrospective Berenice Abbott (2008), and Documenting Science (2011).
Author: Bonnie Yochelson Publisher: ISBN: 9781565843776 Category : Photography Languages : en Pages : 399
Book Description
A re-release of an acclaimed volume features definitive images of 1930s New York, in a deluxe edition that features more than three hundred duotones as taken with the support of the WPA's Federal Art Project documenting Depression-era changes throughout the city. Reissue.
Author: George Sullivan Publisher: Houghton Mifflin Harcourt ISBN: 9780618440269 Category : Juvenile Nonfiction Languages : en Pages : 188
Book Description
A biography of Berenice Abbott, who was a pioneer in the field of professional photography and is particularly acclaimed for her photographs of the streets and buildings of New York City before they were replaced by skyscrapers during a building boom in the 1920s and early 1930s.
Author: Gaëlle Morel Publisher: Editions Hazan, Paris ISBN: 9780300182002 Category : Photography Languages : en Pages : 0
Book Description
This title features 120 photographs and a series of rarely seen documents, illuminating the three major periods of Abbott's career: her early work in the United States and Paris during the 1920s; her project Changing New York, created for the Federal Art Project; and her scientific pictures made between 1939 and 1961.
Author: John Szarkowski Publisher: The Museum of Modern Art ISBN: 0870705784 Category : Languages : en Pages : 225
Book Description
This volume presents the essence of the work of the great French photographer Eugène Atget through one hundred carefully selected photographs. Atget devoted more than thirty years of his life to the task of documenting the city of Paris and the surrounding countryside, and in the process created an oeuvre that brilliantly explains the great richness, complexity, and authentic character of his native culture. John Szarkowski, an acknowledged master of the art of looking at photographs, explores the unique sensibilities that made Atget one of the greatest artists of the twentieth century and a vital influence on the development of modern and contemporary photography. The eloquent introductory text and commentaries on Atget’s photographs form an extended essay on the remarkable visual intelligence displayed in these subtle, sometimes enigmatic pictures.
Author: 
Author: 
Author: Berenice Abbott
Author: Julia Van Haaften
Author: Terri Weissman
Author: Berenice Abbott
Author: Berenice Abbott
Author: Bonnie Yochelson
Author: George Sullivan
Author: Gaëlle Morel
Author: John Szarkowski