Author: Cynthia Becker Publisher: University of Texas Press ISBN: 0292756194 Category : History Languages : en Pages : 241
Book Description
In southeastern Morocco, around the oasis of Tafilalet, the Ait Khabbash people weave brightly colored carpets, embroider indigo head coverings, paint their faces with saffron, and wear ornate jewelry. Their extraordinarily detailed arts are rich in cultural symbolism; they are always breathtakingly beautiful—and they are typically made by women. Like other Amazigh (Berber) groups (but in contrast to the Arab societies of North Africa), the Ait Khabbash have entrusted their artistic responsibilities to women. Cynthia Becker spent years in Morocco living among these women and, through family connections and female fellowship, achieved unprecedented access to the artistic rituals of the Ait Khabbash. The result is more than a stunning examination of the arts themselves, it is also an illumination of women's roles in Islamic North Africa and the many ways in which women negotiate complex social and religious issues. One of the reasons Amazigh women are artists is that the arts are expressions of ethnic identity, and it follows that the guardians of Amazigh identity ought to be those who literally ensure its continuation from generation to generation, the Amazigh women. Not surprisingly, the arts are visual expressions of womanhood, and fertility symbols are prevalent. Controlling the visual symbols of Amazigh identity has given these women power and prestige. Their clothing, tattoos, and jewelry are public identity statements; such public artistic expressions contrast with the stereotype that women in the Islamic world are secluded and veiled. But their role as public identity symbols can also be restrictive, and history (French colonialism, the subsequent rise of an Arab-dominated government in Morocco, and the recent emergence of a transnational Berber movement) has forced Ait Khabbash women to adapt their arts as their people adapt to the contemporary world. By framing Amazigh arts with historical and cultural context, Cynthia Becker allows the reader to see the full measure of these fascinating artworks.
Author: Cynthia Becker Publisher: University of Texas Press ISBN: 0292712952 Category : History Languages : en Pages : 241
Book Description
In southeastern Morocco, around the oasis of Tafilalet, the Ait Khabbash people weave brightly colored carpets, embroider indigo head coverings, paint their faces with saffron, and wear ornate jewelry. Their extraordinarily detailed arts are rich in cultural symbolism; they are always breathtakingly beautiful—and they are typically made by women. Like other Amazigh (Berber) groups (but in contrast to the Arab societies of North Africa), the Ait Khabbash have entrusted their artistic responsibilities to women. Cynthia Becker spent years in Morocco living among these women and, through family connections and female fellowship, achieved unprecedented access to the artistic rituals of the Ait Khabbash. The result is more than a stunning examination of the arts themselves, it is also an illumination of women's roles in Islamic North Africa and the many ways in which women negotiate complex social and religious issues. One of the reasons Amazigh women are artists is that the arts are expressions of ethnic identity, and it follows that the guardians of Amazigh identity ought to be those who literally ensure its continuation from generation to generation, the Amazigh women. Not surprisingly, the arts are visual expressions of womanhood, and fertility symbols are prevalent. Controlling the visual symbols of Amazigh identity has given these women power and prestige. Their clothing, tattoos, and jewelry are public identity statements; such public artistic expressions contrast with the stereotype that women in the Islamic world are secluded and veiled. But their role as public identity symbols can also be restrictive, and history (French colonialism, the subsequent rise of an Arab-dominated government in Morocco, and the recent emergence of a transnational Berber movement) has forced Ait Khabbash women to adapt their arts as their people adapt to the contemporary world. By framing Amazigh arts with historical and cultural context, Cynthia Becker allows the reader to see the full measure of these fascinating artworks.
Author: Michel Draguet Publisher: ISBN: 9780300253955 Category : Berbers Languages : en Pages : 0
Book Description
The Berbers are considered to be the earliest occupants of the regions stretching north of the Sahara. Their ancient cultural tradition has been enhanced by absorbing diverse outside influences, the result of successive invasions punctuating the history of the southern Mediterranean ever since the arrival of the Phoenicians - followed by the Greeks, the Romans, the Vandals, the Byzantines and finally the Arabs. Through appropriation and assimilation, the Berbers gave birth to an exceptionally rich culture, while retaining the very foundations of an age-old civilisation born when the Sahara was still green. The remarkable collection of finery assembled by Anne-Marie Gillion Crowet relates this fascinating history brilliantly. Besides the virtuosity of the Muslim and Jewish artisans, this jewellery also testifies to the complex situation of women within the Berber world. The fruit of a partnership with the Institut du Monde Arabe in Paris, Berber Memories pays tribute to Berber women, as guardians and conveyors of civilisation in Morocco.
Author: Susan Schaefer Davis Publisher: Schiffer + ORM ISBN: 1507302568 Category : Travel Languages : en Pages : 427
Book Description
Morocco: Ancient cities, adobe fortresses of centuries past, fertile plains of wheat and olives, carpets of wildflowers, endless deserts, wild mountains, and isolated rural villages. And of course, the fabled open-air markets framed with stacks of woven rugs and other handicrafts, exotic scents wafting through the aisles, the hum of Arabic, Berber, French. Within this diverse land and confluence of cultures, many rich and ancient craft traditions carry on—women spin and weave, make buttons, embroider designs passed down through generations, and sew stunning native costumes. Women Artisans of Morocco tells the stories of twenty-five women who practice these textile traditions with an inspiring energy, pride, and fortitude. For the first time, we have a book that focuses on the artisans of Morocco themselves, those who produce these beautiful textiles that contribute substantially to their family's income while maintaining households and raising children. You will step into the lives of these Moroccan women artisans and gain an appreciation for their artistic skills and ingenuity but also for their strong roles in this supposedly male-dominated society, their fierce independence and determination as they work to improve their economic livelihoods. You will be welcomed into their homes in rural Berber villages, in bustling cities, and in a remarkable desert oasis. You will begin to learn truly what it is like to live as a woman in Morocco and to be part of a rapidly changing society. Most of the women presented here are rug weavers whose ancient skills and designs vary from region to region. You will also meet Fes embroidery artists, women who needle-weave buttons that have decorated native costumes for centuries, and a contemporary seamstress. Joe Coca's award-winning photography, guided by his curious and reverent sensibility, captures the beauty of the women, their work, and Morocco.
Author: Doris H. Gray Publisher: Cambridge University Press ISBN: 110841950X Category : History Languages : en Pages : 417
Book Description
A wide-ranging analysis of grass-roots activism, migration, legal, political and religious changes as basis for social transformation.
Author: Fatima Sadiqi Publisher: BRILL ISBN: 9004128530 Category : Social Science Languages : en Pages : 355
Book Description
This text is an original investigation in the complex relationship between women, gender, and language in a Muslim, multilingual, and multicultural setting. Moroccan women's use of monolingualism (oral literature) and multilingualism (code-switching) reflects their agency and gender-role subversion in a heavily patriarchal society.
Author: Cynthia Becker
Author: Cynthia Becker
Author: Cynthia J. Becker
Author: Michel Draguet
Author: Susan Schaefer Davis
Author: Doris H. Gray
Author: Bruno Barbatti
Author: Björn Dahlström
Author: Felix Leu
Author: Fatima Sadiqi