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Author: Publisher: BRILL ISBN: 9004334165 Category : Social Science Languages : en Pages : 225
Book Description
The first volume of Benjamin Studies publishes the keynote lectures of the first Congress of the International Walter Benjamin Association, which took place in Amsterdam, July 1997. Its title bears witness to the most central concepts of Benjamin’s philosophy of culture. Strongly influenced as he was by Kant, Benjamin never lost his inclination to analyse the components of reality as fashioned by ourselves. Because he was also a materialist, for him the modes of fashioning were shaped in turn by the times and places we occupy in history. As a consequence, Benjamin’s theory assigns a pivotal role in the interaction between the world and its inhabitants to the media: language with its plethora of discourses, the arts, and the whole technology of reproduction. The historical and social development of the media is, translated, according to him, into our instruments of perception, and this perception constructs the elements of the world, the knowledge of this construction and the knowledge of the constructor. The self-knowledge of the constructor is what we call ‘experience’. Within this broad epistemological framework, the diversity and complexity of Benjamin’s project acquires a fundamental coherence and is therefore able to accommodate the temporal volatility of the phenomena of our world. It’s not surprising, therefore, that Perception & Experience offers the most stimulating variety of topics, and that the keynote lectures reflect merely an intensification of interest in certain areas within a much larger field of investigation. The texts presented here pinpoint the central preoccupations of today’s debates amongst Benjamin scholars, preoccupations which are themselves responses to our own historical imperatives.
Author: Publisher: BRILL ISBN: 9004334165 Category : Social Science Languages : en Pages : 225
Book Description
The first volume of Benjamin Studies publishes the keynote lectures of the first Congress of the International Walter Benjamin Association, which took place in Amsterdam, July 1997. Its title bears witness to the most central concepts of Benjamin’s philosophy of culture. Strongly influenced as he was by Kant, Benjamin never lost his inclination to analyse the components of reality as fashioned by ourselves. Because he was also a materialist, for him the modes of fashioning were shaped in turn by the times and places we occupy in history. As a consequence, Benjamin’s theory assigns a pivotal role in the interaction between the world and its inhabitants to the media: language with its plethora of discourses, the arts, and the whole technology of reproduction. The historical and social development of the media is, translated, according to him, into our instruments of perception, and this perception constructs the elements of the world, the knowledge of this construction and the knowledge of the constructor. The self-knowledge of the constructor is what we call ‘experience’. Within this broad epistemological framework, the diversity and complexity of Benjamin’s project acquires a fundamental coherence and is therefore able to accommodate the temporal volatility of the phenomena of our world. It’s not surprising, therefore, that Perception & Experience offers the most stimulating variety of topics, and that the keynote lectures reflect merely an intensification of interest in certain areas within a much larger field of investigation. The texts presented here pinpoint the central preoccupations of today’s debates amongst Benjamin scholars, preoccupations which are themselves responses to our own historical imperatives.
Author: Alexander Gelley Publisher: Fordham Univ Press ISBN: 0823262588 Category : Literary Criticism Languages : en Pages : 270
Book Description
In transposing the Freudian dream work from the individual subject to the collective, Walter Benjamin projected a “macroscosmic journey” of the individual sleeper to “the dreaming collective, which, through the arcades, communes with its own insides.” Benjamin’s effort to transpose the dream phenomenon to the history of a collective remained fragmentary, though it underlies the principle of retrograde temporality, which, it is argued, is central to his idea of history. The “passages” are not just the Paris arcades: They refer also to Benjamin’s effort to negotiate the labyrinth of his work and thought. Gelley works through many of Benjamin’s later works and examines important critical questions: the interplay of aesthetics and politics, the genre of The Arcades Project, citation, language, messianism, aura, and the motifs of memory, the crowd, and awakening. For Benjamin, memory is not only antiquarian; it functions as a solicitation, a call to a collectivity to come. Gelley reads this call in the motif of awakening, which conveys a qualified but crucial performative intention of Benjamin’s undertaking.
Author: Katja Haustein Publisher: Routledge ISBN: 1351551779 Category : Foreign Language Study Languages : en Pages : 207
Book Description
What is autobiography and how does it transform in the age of technological reproducibility? Katja Haustein discusses this question as it relates to photography and the role of emotion in Marcel Proust's In Search of Lost Time (1909-22), Walter Benjamin's Berlin Childhood around 1900 (1932-38), and Roland Barthes's Roland Barthes (1977) and Camera Lucida (1980). In her close critical readings, Haustein provides the first comprehensive comparative analysis of these popular works, mapping them against little-studied textual, visual and aural material, some of which has only recently become accessible. In this way, her book opens new avenues in scholarship dedicated to three outstanding twentieth-century writers and contributes to a field of critical inquiry that is still in the making: the history of autobiography in the light of a history of the gaze.
Author: Peter Fenves Publisher: Stanford University Press ISBN: 0804757887 Category : Philosophy Languages : en Pages : 334
Book Description
The Messianic Reduction is the first study of Benjamin's early philosophy that takes into consideration the full range of his work, with particular emphasis on its complex relation to phenomenology, Kant and neo-Kantianism, and certain developments in mathematics.
Author: Brian Britt Publisher: Northwestern University Press ISBN: 0810133210 Category : Literary Criticism Languages : en Pages : 305
Book Description
In readings of Walter Benjamin's work, religion often marks a boundary between scholarly camps, but it rarely receives close and sustained scrutiny. Benjamin's most influential writings pertain to modern art and culture, but he frequently used religious language while rejecting both secularism and religious revival. Benjamin was, in today's terms, postsecular. Postsecular Benjamin explicates Benjamin's engagements with religious traditions as resources for contemporary debates on secularism, conflict, and identity. Brian Britt argues that what animates this work on tradition is the question of human agency, which he pursues through lively and sustained experimentation with ways of thinking, reading, and writing.
Author: Kathleen Kerr-Koch Publisher: A&C Black ISBN: 1441111808 Category : Literary Criticism Languages : en Pages : 234
Book Description
Romancing Fascism argues that intellectual responsibility can only be safeguarded if criticism is mobilised both as a poetic and as a critically enlightened endeavour. In this analysis of allegory as a function of modernity, what is made clear is the difficulty, if not impossibility, of definitively determining the genealogical antecedents of intellectual trends, particularly those considered pernicious to clear thinking. Thus Kerr-Koch takes a wide-ranging approach to the analysis of allegory as it is treated by three controversial writers whose works flank the nineteenth and twentieth centuries, the middle and late periods of what we call modernity—Walter Benjamin, Paul de Man and Percy Bysshe Shelley. These three writers have been chosen because they have been at some point recuperated for a theory of ‘postmodernism', a term that for some theorists represents liberal free play, and for others represents a lack of rigour and a pernicious corruption of thought.
Author: Jane O. Newman Publisher: Cornell University Press and Cornell University Library ISBN: 0801460883 Category : Literary Criticism Languages : en Pages : 262
Book Description
In Benjamin’s Library, Jane O. Newman offers, for the first time in any language, a reading of Walter Benjamin’s notoriously opaque work, Origin of the German Tragic Drama that systematically attends to its place in discussions of the Baroque in Benjamin’s day. Taking into account the literary and cultural contexts of Benjamin’s work, Newman recovers Benjamin’s relationship to the ideologically loaded readings of the literature and political theory of the seventeenth-century Baroque that abounded in Germany during the political and economic crises of the Weimar years. To date, the significance of the Baroque for Origin of the German Tragic Drama has been glossed over by students of Benjamin, most of whom have neither read it in this context nor engaged with the often incongruous debates about the period that filled both academic and popular texts in the years leading up to and following World War I. Armed with extraordinary historical, bibliographical, philological, and orthographic research, Newman shows the extent to which Benjamin participated in these debates by reconstructing the literal and figurative history of sixteenth- and seventeenth-century books that Benjamin analyzes and the literary, art historical and art theoretical, and political theological discussions of the Baroque with which he was familiar. In so doing, she challenges the exceptionalist, even hagiographic, approaches that have become common in Benjamin studies. The result is a deeply learned book that will infuse much-needed life into the study of one of the most influential thinkers of the twentieth century.
Author: Eric Downing Publisher: Cornell University Press ISBN: 1501715933 Category : Literary Criticism Languages : en Pages : 366
Book Description
"Shows how the connection between divinatory magic and reading shaped the experience of reading and aesthetics among nineteenth-century realists and modernist thinkers, including writers, artists, and critics such as Gottfried Keller, Theodor Fontane, and Walter Benjamin"--
Author: Stephane Symons Publisher: Rowman & Littlefield ISBN: 1785523244 Category : Philosophy Languages : en Pages : 223
Book Description
For over fifty years the concept of memory has played a crucial role in a large number of academic and societal debates. The Work of Forgetting: Or, How Can We Make the Future Possible? draws attention to the limits of the academic field of memory studies. It argues that the faculty of memory offers an inadequate response to the challenges of the present. The book sets up a dialogue between the philosophies of forgetting that underlie the writings of Friedrich Nietzsche, Walter Benjamin and Gilles Deleuze, and the philosophies of memory that inform the work of Sigmund Freud, Martin Heidegger and Hannah Arendt. It builds on the idea that history is inseparable from a type of transience that cannot be counter-acted by the preserving work of memory and develops a new understanding of the phenomenon of forgetting in which the passage of time is asserted in thought and thus made productive.
Author: Betty Schulz Publisher: Rowman & Littlefield ISBN: 1538163373 Category : Philosophy Languages : en Pages : 229
Book Description
The Fractured Subject investigates the relationship of the work of Walter Benjamin and Sigmund Freud, centered around the concept of the fractured subject. Through a reading of Benjamin’s work on sovereignty and myth, Betty Schulz establishes the emergence of this fractured subject in the Baroque and links these themes to ‘Mourning and Melancholia’ and two of Freud’s case studies, showing that melancholia and possession emerge as two responses to the baroque loss of a cosmological horizon. Turning to Benjamin’s work on the nineteenth century in the Arcades Project, Schulz delineates the persistence of this fractured subject, showing how Benjamin conceptualises its development over the course of modernity while analyzing the change of memory and experience in modernity. Finally, having introduced the importance of the dream in the Arcades Project and associated work, Schulz examines Benjamin’s dream theory, establishing the ways it draws from Freud, as well as Benjamin’s concept of awakening as a therapeutic, collective, political gesture that points beyond the fractured subject.
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Author: Alexander Gelley
Author: Katja Haustein
Author: Peter Fenves
Author: Brian Britt
Author: Kathleen Kerr-Koch
Author: Jane O. Newman
Author: Eric Downing
Author: Stephane Symons
Author: Betty Schulz