The Primitive Hymns, Spiritual Songs, and Sacred Poems PDF Download

Author: Benjamin Lloyd
Publisher:
ISBN:
Category : Hymns, English
Languages : en
Pages : 568

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Author: Joyce H. Cauthen
Publisher: University Alabama Press
ISBN: 9780817315115
Category : Music
Languages : en
Pages : 0

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Book Description
Primitive Baptist singing traditions in the South. "This collection of essays, best described as an extended set of liner notes to its accompanying compact disc, frames its topic with deceptive modesty. Benjamin Lloyd (1804-60) was a Primitive Baptist preacher, who in 1841 published some 535 hymn texts under the title Primitive Hymns. Lloyd's Hymnal (as it is often called now) has been a small but consistent seller ever since, finding wide use among Primitive Baptists throughout the South. The CD [as well as the book appropriately uses Lloyd's as a point of reference from which to navigate the varied landscape of folk worship in the South. Those who find beauty in the music and worship of the southern folk will be overwhelmed by the sounds and the spiritual intensity; those who grapple with the tangled biracial culture of the South will find a key to understanding the devotion of southerners, black and white, to this small book." -- The Alabama Review

Author: David W. Music
Publisher: Mercer University Press
ISBN: 9780865549487
Category : Music
Languages : en
Pages : 664

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Baptists have a long and rich heritage of congregational song. The hymns Baptists have sung and the books from which they have sung them have been shaping forces for Baptist theology, worship, and piety. Baptist authors and composers have provided songs that have made an impact not only among Baptists in America but also across denominational and geographic lines. Congregational singing continues to be a key component of Baptist worship in the twenty-first century. Beginning with an overview of the British background, this book is a survey of the history of Baptist hymnody in America from Baptist beginnings in the New World to the present. Its intent is to help the reader better understand the background against which current Baptist congregational song practices operate. Unlike earlier writings on the subject, this book provides both comprehensive coverage and a continuous narrative. It gives thorough attention to the major Baptist bodies in America as well as calling attention to the contributions of significant smaller groups. The British Baptist background is dealt with in an introductory section. The book also includes many texts and tunes as illustrations of the topics being discussed and focuses on some of the contributions of Baptist authors and composers to the repertory of congregational song. Book jacket.

Author: William T. Dargan
Publisher: Univ of California Press
ISBN: 9780520928923
Category : Music
Languages : en
Pages : 356

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This book, a milestone in American music scholarship, is the first to take a close look at an important and little-studied component of African American music, one that has roots in Europe, but was adapted by African American congregations and went on to have a profound influence on music of all kinds—from gospel to soul to jazz. "Lining out," also called Dr. Watts hymn singing, refers to hymns sung to a limited selection of familiar tunes, intoned a line at a time by a leader and taken up in turn by the congregation. From its origins in seventeenth-century England to the current practice of lining out among some Baptist congregations in the American South today, William Dargan’s study illuminates a unique American music genre in a richly textured narrative that stretches from Isaac Watts to Aretha Franklin and Ornette Coleman. Lining Out the Word traces the history of lining out from the time of slavery, when African American slaves adapted the practice for their own uses, blending it with other music, such as work songs. Dargan explores the role of lining out in worship and pursues the cultural implications of this practice far beyond the limits of the church, showing how African Americans wove African and European elements together to produce a powerful and unique cultural idiom. Drawing from an extraordinary range of sources—including his own fieldwork and oral sources—Dargan offers a compelling new perspective on the emergence of African American music in the United States. Copub: Center for Black Music Research

Author: Buell E. Cobb, Jr.
Publisher: University of Georgia Press
ISBN: 0820323713
Category : Music
Languages : en
Pages : 273

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On any Sunday afternoon a traveler through the Deep South might chance upon the rich, full sound of Sacred Harp singing. Aided with nothing but their own voices and the traditional shape-note songbook, Sacred Harp singers produce a sound that is unmistakable--clear and full-voiced. Passed down from early settlers in the backwoods of the Southern Uplands, this religious folk tradition hearkens back to a simpler age when Sundays were a time for the Lord and the “singings.” Illustrated with forty-one songs from the original songbook, The Sacred Harp is a comprehensive account of a unique form of folk music. Buell Cobb’s study encompasses the history of the songbook itself, an analysis of the music, and an intimate portrait of the singers who have kept alive a truly American tradition.

Author: Beverly Bush Patterson
Publisher: University of Illinois Press
ISBN: 9780252070037
Category : Music
Languages : en
Pages : 268

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In The Sound of the Dove, Beverly Bush Patterson explores one of the oldest traditions of American religious folksong, a national heritage of great beauty and dignity that remains vital in the lives and worship of predestinarian Primitive Baptists in the southern mountains. This unaccompanied and frequently unharmonized congregational singing challenges our assumptions about creativity, aesthetics, meaning, and identity. Patterson's revealing study incorporates interviews, field observations, historical research, song transcriptions, and musical analysis. She uses seventeenth-century English documents to trace historical antecedents of Primitive Baptist singing and to frame her discussion of religious belief and gender roles as they intersect with singing. One chapter is devoted to the role of women in this church.

Author: Beth Barton Schweiger
Publisher: Yale University Press
ISBN: 030011253X
Category : Literary Criticism
Languages : en
Pages : 285

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Book Description
A provocative examination of literacy in the American South before emancipation, countering the long-standing stereotype of the South's oral tradition Schweiger complicates our understanding of literacy in the American South in the decades just prior to the Civil War by showing that rural people had access to a remarkable variety of things to read. Drawing on the writings of four young women who lived in the Blue Ridge Mountains, Schweiger shows how free and enslaved people learned to read, and that they wrote and spoke poems, songs, stories, and religious doctrines that were circulated by speech and in print. The assumption that slavery and reading are incompatible--which has its origins in the eighteenth century--has obscured the rich literate tradition at the heart of Southern and American culture.

Author: Joshua Guthman
Publisher: UNC Press Books
ISBN: 1469624877
Category : Religion
Languages : en
Pages : 232

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Book Description
Before the Bible Belt fastened itself across the South, competing factions of evangelicals fought over their faith's future, and a contrarian sect, self-named the Primitive Baptists, made its stand. Joshua Guthman here tells the story of how a band of antimissionary and antirevivalistic Baptists defended Calvinism, America's oldest Protestant creed, from what they feared were the unbridled forces of evangelical greed and power. In their harrowing confessions of faith and in the quavering uncertainty of their singing, Guthman finds the emotional catalyst of the Primitives' early nineteenth-century movement: a searing experience of doubt that motivated believers rather than paralyzed them. But Primitives' old orthodoxies proved startlingly flexible. After the Civil War, African American Primitives elevated a renewed Calvinism coursing with freedom's energies. Tracing the faith into the twentieth century, Guthman demonstrates how a Primitive Baptist spirit, unmoored from its original theological underpinnings, seeped into the music of renowned southern artists such as Roscoe Holcomb and Ralph Stanley, whose "high lonesome sound" appealed to popular audiences searching for meaning in the drift of postwar American life. In an account that weaves together religious, emotional, and musical histories, Strangers Below demonstrates the unlikely but enduring influence of Primitive Baptists on American religious and cultural life.

Author: William Glenn Jonas
Publisher: Mercer University Press
ISBN: 9780881461206
Category : Religion
Languages : en
Pages : 308

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Book Description
This Baptist history textbook highlights the diversity of the Baptist movement in North America as it has developed over the past few centuries. Under the Baptist tent are such diverse groups as Primitive Baptists, Freewill Baptists, Seventh-Day Baptists, American Baptists, Southern Baptists, North American Baptists, and Independent Baptists. Each of these Baptists groups shares some basic Baptist principles. However, there are significant theological and social differences between them. This book is the ideal survey for undergraduate-level students.

Author: Kathryn Eastburn
Publisher: U of Nebraska Press
ISBN: 1496211383
Category : Cooking
Languages : en
Pages : 198

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Book Description
Some have called Sacred Harp singing America's earliest music. This powerful nondenominational religious singing, part of a deeply held Southern culture, has spread throughout the nation over the past two centuries. In A Sacred Feast, Kathryn Eastburn journeys into the community of Sacred Harp singers across the country and introduces readers to the curious glories of a tradition that is practiced today just as it was two hundred years ago. Each of the book's chapters visits a different region and features recipes from the accompanying culinary tradition--dinner on the ground, a hearty noontime feast. From oven-cooked pulled pork barbeque to Dollar Store cornbread dressing to red velvet cake, these recipes tell a story of nourishing the body, the soul, and the voice. The Sacred Harp's deeply moving sound and spirit resonate through these pages, captured at conventions in Alabama, Kentucky, Texas, Colorado, and Washington, conveyed in portraits of singers, and celebrated in the sights, sounds, smells, and tastes of all-day singing and dinner on the ground echoing through generations and centuries.