Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 160
Book Description
Beneventanum Troporum Corpus II: (in 2 v.) Kyrie eleison
Author: Beneventanum Troporum Corpus II, Part 2a
Author: John BoePublisher: A-R Editions, Inc.
ISBN: 0895793695
Category : Music
Languages : en
Pages : 80
Book Description
Beneventanum Troporum Corpus II, Part 1a
Author: John BoePublisher: A-R Editions, Inc.
ISBN: 089579344X
Category : Music
Languages : en
Pages : 136
Book Description
Beneventanum Troporum Corpus II, Part 2b
Author: John BoePublisher: A-R Editions, Inc.
ISBN: 0895793709
Category : Music
Languages : en
Pages : 226
Book Description
Beneventanum Troporum Corpus II, Part 1b
Author: John BoePublisher: A-R Editions, Inc.
ISBN: 0895793458
Category : Music
Languages : en
Pages : 232
Book Description
Beneventanum Troporum Corpus I, Part 1
Author: Alejandro PlanchartPublisher: A-R Editions, Inc.
ISBN: 0895793431
Category : Music
Languages : en
Pages : 152
Book Description
Benevantum Troporum Corpus I, Part 2
Author: Alejandro PlanchartPublisher: A-R Editions, Inc.
ISBN: 0895793040
Category : Music
Languages : en
Pages : 264
Book Description
Embellishing the Liturgy
Author: Alejandro Enrique PlanchartPublisher: Routledge
ISBN: 1351940724
Category : Music
Languages : en
Pages : 439
Book Description
After the imposition of Gregorian chant upon most of Europe by the authority of the Carolingian kings and emperors in the eighth and ninth centuries, a large number of repertories arose in connection with the new chant and its liturgy. Of these repertories, the tropes, together with the sequences, represent the main creative activity of European musicians in the ninth, tenth, and eleventh centuries. Because they were not an absolutely official part of the liturgy, as was Gregorian chant, they reflect local traditions, particularly in terms of melody, and more so than the new pieces that were composed at the time. In addition, the earlier layers of tropes represent, in many cases, a survival of the pre local pre Gregorian melodic traditions. This volume provides an introduction to the study of tropes in the form of an extensive anthology of major studies and a comprehensive bibliography and constitutes a classic reference resource for the study of one of the most important musico-liturgical genres of the central middle ages.
Sacred Sound and Social Change
Author: Lawrence A. HoffmanPublisher: University of Notre Dame Pess
ISBN: 0268160570
Category : Religion
Languages : en
Pages : 301
Book Description
Teachers, students, composers, performers, and other practitioners of sacred sound will appreciate this volume because, unlike any book currently available on sacred music, it treats the history, development, current practices, composition, and critical views of the liturgical music of both the Jewish and Christian traditions. Contributors trace Jewish music from its place in Hebrew Scriptures through the nineteenth-century Reform movement. Similar accounts of Christian music describe its growth up to the Protestant Reformation, as well as post-Reformation development. Other essays explore liturgical music in contemporary North America by analyzing it against the backdrop of the continuous social change that characterizes our era.
The Critical Editing of Music
Author: James GrierPublisher: Cambridge University Press
ISBN: 9780521558631
Category : Music
Languages : en
Pages : 288
Book Description
The book follows the activities inherent in music editing, including the tasks of the editor, the nature of musical sources, and transcription. Grier also discusses the difficult decisions faced by the editor such as sources not associated with the composer and necessary editorial judgement.