Author: Eric KujawskyPublisher:
ISBN:
Category :
Languages : en
Pages : 84
Book Description
Bela Bartok's Violin Concerto No. 2
Author: Eric KujawskyViolin Concertos No. 1 & 2 ; Concertos, Violin, No. 2
Author: Béla BartókPublisher:
ISBN:
Category : Concertos (Violin)
Languages : en
Pages :
Book Description
Béla Bartók's Violin Concerto No. 2
Author: Alexander Joseph NagyPublisher: Ann Arbor, Mich. : University Microfilms International
ISBN:
Category :
Languages : en
Pages : 75
Book Description
Violin Concerto. No. 2
Author: Béla BartókPublisher:
ISBN:
Category : Concertos (Violin)
Languages : en
Pages : 137
Book Description
Bartok: Violin Concerto No. 2 - Concerto for String Instruments, Percussion & Celeste - Divertimento
Author: Violin Concerto A minor
Author: Antonín DvořákPublisher: Eulenburg
ISBN: 3795714273
Category : Music
Languages : en
Pages : 137
Book Description
Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.
Bartok: Violin Concerto No. 2 - Khrennikov: 3 Songs for Violin & Orchestra
Author: Bela Bartok
Author: László SomfaiPublisher: Univ of California Press
ISBN: 0520914619
Category : Biography & Autobiography
Languages : en
Pages : 434
Book Description
This long-awaited, authoritative account of Bartók's compositional processes stresses the composer's position as one of the masters of Western music history and avoids a purely theoretical approach or one that emphasizes him as an enthusiast for Hungarian folk music. For Bèla Bartók, composition often began with improvisation at the piano. Làszló Somfai maintains that Bartók composed without preconceived musical theories and refused to teach composition precisely for this reason. He was not an analytical composer but a musical creator for whom intuition played a central role. These conclusions are the result of Somfai's three decades of work with Bartók's oeuvre; of careful analysis of some 3,600 pages of sketches, drafts, and autograph manuscripts; and of the study of documents reflecting the development of Bartók's compositions. Included as well are corrections preserved only on recordings of Bartók's performances of his own works. Somfai also provides the first comprehensive catalog of every known work of Bartók, published and unpublished, and of all extant draft, sketch, and preparatory material. His book will be basic to all future scholarly work on Bartók and will assist performers in clarifying the problems of Bartók notation. Moreover, it will be a model for future work on other major composers.
Author: Yehudi Menuhin
Author: Itzhak Perlman