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Author: Joshua Bennett Publisher: Penguin ISBN: 0525505652 Category : Poetry Languages : en Pages : 96
Book Description
From a 2021 Whiting Award and Guggenheim Fellow recipient, a “rhapsodic, rigorous poetry collection, which pays homage to everyday Black experience in the U.S.” (The New Yorker) Gregory Pardlo described Joshua Bennett's first collection of poetry, The Sobbing School, as an "arresting debut" that was "abounding in tenderness and rich with character," with a "virtuosic kind of code switching." Bennett's new collection, Owed, is a book with celebration at its center. Its primary concern is how we might mend the relationship between ourselves and the people, spaces, and objects we have been taught to think of as insignificant, as fundamentally unworthy of study, reflection, attention, or care. Spanning the spectrum of genre and form--from elegy and ode to origin myth--these poems elaborate an aesthetics of repair. What's more, they ask that we turn to the songs and sites of the historically denigrated so that we might uncover a new way of being in the world together, one wherein we can truthfully reckon with the brutality of the past and thus imagine the possibilities of our shared, unpredictable present, anew.
Author: Joshua Bennett Publisher: Penguin ISBN: 0525505652 Category : Poetry Languages : en Pages : 96
Book Description
From a 2021 Whiting Award and Guggenheim Fellow recipient, a “rhapsodic, rigorous poetry collection, which pays homage to everyday Black experience in the U.S.” (The New Yorker) Gregory Pardlo described Joshua Bennett's first collection of poetry, The Sobbing School, as an "arresting debut" that was "abounding in tenderness and rich with character," with a "virtuosic kind of code switching." Bennett's new collection, Owed, is a book with celebration at its center. Its primary concern is how we might mend the relationship between ourselves and the people, spaces, and objects we have been taught to think of as insignificant, as fundamentally unworthy of study, reflection, attention, or care. Spanning the spectrum of genre and form--from elegy and ode to origin myth--these poems elaborate an aesthetics of repair. What's more, they ask that we turn to the songs and sites of the historically denigrated so that we might uncover a new way of being in the world together, one wherein we can truthfully reckon with the brutality of the past and thus imagine the possibilities of our shared, unpredictable present, anew.
Author: Toni Morrison Publisher: Vintage ISBN: 0307388638 Category : Literary Criticism Languages : en Pages : 86
Book Description
An immensely persuasive work of literary criticism that opens a new chapter in the American dialogue on race—and promises to change the way we read American literature—from the acclaimed Nobel Prize winner Morrison shows how much the themes of freedom and individualism, manhood and innocence, depended on the existence of a black population that was manifestly unfree--and that came to serve white authors as embodiments of their own fears and desires. According to the Chicago Tribune, Morrison "reimagines and remaps the possibility of America." Her brilliant discussions of the "Africanist" presence in the fiction of Poe, Melville, Cather, and Hemingway leads to a dramatic reappraisal of the essential characteristics of our literary tradition. Written with the artistic vision that has earned the Nobel Prize-winning author a pre-eminent place in modern letters, Playing in the Dark is an invaluable read for avid Morrison admirers as well as students, critics, and scholars of American literature.
Author: Joshua Bennett Publisher: Penguin ISBN: 0143136828 Category : Poetry Languages : en Pages : 145
Book Description
An acclaimed poet further extends his range into the realm of speculative fiction, while addressing issues as varied as abolition, Black ecological consciousness, and the boundless promise of parenthood Featuring the novella “The Book of Mycah,” soon to be adapted by Lena Waithe’s Hillman Grad Productions & Warner Bros. TV Across three sequences, Joshua Bennett’s new book recalls and reimagines social worlds almost but not entirely lost, all while gesturing toward the ones we are building even now, in the midst of a state of emergency, together. Bennett opens with a set of autobiographical poems that deal with themes of family, life, death, vulnerability, and the joys and dreams of youth. The central section, “The Book of Mycah,” features an alternate history where Malcolm X is resurrected from the dead, as is a young black man shot by the police some fifty years later in Brooklyn. The final section of The Study of Human Life are poems that Bennett has written about fatherhood, on the heels of his own first child being born last fall.
Author: Joshua Bennett Publisher: Harvard University Press ISBN: 0674980301 Category : Literary Criticism Languages : en Pages : 225
Book Description
A prize-winning poet argues that blackness acts as the caesura between human and nonhuman, man and animal. Throughout US history, black people have been configured as sociolegal nonpersons, a subgenre of the human. Being Property Once Myself delves into the literary imagination and ethical concerns that have emerged from this experience. Each chapter tracks a specific animal figure—the rat, the cock, the mule, the dog, and the shark—in the works of black authors such as Richard Wright, Toni Morrison, Zora Neale Hurston, Jesmyn Ward, and Robert Hayden. The plantation, the wilderness, the kitchenette overrun with pests, the simultaneous valuation and sale of animals and enslaved people—all are sites made unforgettable by literature in which we find black and animal life in fraught proximity. Joshua Bennett argues that animal figures are deployed in these texts to assert a theory of black sociality and to combat dominant claims about the limits of personhood. Bennett also turns to the black radical tradition to challenge the pervasiveness of antiblackness in discourses surrounding the environment and animals. Being Property Once Myself is an incisive work of literary criticism and a close reading of undertheorized notions of dehumanization and the Anthropocene.
Author: Valerie Smith Publisher: Harvard University Press ISBN: 9780674800885 Category : Biography & Autobiography Languages : en Pages : 188
Book Description
It is by telling the stories of their lives that black writers--from the authors of nineteenth-century slave narratives to contemporary novelists--affirm and legitimize their psychological autonomy. So Valerie Smith argues in this perceptive exploration of the relationship between autobiography and fiction in Afro-American writing. Smith sees the processes of plot construction and characterization as providing these narrators with a measure of authority unknown in their lives. Focusing on autobiographies by Olaudah Equiano, Frederick Douglass, and Harriet Jacobs and the fiction of James Weldon Johnson, Richard Wright, Ralph Ellison, and Toni Morrison, she demonstrates the ways in which the act of narrating constitutes an act of self-fashioning that must be understood in the context of the Afro-American experience. Hers is a fertile investigation, attuned to the differences in male and female sensibilities, and attentive to the importance of oral traditions.
Author: Brent Hayes Edwards Publisher: Harvard University Press ISBN: 0674979028 Category : Literary Criticism Languages : en Pages : 333
Book Description
In 1941 Thelonious Monk and Kenny Clarke copyrighted “Epistrophy,” one of the best-known compositions of the bebop era. The song’s title refers to a literary device—the repetition of a word or phrase at the end of successive clauses—that is echoed in the construction of the melody. Written two decades later, Amiri Baraka’s poem “Epistrophe” alludes slyly to Monk’s tune. Whether it is composers finding formal inspiration in verse or a poet invoking the sound of music, hearing across media is the source of innovation in black art. Epistrophies explores this fertile interface through case studies in jazz literature—both writings informed by music and the surprisingly large body of writing by jazz musicians themselves. From James Weldon Johnson’s vernacular transcriptions to Sun Ra’s liner note poems, from Henry Threadgill’s arresting song titles to Nathaniel Mackey’s “Song of the Andoumboulou,” there is an unending back-and-forth between music that hovers at the edge of language and writing that strives for the propulsive energy and melodic contours of music. At times this results in art that gravitates into multiple media. In Duke Ellington’s “social significance” suites, or in the striking parallels between Louis Armstrong’s inventiveness as a singer and trumpeter on the one hand and his idiosyncratic creativity as a letter writer and collagist on the other, one encounters an aesthetic that takes up both literature and music as components of a unique—and uniquely African American—sphere of art-making and performance.
Author: Roger Rosenblatt Publisher: Harvard University Press ISBN: 9780674076228 Category : Education Languages : en Pages : 228
Book Description
In this illuminating book Roger Rosenblatt offers both sensitive analyses of individual works and a provocative and compelling thesis. He argues that black fiction has a unity deriving not from any chronological sequence, or simply from its black authorship, but from a particular cyclical conception of history on which practically every significant black American novel and short story is based. Marked for oppression by an external physical characteristic, black characters struggle constantly against and within a hostile world. Rosenblatt's analysis of the way black protagonists try to break historical patterns provides an integrated and sustained interpretation of motives and methods in black fiction. The black hero, after starting on a circular track, may try to change direction by means of his youth, love, education, or humor; or he may try to escape into his own elusive and vague history. But, as Rosenblatt demonstrates, these attempts all fail. And the black hero discovers in the failure of his attempts that the society which caused all this failure is not only unattainable but undesirable. Neither a sociological study nor a routine survey, this is distinctly a work of literary criticism which concentrates on black fiction as literature.
Author: Toni Morrison Publisher: Harvard University Press ISBN: 0674976452 Category : History Languages : en Pages : 137
Book Description
What is race and why does it matter? Why does the presence of Others make us so afraid? America’s foremost novelist reflects on themes that preoccupy her work and dominate politics: race, fear, borders, mass movement of peoples, desire for belonging. Ta-Nehisi Coates provides a foreword to Toni Morrison’s most personal work of nonfiction to date.
Author: Joshua Bennett
Author: Joshua Bennett
Author: Toni Morrison
Author: Joshua Bennett
Author: Robert B. Stepto
Author: Joshua Bennett
Author: Valerie Smith
Author: Brent Hayes Edwards
Author: Roger Rosenblatt
Author: Werner Sollors
Author: Toni Morrison