Beethoven's Fourth Piano Concerto in Performance PDF Download

Author: Christopher Charles Lanz
Publisher:
ISBN:
Category :
Languages : en
Pages : 64

View

Book Description

Author: Charles Patrick Fuery
Publisher:
ISBN:
Category :
Languages : en
Pages : 368

View

Book Description

Author: Leon Plantinga
Publisher: W. W. Norton & Company
ISBN: 9780393046915
Category : Music
Languages : en
Pages : 424

View

Book Description
Accompanied by a booklet of music examples (108 p.: ill.; 21 cm.).

Author: David Hurwitz
Publisher: Continuum
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 168

View

Book Description
"Brahms was a famously complex character: an irascible curmudgeon, and a famously learned composer who took tremendous pride in composing tuneful, expressive melodies of great popular appeal. This accounts at least in part for the enduring esteem that his symphonies enjoy among musicians, scholars, and the listening public alike. This duality between the learned and the popular sides of Brahms' musical personality has made his music as difficult to analyze and discuss as was his singularly complex and mysterious personal life. This book attempts to aid the general listener in bridging the gap between these two seemingly irreconcilable aspects of Brahms' character, aspects that are particularly in evidence, and balanced with particular poise, in his four symphonies. First, author David Hurwitz examines Brahms' place in the German symphonic tradition, his obsessive preoccupation with his place in the grand line of classical composers stretching back to Bach, and proceeding through Haydn, Mozart, Beethoven, and Schumann. Despite his ongoing struggle to master orchestral writing, Hurwitz argues that Brahms did achieve a unique symphonic style, one found nowhere else in his (or anyone else's) works in symphonic form. Finally, each symphony is described from two perspectives: in the most helpful musical context, and then also in movement by movement descriptions of Brahms' expressive argument. Finally, a list of recommended recordings concludes a discussion that shows today's music lovers that the riches contained in these perennially attractive works do not hide beneath the surface, but in fact lie liberally scattered in plain view, just waiting to be savored." --Back cover.

Author: Ludwig van Beethoven
Publisher: Eulenburg
ISBN: 3795714117
Category : Music
Languages : en
Pages : 139

View

Book Description
Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.

Author: Ludwig Van Beethoven
Publisher: CreateSpace
ISBN: 9781500322458
Category : Music
Languages : en
Pages : 38

View

Book Description
Ludwig van Beethoven's "Piano Concerto Number Four, Opus Fifty-Eight" This version only contains the piano part, with orchestral cues. It does not contain the full score or other instrument's parts.

Author: Ludwig van Beethoven
Publisher: Alfred Music
ISBN: 9781457472442
Category : Music
Languages : en
Pages : 64

View

Book Description
A Piano Duet for 2 pianos, 4 hands, composed by Ludwig van Beethoven.

Author: Wiener Philharmoniker (Musical Group)
Publisher:
ISBN:
Category : Operas
Languages : en
Pages :

View

Book Description

Author: John Suchet
Publisher: Open Road + Grove/Atlantic
ISBN: 0802192912
Category : Music
Languages : en
Pages : 321

View

Book Description
“An ideal ‘first book’ on Beethoven” from one of the world’s most eminent classical music aficionados (Booklist). Beethoven scholar and classical radio host John Suchet has had a lifelong, ardent interest in the man and his music. Here, in his first full-length biography, Suchet illuminates the composer’s difficult childhood, his struggle to maintain friendships and romances, his ungovernable temper, his obsessive efforts to control his nephew’s life, and the excruciating decline of his hearing. This absorbing narrative provides a comprehensive account of a momentous life, as it takes the reader on a journey from the composer’s birth in Bonn to his death in Vienna. Chronicling the landmark events in Beethoven’s career—from his competitive encounters with Mozart to the circumstances surrounding the creation of the well-known “Für Elise” and Moonlight Sonata—this book enhances understanding of the composer’s character, inspiring a deeper appreciation for his work. Beethoven scholarship is constantly evolving, and Suchet draws on the latest research, using rare source material (some of which has never before been published in English) to paint a complete and vivid portrait of the legendary prodigy. “A gripping and thought-provoking read.” —Howard Shelley, pianist and conductor “By exercising a genuine authority in identifying how Beethoven, the man, manifests himself in our appreciation of the music, Suchet brings an incisive freshness to an extraordinary life.” —Jonathan Freeman-Attwood, Principal of the Royal Academy of Music

Author: Mark Ferraguto
Publisher: Oxford University Press
ISBN: 0190947195
Category : Music
Languages : en
Pages : 256

View

Book Description
Between early 1806 and early 1807, Ludwig van Beethoven completed a remarkable series of instrumental works. But critics have struggled to reconcile the music of this banner year with Beethoven's "heroic style," the paradigm through which his middle-period works have typically been understood. Drawing on theories of mediation and a wealth of primary sources, Beethoven 1806 explores the specific contexts in which the music of this year was conceived, composed, and heard. As author Mark Ferraguto argues, understanding this music depends on appreciating the relationships that it both creates and reflects. Not only did Beethoven depend on patrons, performers, publishers, critics, and audiences to earn a living, but he also tailored his compositions to suit particular sensibilities, proclivities, and technologies.