Author: Ludwig Van BeethovenPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Beethoven Trio, For Piano, Violin and Violoncello, Op. 97 in B Flat
Author: Ludwig Van BeethovenLudwig Van Beethoven - Piano Trio in B-Flat Major - Op.97 - A Score Piano, Cello and Violin
Author: Ludwig Van BeethovenPublisher:
ISBN: 144744079X
Category : Music
Languages : en
Pages : 60
Book Description
Trio in B-flat major, op. 97, for piano, violin, and cello
Author: Ludwig van BeethovenPublisher:
ISBN:
Category : Piano trios
Languages : en
Pages :
Book Description
Trio for piano, violin and violoncello, in B flat major, op. 97 ("Arch duke")
Author: Ludwig van BeethovenTrio No. 7 in B Flat for Piano, Violin & Cello, Op. 97 (Archduke)
Author: Ludwig van BeethovenTrio, B Flat Major, for Pianoforte, Violin and Violoncello, Op. 97
Author: Ludwig van BeethovenSix great piano trios, opp. 1, 70, and 97
Author: Ludwig van BeethovenPublisher: Courier Corporation
ISBN: 0486253988
Category : Music
Languages : en
Pages : 210
Book Description
This definitive Breitkopf & Härtel edition of Beethoven's most performed and recorded piano trios includes the Ghost (Op. 70, No. 1) and the Archduke (Op. 97). Features lay-flat sewn binding.
Source Studies for Beethoven's Piano Trio in B-flat Major, Op. 97 ("Archduke")
Author: Seow-Chin Peter OngPublisher:
ISBN:
Category : Beethoven, Ludwig van
Languages : en
Pages : 828
Book Description
Trio for piano, violin and violoncello, no. 7, op. 97, Bb major
Author: Ludwig van BeethovenThe Critical Reception of Beethoven's Compositions by His German Contemporaries
Author: Wayne M. SennerPublisher: U of Nebraska Press
ISBN: 9780803212503
Category : Music
Languages : en
Pages : 296
Book Description
Compiled here are reviews, reports, notes, and essays found in German-language periodicals published between 1783 and 1830. The documents are translated into English with copious notes and annotations, an introductory essay, and indexes of names, subjects, and works. This volume contains a general section and documents on specific opus numbers up to opus 54, with musical examples redrawn from the original publications. ø The collection brings to light contemporary perceptions of Beethoven?s music, including matters such as audience, setting, facilities, orchestra, instruments, and performers as well as the relationship of Beethoven?s music to theoretical and critical ideas of the eighteenth and nineteenth centuries. These documents, most of which appear in English for the first time, present a wide spectrum of insights into the perceptions that Beethoven?s contemporaries had of his monumental music.