Author: Lisa Silverman
Publisher: Oxford University Press
ISBN: 0199942722
Category : History
Languages : en
Pages : 347
Book Description
The collapse of Austria-Hungary in 1918 left all Austrians in a state of political, social, and economic turmoil, but Jews in particular found their lives shaken to the core. Although Jews' former comfort zone suddenly disappeared, the dissolution of the Dual Monarchy also created plenty of room for innovation and change in the realm of culture. Jews eagerly took up the challenge to fill this void, and they became heavily invested in culture as a way to shape their new, but also vexed, self-understandings. By isolating the years between the World Wars and examining formative events in both Vienna and the provinces, Becoming Austrians: Jews and Culture between the World Wars demonstrates that an intensified marking of people, places, and events as "Jewish" accompanied the crises occurring in the wake of Austria-Hungary's collapse, with profound effects on Austria's cultural legacy. In some cases, the consequences of this marking resulted in grave injustices. Philipp Halsmann, for example, was wrongfully imprisoned for the murder of his father years before he became a world-famous photographer. And the men who shot and killed writer Hugo Bettauer and philosopher Moritz Schlick received inadequate punishment for their murderous deeds. But engagements with the terms of Jewish difference also characterized the creation of culture, as shown in Hugo Bettauer's satirical novel The City without Jews and its film adaptation, other texts by Veza Canetti, David Vogel, A.M. Fuchs, Vicki Baum, and Mela Hartwig, and performances at the Salzburg Festival and the Yiddish theater in Vienna. By examining the lives, works, and deeds of a broad range of Austrians, Lisa Silverman reveals how the social codings of politics, gender, and nation received a powerful boost when articulated along the lines of Jewish difference.
Becoming Austrians
Author: Lisa Silverman
Publisher: Oxford University Press
ISBN: 0199942722
Category : History
Languages : en
Pages : 347
Book Description
The collapse of Austria-Hungary in 1918 left all Austrians in a state of political, social, and economic turmoil, but Jews in particular found their lives shaken to the core. Although Jews' former comfort zone suddenly disappeared, the dissolution of the Dual Monarchy also created plenty of room for innovation and change in the realm of culture. Jews eagerly took up the challenge to fill this void, and they became heavily invested in culture as a way to shape their new, but also vexed, self-understandings. By isolating the years between the World Wars and examining formative events in both Vienna and the provinces, Becoming Austrians: Jews and Culture between the World Wars demonstrates that an intensified marking of people, places, and events as "Jewish" accompanied the crises occurring in the wake of Austria-Hungary's collapse, with profound effects on Austria's cultural legacy. In some cases, the consequences of this marking resulted in grave injustices. Philipp Halsmann, for example, was wrongfully imprisoned for the murder of his father years before he became a world-famous photographer. And the men who shot and killed writer Hugo Bettauer and philosopher Moritz Schlick received inadequate punishment for their murderous deeds. But engagements with the terms of Jewish difference also characterized the creation of culture, as shown in Hugo Bettauer's satirical novel The City without Jews and its film adaptation, other texts by Veza Canetti, David Vogel, A.M. Fuchs, Vicki Baum, and Mela Hartwig, and performances at the Salzburg Festival and the Yiddish theater in Vienna. By examining the lives, works, and deeds of a broad range of Austrians, Lisa Silverman reveals how the social codings of politics, gender, and nation received a powerful boost when articulated along the lines of Jewish difference.
Publisher: Oxford University Press
ISBN: 0199942722
Category : History
Languages : en
Pages : 347
Book Description
The collapse of Austria-Hungary in 1918 left all Austrians in a state of political, social, and economic turmoil, but Jews in particular found their lives shaken to the core. Although Jews' former comfort zone suddenly disappeared, the dissolution of the Dual Monarchy also created plenty of room for innovation and change in the realm of culture. Jews eagerly took up the challenge to fill this void, and they became heavily invested in culture as a way to shape their new, but also vexed, self-understandings. By isolating the years between the World Wars and examining formative events in both Vienna and the provinces, Becoming Austrians: Jews and Culture between the World Wars demonstrates that an intensified marking of people, places, and events as "Jewish" accompanied the crises occurring in the wake of Austria-Hungary's collapse, with profound effects on Austria's cultural legacy. In some cases, the consequences of this marking resulted in grave injustices. Philipp Halsmann, for example, was wrongfully imprisoned for the murder of his father years before he became a world-famous photographer. And the men who shot and killed writer Hugo Bettauer and philosopher Moritz Schlick received inadequate punishment for their murderous deeds. But engagements with the terms of Jewish difference also characterized the creation of culture, as shown in Hugo Bettauer's satirical novel The City without Jews and its film adaptation, other texts by Veza Canetti, David Vogel, A.M. Fuchs, Vicki Baum, and Mela Hartwig, and performances at the Salzburg Festival and the Yiddish theater in Vienna. By examining the lives, works, and deeds of a broad range of Austrians, Lisa Silverman reveals how the social codings of politics, gender, and nation received a powerful boost when articulated along the lines of Jewish difference.
A Sailor of Austria
Author: John Biggins
Publisher: Rowman & Littlefield
ISBN: 1590134680
Category : Fiction
Languages : en
Pages : 379
Book Description
In this ironic, hilarious, and poignant story, Otto Prohaska is a submarine captain serving the almost-landlocked Austro-Hungarian Empire. He faces a host of unlikely circumstances, from petrol poisoning to exploding lavatories to trigger-happy Turks. All signs point to the total collapse of the bloated empire he serves, but Otto refuses to abandon the Habsburgs in their hour of need.
Publisher: Rowman & Littlefield
ISBN: 1590134680
Category : Fiction
Languages : en
Pages : 379
Book Description
In this ironic, hilarious, and poignant story, Otto Prohaska is a submarine captain serving the almost-landlocked Austro-Hungarian Empire. He faces a host of unlikely circumstances, from petrol poisoning to exploding lavatories to trigger-happy Turks. All signs point to the total collapse of the bloated empire he serves, but Otto refuses to abandon the Habsburgs in their hour of need.
Becoming Habsburg
Author: David Rechter
Publisher:
ISBN: 9781904113959
Category : History
Languages : en
Pages : 0
Book Description
The Jews of Bukovina were integral to, and at home in, local society. Rechter reconstructs their history while carefully locating it within larger intellectual frameworks.
Publisher:
ISBN: 9781904113959
Category : History
Languages : en
Pages : 0
Book Description
The Jews of Bukovina were integral to, and at home in, local society. Rechter reconstructs their history while carefully locating it within larger intellectual frameworks.
Thomas Bernhard
Author: Gitta Honegger
Publisher: Yale University Press
ISBN: 9780300129656
Category : History
Languages : en
Pages : 412
Book Description
Thomas Bernhard (1931-1989), a literary figure of international acclaim and arguably Austria's greatest post-World War II writer, became the first of his generation to expose unrelentingly his country's pathological denial of complicity in the Holocaust. Bernhard's writings and indeed his own biography reflect Austria's fraught efforts to define itself as a nation following the collapse of the Habsburg monarchy and the trauma of World War II. Repeatedly he scandalized the nation with novels, plays, and public statements that exposed the convoluted ways Austrians were attempting to come to terms with their Nazi past--or defiantly avoiding doing so. This book, the first comprehensive biography of Thomas Bernhard in English, examines his life and work and their intricate relationship to Austria's geographical, political, and cultural transformations in the twentieth century. While Bernhard was the scourge of his native culture, Honegger explains, he was also a product of that same culture. Appreciation of his controversial impact on his society is possible only through an understanding of the contradictions, the shame, and the achievements that mark Austrians' self-perception in the postwar years. Honegger shows that for Bernhard the theater was not only a profession but also a paradigm for his life, and that performance was the primary force animating his writing and self-construction. Even after his death, Bernhard's carefully constructed biography continues to fascinate, shock, and expose the Austrian culture at large.
Publisher: Yale University Press
ISBN: 9780300129656
Category : History
Languages : en
Pages : 412
Book Description
Thomas Bernhard (1931-1989), a literary figure of international acclaim and arguably Austria's greatest post-World War II writer, became the first of his generation to expose unrelentingly his country's pathological denial of complicity in the Holocaust. Bernhard's writings and indeed his own biography reflect Austria's fraught efforts to define itself as a nation following the collapse of the Habsburg monarchy and the trauma of World War II. Repeatedly he scandalized the nation with novels, plays, and public statements that exposed the convoluted ways Austrians were attempting to come to terms with their Nazi past--or defiantly avoiding doing so. This book, the first comprehensive biography of Thomas Bernhard in English, examines his life and work and their intricate relationship to Austria's geographical, political, and cultural transformations in the twentieth century. While Bernhard was the scourge of his native culture, Honegger explains, he was also a product of that same culture. Appreciation of his controversial impact on his society is possible only through an understanding of the contradictions, the shame, and the achievements that mark Austrians' self-perception in the postwar years. Honegger shows that for Bernhard the theater was not only a profession but also a paradigm for his life, and that performance was the primary force animating his writing and self-construction. Even after his death, Bernhard's carefully constructed biography continues to fascinate, shock, and expose the Austrian culture at large.
Black Vienna
Author: Janek Wasserman
Publisher: Cornell University Press
ISBN: 0801455227
Category : History
Languages : en
Pages : 265
Book Description
Interwar Vienna was considered a bastion of radical socialist thought, and its reputation as "Red Vienna" has loomed large in both the popular imagination and the historiography of Central Europe. However, as Janek Wasserman shows in this book, a “Black Vienna” existed as well; its members voiced critiques of the postwar democratic order, Jewish inclusion, and Enlightenment values, providing a theoretical foundation for Austrian and Central European fascist movements. Looking at the complex interplay between intellectuals, the public, and the state, he argues that seemingly apolitical Viennese intellectuals, especially conservative ones, dramatically affected the course of Austrian history. While Red Viennese intellectuals mounted an impressive challenge in cultural and intellectual forums throughout the city, radical conservatism carried the day. Black Viennese intellectuals hastened the destruction of the First Republic, facilitating the establishment of the Austrofascist state and paving the way for Anschluss with Nazi Germany. Closely observing the works and actions of Viennese reformers, journalists, philosophers, and scientists, Wasserman traces intellectual, social, and political developments in the Austrian First Republic while highlighting intellectuals' participation in the growing worldwide conflict between socialism, conservatism, and fascism. Vienna was a microcosm of larger developments in Europe—the rise of the radical right and the struggle between competing ideological visions. By focusing on the evolution of Austrian conservatism, Wasserman complicates post–World War II narratives about Austrian anti-fascism and Austrian victimhood.
Publisher: Cornell University Press
ISBN: 0801455227
Category : History
Languages : en
Pages : 265
Book Description
Interwar Vienna was considered a bastion of radical socialist thought, and its reputation as "Red Vienna" has loomed large in both the popular imagination and the historiography of Central Europe. However, as Janek Wasserman shows in this book, a “Black Vienna” existed as well; its members voiced critiques of the postwar democratic order, Jewish inclusion, and Enlightenment values, providing a theoretical foundation for Austrian and Central European fascist movements. Looking at the complex interplay between intellectuals, the public, and the state, he argues that seemingly apolitical Viennese intellectuals, especially conservative ones, dramatically affected the course of Austrian history. While Red Viennese intellectuals mounted an impressive challenge in cultural and intellectual forums throughout the city, radical conservatism carried the day. Black Viennese intellectuals hastened the destruction of the First Republic, facilitating the establishment of the Austrofascist state and paving the way for Anschluss with Nazi Germany. Closely observing the works and actions of Viennese reformers, journalists, philosophers, and scientists, Wasserman traces intellectual, social, and political developments in the Austrian First Republic while highlighting intellectuals' participation in the growing worldwide conflict between socialism, conservatism, and fascism. Vienna was a microcosm of larger developments in Europe—the rise of the radical right and the struggle between competing ideological visions. By focusing on the evolution of Austrian conservatism, Wasserman complicates post–World War II narratives about Austrian anti-fascism and Austrian victimhood.
New Austrian Film
Author: Robert von Dassanowsky
Publisher: Berghahn Books
ISBN: 0857452320
Category : Performing Arts
Languages : en
Pages : 408
Book Description
Out of a film culture originally starved of funds have emerged rich and eclectic works by film-makers that are now achieving the international recognition that they deserve: Barbara Albert, Michael Haneke, Ulrich Seidl, and Stefan Ruzowitzky, to give four examples. This comprehensive critical anthology, by leading scholars of Austrian film, is intended to introduce and make accessible this much under-represented phenomenon. Although the book covers the full development of the Austrian new wave it focuses on the period that has brought it global attention: 1998 to the present. New Austrian Film is the only book currently available on this topic and will be an essential reference work for academics, students and filmmakers, interested in modern Austrian film.
Publisher: Berghahn Books
ISBN: 0857452320
Category : Performing Arts
Languages : en
Pages : 408
Book Description
Out of a film culture originally starved of funds have emerged rich and eclectic works by film-makers that are now achieving the international recognition that they deserve: Barbara Albert, Michael Haneke, Ulrich Seidl, and Stefan Ruzowitzky, to give four examples. This comprehensive critical anthology, by leading scholars of Austrian film, is intended to introduce and make accessible this much under-represented phenomenon. Although the book covers the full development of the Austrian new wave it focuses on the period that has brought it global attention: 1998 to the present. New Austrian Film is the only book currently available on this topic and will be an essential reference work for academics, students and filmmakers, interested in modern Austrian film.
Alone against Hitler
Author: Jack Bray
Publisher: Rowman & Littlefield
ISBN: 1633886131
Category : History
Languages : en
Pages : 337
Book Description
Alone Against Hitler tells the lesser-known but pivotal story of former Austrian chancellor Kurt von Schuschnigg. As one of the first leaders to defy Adolf Hitler during the buildup to WWII, his story is of lasting importance. Though young and untested upon entering office, von Schuschnigg courageously rejected the rising tide of Austrian Nazism, insisting on equal rights and respect for the Jewish minority. Jack Bray surveys the geopolitical conditions in Austria during the march to war, highlighting von Schuschnigg’s valiant four-year struggle to prevent his nearly defenseless small nation from being taken over from within by unrelenting, violent Austrian Nazis. Von Schuschnigg’s encounters with Hitler and other central characters of 1930s Germany (Himmler, Hess, Ribbentrop, Hindenburg, Goring, and Papen, as well as their ally, Mussolini) are recounted in scenes of high drama and vivid detail. For his daring defiance, and his refusal of offers to flee the Nazi invasion, von Schuschnigg paid a dear price—seven years in Nazi captivity and abuse to the point of breakdown. In one of Hitler’s final acts from the bunker where he would ultimately take his own life, the trembling fuhrer ordered von Schuschnigg to be killed. Just as von Schuschnigg was set to be executed, with the war at its eleventh hour, he received a near-miraculous deliverance. Although Kurt von Schuschnigg’s name may be unfamiliar now, he was for a brief moment at the center of world history, even gracing the cover of Time magazine in 1938. Alone Against Hitler profiles an oft-forgotten but crucially important figure in WWII history, celebrating the legacy of a man who bravely fought against evil.
Publisher: Rowman & Littlefield
ISBN: 1633886131
Category : History
Languages : en
Pages : 337
Book Description
Alone Against Hitler tells the lesser-known but pivotal story of former Austrian chancellor Kurt von Schuschnigg. As one of the first leaders to defy Adolf Hitler during the buildup to WWII, his story is of lasting importance. Though young and untested upon entering office, von Schuschnigg courageously rejected the rising tide of Austrian Nazism, insisting on equal rights and respect for the Jewish minority. Jack Bray surveys the geopolitical conditions in Austria during the march to war, highlighting von Schuschnigg’s valiant four-year struggle to prevent his nearly defenseless small nation from being taken over from within by unrelenting, violent Austrian Nazis. Von Schuschnigg’s encounters with Hitler and other central characters of 1930s Germany (Himmler, Hess, Ribbentrop, Hindenburg, Goring, and Papen, as well as their ally, Mussolini) are recounted in scenes of high drama and vivid detail. For his daring defiance, and his refusal of offers to flee the Nazi invasion, von Schuschnigg paid a dear price—seven years in Nazi captivity and abuse to the point of breakdown. In one of Hitler’s final acts from the bunker where he would ultimately take his own life, the trembling fuhrer ordered von Schuschnigg to be killed. Just as von Schuschnigg was set to be executed, with the war at its eleventh hour, he received a near-miraculous deliverance. Although Kurt von Schuschnigg’s name may be unfamiliar now, he was for a brief moment at the center of world history, even gracing the cover of Time magazine in 1938. Alone Against Hitler profiles an oft-forgotten but crucially important figure in WWII history, celebrating the legacy of a man who bravely fought against evil.
Yiddish Empire
Author: Debra Caplan
Publisher: University of Michigan Press
ISBN: 0472123688
Category : Performing Arts
Languages : en
Pages : 343
Book Description
Yiddish Empire tells the story of how a group of itinerant Jewish performers became the interwar equivalent of a viral sensation, providing a missing chapter in the history of the modern stage. During World War I, a motley group of teenaged amateurs, impoverished war refugees, and out- of- work Russian actors banded together to revolutionize the Yiddish stage. Achieving a most unlikely success through their productions, the Vilna Troupe (1915– 36) would eventually go on to earn the attention of theatergoers around the world. Advancements in modern transportation allowed Yiddish theater artists to reach global audiences, traversing not only cities and districts but also countries and continents. The Vilna Troupe routinely performed in major venues that had never before allowed Jews, let alone Yiddish, upon their stages, and operated across a vast territory, a strategy that enabled them to attract unusually diverse audiences to the Yiddish stage and a precursor to the organizational structures and travel patterns that we see now in contemporary theater. Debra Caplan’s history of the Troupe is rigorously researched, employing primary and secondary sources in multiple languages, and is engagingly written.
Publisher: University of Michigan Press
ISBN: 0472123688
Category : Performing Arts
Languages : en
Pages : 343
Book Description
Yiddish Empire tells the story of how a group of itinerant Jewish performers became the interwar equivalent of a viral sensation, providing a missing chapter in the history of the modern stage. During World War I, a motley group of teenaged amateurs, impoverished war refugees, and out- of- work Russian actors banded together to revolutionize the Yiddish stage. Achieving a most unlikely success through their productions, the Vilna Troupe (1915– 36) would eventually go on to earn the attention of theatergoers around the world. Advancements in modern transportation allowed Yiddish theater artists to reach global audiences, traversing not only cities and districts but also countries and continents. The Vilna Troupe routinely performed in major venues that had never before allowed Jews, let alone Yiddish, upon their stages, and operated across a vast territory, a strategy that enabled them to attract unusually diverse audiences to the Yiddish stage and a precursor to the organizational structures and travel patterns that we see now in contemporary theater. Debra Caplan’s history of the Troupe is rigorously researched, employing primary and secondary sources in multiple languages, and is engagingly written.
Antisemitism in Film Comedy in Nazi Germany
Author: Valerie Weinstein
Publisher: Indiana University Press
ISBN: 0253040736
Category : Performing Arts
Languages : en
Pages : 298
Book Description
Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate "Jews" from "Germans" physically, economically, and artistically. Weinstein highlights how the German propaganda ministry used directives, pre- and post-production censorship, financial incentives, and influence over film critics and their judgments to replace Jewish "wit" with a slower, simpler, and more direct German "humor" that affirmed values that the Nazis associated with the Aryan race. Through contextualized analyses of historical documents and individual films, Weinstein reveals how humor, coded hints and traces, absences, and substitutes in Third Reich film comedy helped spectators imagine an abstract "Jewishness" and a "German" identity and community free from the former. As resurgent populist nationalism and overt racism continue to grow around the world today, Weinstein's study helps us rethink racism and prejudice in popular culture and reconceptualize the relationships between film humor, national identity, and race.
Publisher: Indiana University Press
ISBN: 0253040736
Category : Performing Arts
Languages : en
Pages : 298
Book Description
Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate "Jews" from "Germans" physically, economically, and artistically. Weinstein highlights how the German propaganda ministry used directives, pre- and post-production censorship, financial incentives, and influence over film critics and their judgments to replace Jewish "wit" with a slower, simpler, and more direct German "humor" that affirmed values that the Nazis associated with the Aryan race. Through contextualized analyses of historical documents and individual films, Weinstein reveals how humor, coded hints and traces, absences, and substitutes in Third Reich film comedy helped spectators imagine an abstract "Jewishness" and a "German" identity and community free from the former. As resurgent populist nationalism and overt racism continue to grow around the world today, Weinstein's study helps us rethink racism and prejudice in popular culture and reconceptualize the relationships between film humor, national identity, and race.
Forbidden Music
Author: Michael Haas
Publisher: Yale University Press
ISBN: 0300154305
Category : Music
Languages : en
Pages : 372
Book Description
Offers a study of the Jewish composers and musicians banned by the Third Reich, and describes the consequences for music around the world.
Publisher: Yale University Press
ISBN: 0300154305
Category : Music
Languages : en
Pages : 372
Book Description
Offers a study of the Jewish composers and musicians banned by the Third Reich, and describes the consequences for music around the world.