Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Beckett Writing Beckett PDF full book. Access full book title Beckett Writing Beckett by H. Porter Abbott. Download full books in PDF and EPUB format.
Author: H. Porter Abbott Publisher: Cornell University Press ISBN: 9780801432460 Category : Literary Criticism Languages : en Pages : 228
Book Description
Suppose that, before he is writing fiction, before he is writing drama, before he is writing any of the autonomous, highly polished pieces that make up his life work, Beckett is writing Beckett. What follows from this? In Beckett Writing Beckett, H. Porter Abbott argues that, by the time he had written Waiting for Godot, Beckett's art had crystallized as a life project keyed to the simultaneous action of writing and reading the self. How does such an interpretive shift change the way we see the salient features of Beckett's art: his extraordinary and persistent assaults on narrative, his restless exploration of genres and media, his attempts to exercise autocratic control over performance and publication, his increasingly musical formal structures, his tireless capacity to invent? How, moreover, does this view relate to the contempt for autobiography so pervasive in Beckett's work? In approaching these questions, Abbott seeks to redirect current discussion of such concepts as "the author" and "originality". Arguing on several widely contested fronts in Beckett criticism, including such vexed issues as Beckett's postmodernism, his politics, and his relation to his audience, Abbott develops an interpretive method grounded in the concept of "autographical action". The method allows Abbott to articulate the centrality of the inexhaustible strangeness of Beckett's work, and to do so without robbing that strangeness of its power to surprise.
Author: H. Porter Abbott Publisher: Cornell University Press ISBN: 9780801432460 Category : Literary Criticism Languages : en Pages : 228
Book Description
Suppose that, before he is writing fiction, before he is writing drama, before he is writing any of the autonomous, highly polished pieces that make up his life work, Beckett is writing Beckett. What follows from this? In Beckett Writing Beckett, H. Porter Abbott argues that, by the time he had written Waiting for Godot, Beckett's art had crystallized as a life project keyed to the simultaneous action of writing and reading the self. How does such an interpretive shift change the way we see the salient features of Beckett's art: his extraordinary and persistent assaults on narrative, his restless exploration of genres and media, his attempts to exercise autocratic control over performance and publication, his increasingly musical formal structures, his tireless capacity to invent? How, moreover, does this view relate to the contempt for autobiography so pervasive in Beckett's work? In approaching these questions, Abbott seeks to redirect current discussion of such concepts as "the author" and "originality". Arguing on several widely contested fronts in Beckett criticism, including such vexed issues as Beckett's postmodernism, his politics, and his relation to his audience, Abbott develops an interpretive method grounded in the concept of "autographical action". The method allows Abbott to articulate the centrality of the inexhaustible strangeness of Beckett's work, and to do so without robbing that strangeness of its power to surprise.
Author: Brian T. Fitch Publisher: ISBN: Category : Literary Criticism Languages : en Pages : 264
Book Description
Fitch sets out to determine the relationships between the French and English versions of a number of Samuel Beckett's novels and shorter prose works, exploring both their genesis through various manuscript drafts and their reception by the reader. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Anthony Uhlmann Publisher: Cambridge University Press ISBN: 1107017033 Category : Literary Criticism Languages : en Pages : 489
Book Description
Provides a comprehensive exploration of Beckett's historical, cultural and philosophical contexts, offering new critical insights for scholars and general readers.
Author: John Pilling Publisher: Cambridge University Press ISBN: 9780521424134 Category : Drama Languages : en Pages : 278
Book Description
The world fame of Samuel Beckett is due to a combination of high academic esteem and immense popularity. An innovator in prose fiction to rival Joyce, his plays have been the most influential in modern theatre history. As an author in both English and French and a writer for the page and the stage, Beckett has been the focus for specialist treatment in each of his many guises, but there have been few attempts to provide a conspectus view. This book, first published in 1994, provides thirteen introductory essays on every aspect of Beckett's work, some paying particular attention to his most famous plays (e.g. Waiting for Godot and Endgame) and his prose fictions (e.g. the 'trilogy' and Murphy). Other essays tackle his radio and television drama, his theatre directing and his poetry, followed by more general issues such as Beckett's bilingualism and his relationship to the philosophers. Reference material is provided at the front and back of the book.
Author: David Pattie Publisher: Psychology Press ISBN: 0415202531 Category : Literary Criticism Languages : en Pages : 238
Book Description
This book is the first introduction to unite accessible accounts not only of Beckett's life and work, but of the key literary and theoretical concepts used in the study of his writing.
Author: Enoch Brater Publisher: Oxford University Press ISBN: 0195358457 Category : Literary Criticism Languages : en Pages : 246
Book Description
The Drama in the Text argues that Beckett's late fiction, like his radio plays, demands to be read aloud, since much of the emotional meaning lodges in its tonality. In Beckett's haunting prose work the reader turns listener, collaborating with the sound of words to elucidate meaning from the silence of the universe. Enoch Brater ranges across all of Beckett's work, quoting from it liberally, and makes connections mainly with other writers, but also with details drawn from the entire Western cultural heritage. Brater serves as an authoritative and persuasive guide to the rich texture of such a difficult but compelling vocabulary, providing recognition, insight, and accessibility.
Author: Anthony Cordingley Publisher: A&C Black ISBN: 1441147292 Category : Language Arts & Disciplines Languages : en Pages : 217
Book Description
Self-Translation: Brokering originality in hybrid culture provides critical, historical and interdisciplinary analyses of self-translators and their works. It investigates the challenges which the bilingual oeuvre and the experience of the self-translator pose to conventional definitions of translation and the problematic dichotomies of "original" and "translation", "author" and "translator". Canonical self-translators, such Samuel Beckett, Vladimir Nabokov and Rabindranath Tagore, are here discussed in the context of previously overlooked self-translators, from Japan to South Africa, from the Basque Country to Scotland. This book seeks therefore to offer a portrait of the diverse artistic and political objectives and priorities of self-translators by investigating different cosmopolitan, post-colonial and indigenous practices. Numerous contributions to this volume extend the scope of self-translation to include the composition of a work out of a multilingual consciousness or society. They demonstrate how production within hybrid contexts requires the negotiation of different languages within the self, generating powerful experiences, from crisis to liberation, and texts that offer key insights into our increasingly globalized culture.
Author: Derval Tubridy Publisher: Cambridge University Press ISBN: 1108651674 Category : Literary Criticism Languages : en Pages : 233
Book Description
Samuel Beckett and the Language of Subjectivity is the first sustained exploration of aporia as a vital, subversive, and productive figure within Beckett's writing as it moves between prose and theatre. Informed by key developments in analytic and continental philosophies of language, Tubridy's fluent analysis demonstrates how Beckett's translations - between languages, genres, bodies, and genders - offer a way out of the impasse outlined in his early aesthetics. The primary modes of the self's extension into the world are linguistic (speaking, listening) and material (engaging with bodies, spaces and objects). Yet what we mean by language has changed in the twenty-first century. Beckett's concern with words must be read through the information economy in which contemporary identities are forged. Derval Tubridy provides the groundwork for new insights on Beckett in terms of the posthuman: the materialist, vitalist and relational subject cathected within differential mechanisms of power.
Author: H. Porter Abbott
Author: H. Porter Abbott
Author: Brian T. Fitch
Author: Anthony Uhlmann
Author: John Pilling
Author: Paulette R. Caram
Author: Marius Buning
Author: David Pattie
Author: Enoch Brater
Author: Anthony Cordingley
Author: Derval Tubridy