Author: Bernard Quaritch (Firm)Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1004
Book Description
Catalogue
Author: Bernard Quaritch (Firm)Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1004
Book Description
Catalogue
Author: Dobell, P.J. & A.E., booksellers, LondonPublisher:
ISBN:
Category : Catalogs, Booksellers'
Languages : en
Pages : 32
Book Description
Catalogue of the Avery Architectural Library
Author: Art and Auctions
Author: The Wrightsman Collection. Vols. 1 and 2, Furniture, Gilt Bronze and Mounted Porcelain, Carpets
Author: Publisher: Metropolitan Museum of Art
ISBN:
Category :
Languages : en
Pages : 773
Book Description
Index of Art Sales Catalogs, 1981-1985: Main index, January 5, 1981-October 6, 1984
Author: Publisher: Macmillan Reference USA
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 632
Book Description
Painting and Sculpture in France, 1700-1789
Author: Michael LeveyPublisher: Yale University Press
ISBN: 9780300064940
Category : Art
Languages : en
Pages : 344
Book Description
Discusses the major painters and sculptors of the period during the last years of France's ancien regime - a period that started with Watteau and the fete galante and closed with the revolutionary history paintings of David.
French Furniture and Gilt Bronzes
Author: J. Paul Getty MuseumPublisher: Getty Publications
ISBN: 9780892368747
Category : Antiques & Collectibles
Languages : en
Pages : 408
Book Description
"Each object is described and analyzed in terms of its provenance and published history, as well as its construction, materials, and conservation. With its painstaking attention to detail, this volume is the definitive catalogue of the Getty Museum's collection of French Baroque furniture and will be of interest to scholars, conservators, and all students of French decorative arts."--BOOK JACKET.
A Delicate Matter
Author: Oliver WunschPublisher: Penn State Press
ISBN: 0271096683
Category : Art
Languages : en
Pages : 191
Book Description
Eighteenth-century France witnessed an unprecedented proliferation of materially unstable art, from oil paintings that cracked within years of their creation to enormous pastel portraits vulnerable to the slightest touch or vibration. In A Delicate Matter, Oliver Wunsch traces these artistic practices to the economic and social conditions that enabled them: an ascendant class of art collectors who embraced fragile objects as a means of showcasing their disposable wealth. While studies of Rococo art have traditionally focused on style and subject matter, this book reveals how the physical construction of paintings and sculptures was central to the period’s reconceptualization of art. Drawing on sources ranging from eighteenth-century artists’ writings to twenty-first-century laboratory analyses, Wunsch demonstrates how the technical practices of eighteenth-century painters and sculptors provoked a broad transformation in the relationship between art, time, and money. Delicacy, which began the eighteenth century as a commodified extension of courtly sociability, was by century’s end reimagined as the irreducible essence of art’s autonomous value. Innovative and original, A Delicate Matter is an important intervention in the growing body of scholarship on durability and conservation in eighteenth-century French art. It challenges the art historical tendency to see decay as little more than an impediment to research, instead showing how physical instability played a critical role in establishing art’s meaning and purpose.
Italy for Sale
Author: Publisher: BRILL
ISBN: 9004680446
Category : Art
Languages : en
Pages : 501
Book Description
In the late nineteenth and early twentieth centuries, Italian Renaissance art, objects, and even the idea of Italy itself figured heavily both in the dynamic international art market and in the eyes of the general public. The alternative objects that were actively dispersed and collected -- authentic works, pastiches, Renaissance-inspired counterfeits, and reproductions -- in the diverse media of paint, plaster, terracotta, and photography, had a tremendous impact on visual culture across social strata. These essays examine less studied aspects of this market through the lens of just a few of the countless successful sales of objects out of Italy.