Author: Charles Osborne
Publisher: Random House Business Books
ISBN:
Category : Music
Languages : it
Pages : 168
Book Description
Discusses the background of the opera, synopsis of the plot, music, survey of performances, chronology and major compositions by Verdi.
Rigoletto
Author: Charles Osborne
Publisher: Random House Business Books
ISBN:
Category : Music
Languages : it
Pages : 168
Book Description
Discusses the background of the opera, synopsis of the plot, music, survey of performances, chronology and major compositions by Verdi.
Publisher: Random House Business Books
ISBN:
Category : Music
Languages : it
Pages : 168
Book Description
Discusses the background of the opera, synopsis of the plot, music, survey of performances, chronology and major compositions by Verdi.
The Signifier and the Signified
Author: F. Noske
Publisher: Springer Science & Business Media
ISBN: 9401010870
Category : Music
Languages : en
Pages : 428
Book Description
The studies collected in this volume deal with the interpretation of opera. In most cases the results are based on structural analysis, a concept which may require some clarification in this context. During the past de cade 'structure' and 'structural' have become particularly fashionable terms lacking exact denotation and used for the most divergent purposes. As employed here, structural analysis is concerned with such concepts as 'relationship', 'coherence' and 'continuity', more or less in contrast to formal analysis which deals with measurable material. In other words, I have analysed the structure of an opera by seeking and examining factors in the musico-dramatic process, whereas analysts of form are generally preoccupied with the study of elements contained in the musical object. Though admittedly artificial, the dichotomy of form and structure may elucidate the present situation with regard to the study of opera. Today, nearly one hundred years after the death of Wagner, the proclaimed anti thesis of Oper und Drama is generally taken for what it really was: a means to propagate the philosophy of its inventor. The conception of opera (whether 'continuous' or composed of 'numbers') as a special form of drama is no longer contested. Nevertheless musical scholarship has failed to draw the consequences from this view and few scholars realize the need to study general theory of drama and more specifically the dramatic experience.
Publisher: Springer Science & Business Media
ISBN: 9401010870
Category : Music
Languages : en
Pages : 428
Book Description
The studies collected in this volume deal with the interpretation of opera. In most cases the results are based on structural analysis, a concept which may require some clarification in this context. During the past de cade 'structure' and 'structural' have become particularly fashionable terms lacking exact denotation and used for the most divergent purposes. As employed here, structural analysis is concerned with such concepts as 'relationship', 'coherence' and 'continuity', more or less in contrast to formal analysis which deals with measurable material. In other words, I have analysed the structure of an opera by seeking and examining factors in the musico-dramatic process, whereas analysts of form are generally preoccupied with the study of elements contained in the musical object. Though admittedly artificial, the dichotomy of form and structure may elucidate the present situation with regard to the study of opera. Today, nearly one hundred years after the death of Wagner, the proclaimed anti thesis of Oper und Drama is generally taken for what it really was: a means to propagate the philosophy of its inventor. The conception of opera (whether 'continuous' or composed of 'numbers') as a special form of drama is no longer contested. Nevertheless musical scholarship has failed to draw the consequences from this view and few scholars realize the need to study general theory of drama and more specifically the dramatic experience.
Bb Clarinet part of "Un giorno di regno" for Woodwind Quintet
Author: Giuseppe Verdi
Publisher: Glissato Edizioni Musicali
ISBN:
Category : Music
Languages : it
Pages : 10
Book Description
Bb Clarinet part of " Un giorno di regno" (A One-Day Reign, or The Pretend Stanislaus) overture by G. Verdi. Complete transcription for Woodwind Quintet by Enrico Zullino (Flute, Oboe, Bb Clarinet, Horn and Bassoon) advanced level. duration 6.00 min (+-). Score & Parts available in series. Scan Qr-code (in cover) for audio demo or visit www.glissato.it product code: EG0597. Un giorno di regno, ossia Il finto Stanislao is an operatic melodramma giocoso in two acts by Giuseppe Verdi to an Italian libretto written in 1818 by Felice Romani. Originally written for the Bohemian composer Adalbert Gyrowetz the libretto was based on the play Le faux Stanislas written by the Frenchman Alexandre-Vincent Pineux Duval in 1808. Un giorno was given its premiere performance at the Teatro alla Scala, Milan on 5 September 1840.
Publisher: Glissato Edizioni Musicali
ISBN:
Category : Music
Languages : it
Pages : 10
Book Description
Bb Clarinet part of " Un giorno di regno" (A One-Day Reign, or The Pretend Stanislaus) overture by G. Verdi. Complete transcription for Woodwind Quintet by Enrico Zullino (Flute, Oboe, Bb Clarinet, Horn and Bassoon) advanced level. duration 6.00 min (+-). Score & Parts available in series. Scan Qr-code (in cover) for audio demo or visit www.glissato.it product code: EG0597. Un giorno di regno, ossia Il finto Stanislao is an operatic melodramma giocoso in two acts by Giuseppe Verdi to an Italian libretto written in 1818 by Felice Romani. Originally written for the Bohemian composer Adalbert Gyrowetz the libretto was based on the play Le faux Stanislas written by the Frenchman Alexandre-Vincent Pineux Duval in 1808. Un giorno was given its premiere performance at the Teatro alla Scala, Milan on 5 September 1840.
Music, Books on Music, and Sound Recordings
Author: Library of Congress
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 852
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 852
Book Description
Schwann Opus
Music Cataloging Bulletin
Gramophone Classical Catalogue
Bb Bass Clarinet (instead Bassoon) part of "Un giorno di regno" for Woodwind Quintet
Author: a cura di Enrico Zullino
Publisher: Glissato Edizioni Musicali
ISBN:
Category : Music
Languages : it
Pages : 9
Book Description
Bb Bass Clarinet (instead Bassoon) part of " Un giorno di regno" (A One-Day Reign, or The Pretend Stanislaus) overture by G. Verdi. Complete transcription for Woodwind Quintet by Enrico Zullino (Flute, Oboe, Bb Clarinet, Horn and Bassoon) advanced level. duration 6.00 min (+-). Score & Parts available in series. Scan Qr-code (in cover) for audio demo or visit www.glissato.it product code: EG0597. Un giorno di regno, ossia Il finto Stanislao is an operatic melodramma giocoso in two acts by Giuseppe Verdi to an Italian libretto written in 1818 by Felice Romani. Originally written for the Bohemian composer Adalbert Gyrowetz the libretto was based on the play Le faux Stanislas written by the Frenchman Alexandre-Vincent Pineux Duval in 1808. Un giorno was given its premiere performance at the Teatro alla Scala, Milan on 5 September 1840.
Publisher: Glissato Edizioni Musicali
ISBN:
Category : Music
Languages : it
Pages : 9
Book Description
Bb Bass Clarinet (instead Bassoon) part of " Un giorno di regno" (A One-Day Reign, or The Pretend Stanislaus) overture by G. Verdi. Complete transcription for Woodwind Quintet by Enrico Zullino (Flute, Oboe, Bb Clarinet, Horn and Bassoon) advanced level. duration 6.00 min (+-). Score & Parts available in series. Scan Qr-code (in cover) for audio demo or visit www.glissato.it product code: EG0597. Un giorno di regno, ossia Il finto Stanislao is an operatic melodramma giocoso in two acts by Giuseppe Verdi to an Italian libretto written in 1818 by Felice Romani. Originally written for the Bohemian composer Adalbert Gyrowetz the libretto was based on the play Le faux Stanislas written by the Frenchman Alexandre-Vincent Pineux Duval in 1808. Un giorno was given its premiere performance at the Teatro alla Scala, Milan on 5 September 1840.
A Study on Classical Records Prices and Mark Ups in the United Kingdom
Author: Gordon D. Thomas
Publisher:
ISBN:
Category : Sound recording industry
Languages : en
Pages : 558
Book Description
Publisher:
ISBN:
Category : Sound recording industry
Languages : en
Pages : 558
Book Description
Italian Gothic Horror Films, 1980-1989
Author: Roberto Curti
Publisher: McFarland
ISBN: 1476635242
Category : Performing Arts
Languages : en
Pages : 233
Book Description
The Italian Gothic horror genre underwent many changes in the 1980s, with masters such as Mario Bava and Riccardo Freda dying or retiring and young filmmakers such as Lamberto Bava (Macabro, Demons) and Michele Soavi (The Church) surfacing. Horror films proved commercially successful in the first half of the decade thanks to Dario Argento (both as director and producer) and Lucio Fulci, but the rise of made-for-TV products has resulted in the gradual disappearance of genre products from the big screen. This book examines all the Italian Gothic films of the 1980s. It includes previously unpublished trivia and production data taken from official archive papers, original scripts and interviews with filmmakers, actors and scriptwriters. The entries include a complete cast and crew list, plot summary, production history and analysis. Two appendices list direct-to-video releases and made-for-TV films.
Publisher: McFarland
ISBN: 1476635242
Category : Performing Arts
Languages : en
Pages : 233
Book Description
The Italian Gothic horror genre underwent many changes in the 1980s, with masters such as Mario Bava and Riccardo Freda dying or retiring and young filmmakers such as Lamberto Bava (Macabro, Demons) and Michele Soavi (The Church) surfacing. Horror films proved commercially successful in the first half of the decade thanks to Dario Argento (both as director and producer) and Lucio Fulci, but the rise of made-for-TV products has resulted in the gradual disappearance of genre products from the big screen. This book examines all the Italian Gothic films of the 1980s. It includes previously unpublished trivia and production data taken from official archive papers, original scripts and interviews with filmmakers, actors and scriptwriters. The entries include a complete cast and crew list, plot summary, production history and analysis. Two appendices list direct-to-video releases and made-for-TV films.