Author: Julian Raby
Publisher: Oxford University Press, USA
ISBN:
Category : Architecture
Languages : en
Pages : 428
Book Description
At the end of the seventh century A.D., the Muslims rebuilt the former Temple Mount and created one of the most potent religious sites in the world. The articles in these volumes look at the different aspects of the architecture and the intentions of the builders in establishing this complex.
Bayt Al-Maqdis: Jerusalem and early Islam
Author: Julian Raby
Publisher: Oxford University Press, USA
ISBN:
Category : Architecture
Languages : en
Pages : 428
Book Description
At the end of the seventh century A.D., the Muslims rebuilt the former Temple Mount and created one of the most potent religious sites in the world. The articles in these volumes look at the different aspects of the architecture and the intentions of the builders in establishing this complex.
Publisher: Oxford University Press, USA
ISBN:
Category : Architecture
Languages : en
Pages : 428
Book Description
At the end of the seventh century A.D., the Muslims rebuilt the former Temple Mount and created one of the most potent religious sites in the world. The articles in these volumes look at the different aspects of the architecture and the intentions of the builders in establishing this complex.
Bayt Al-Maqdis: Jerusalem and early Islam
Author: Julian Raby
Publisher: Oxford University Press, USA
ISBN: 9780197280188
Category : Architecture
Languages : en
Pages : 416
Book Description
At the end of the seventh century A.D., the Muslims rebuilt the former Temple Mount and created one of the most potent religious sites in the world. The articles in these volumes look at the different aspects of the architecture and the intentions of the builders in establishing this complex.
Publisher: Oxford University Press, USA
ISBN: 9780197280188
Category : Architecture
Languages : en
Pages : 416
Book Description
At the end of the seventh century A.D., the Muslims rebuilt the former Temple Mount and created one of the most potent religious sites in the world. The articles in these volumes look at the different aspects of the architecture and the intentions of the builders in establishing this complex.
Medieval Jerusalem and Islamic Worship
Author: Amikam Elad
Publisher: BRILL
ISBN: 9789004100107
Category : History
Languages : en
Pages : 232
Book Description
"Medieval Jerusalem and Islamic Worship" provides fascinating new information about the Muslim holy places in Jerusalem, rituals and pilgrimage to these places during the early Muslim period. It is based primarily on early primary Arabic sources, many of which have not yet been published.
Publisher: BRILL
ISBN: 9789004100107
Category : History
Languages : en
Pages : 232
Book Description
"Medieval Jerusalem and Islamic Worship" provides fascinating new information about the Muslim holy places in Jerusalem, rituals and pilgrimage to these places during the early Muslim period. It is based primarily on early primary Arabic sources, many of which have not yet been published.
Muqarnas, Volume 25
Author: Gülru Necipoglu
Publisher: BRILL
ISBN: 9047426746
Category : Art
Languages : en
Pages : 406
Book Description
Muqarnas is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. In Muqarnas articles are being published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.
Publisher: BRILL
ISBN: 9047426746
Category : Art
Languages : en
Pages : 406
Book Description
Muqarnas is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. In Muqarnas articles are being published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.
Perspectives on Early Islamic Art in Jerusalem
Author: Lawrence Nees
Publisher: BRILL
ISBN: 9004302077
Category : History
Languages : en
Pages : 260
Book Description
Through its material remains, Perspectives on Early Islamic Art in Jerusalem analyzes several overlooked aspects of the earliest decades of Islamic presence in Jerusalem, during the seventh century CE. Focusing on the Haram al-Sharif, also known as the Temple Mount, Lawrence Nees provides the first sustained study of the Dome of the Chain, a remarkable eleven-sided building standing beside the slightly later Dome of the Rock, and the first study of the meaning of the columns and column capitals with figures of eagles in the Dome of the Rock. He also provides a new interpretation of the earliest mosque in Jerusalem, the Haram as a whole, with the sacred Rock at its center.
Publisher: BRILL
ISBN: 9004302077
Category : History
Languages : en
Pages : 260
Book Description
Through its material remains, Perspectives on Early Islamic Art in Jerusalem analyzes several overlooked aspects of the earliest decades of Islamic presence in Jerusalem, during the seventh century CE. Focusing on the Haram al-Sharif, also known as the Temple Mount, Lawrence Nees provides the first sustained study of the Dome of the Chain, a remarkable eleven-sided building standing beside the slightly later Dome of the Rock, and the first study of the meaning of the columns and column capitals with figures of eagles in the Dome of the Rock. He also provides a new interpretation of the earliest mosque in Jerusalem, the Haram as a whole, with the sacred Rock at its center.
Muqarnas
Author: Gülru Necipoğlu
Publisher: BRILL
ISBN: 9004147020
Category : Religion
Languages : en
Pages : 290
Book Description
Publisher: BRILL
ISBN: 9004147020
Category : Religion
Languages : en
Pages : 290
Book Description
A Companion to Islamic Art and Architecture
Author: Finbarr Barry Flood
Publisher: John Wiley & Sons
ISBN: 1119068576
Category : Art
Languages : en
Pages : 1442
Book Description
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
Publisher: John Wiley & Sons
ISBN: 1119068576
Category : Art
Languages : en
Pages : 1442
Book Description
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
Jews, Christians, and the Abode of Islam
Author: Jacob Lassner
Publisher: University of Chicago Press
ISBN: 0226471098
Category : History
Languages : en
Pages : 332
Book Description
“One of the greatest authorities on medieval Islam” sheds “immensely stimulating” new light on cross-cultural relations in the Middle Ages (Times Literary Supplement, UK). In Jews, Christians, and the Abode of Islam, historian Jacob Lassner examines the relationship between the three Abrahamic faiths that defined their political and cultural interaction during the Middle Ages—and continues to define them today. Examining the debates taking place in modern Western scholarship on Islam, Lassner sheds new light on the social and political status of medieval Jews and Christians in various Islamic lands from the seventh to the thirteenth century. Using a vast array of primary sources, Lassner balances the rhetoric of literary and legal texts from the Middle Ages with other, newly discovered medieval sources that describe life as it was actually lived among the three faith communities. Lassner demonstrates what medieval Muslims meant when they spoke of tolerance, and how that abstract concept played out at different times and places in the Christian and Jewish communities under Islamic rule. Finally, he considers how this new understanding of medieval Islamic civilization might affect the highly contentious global environment of today.
Publisher: University of Chicago Press
ISBN: 0226471098
Category : History
Languages : en
Pages : 332
Book Description
“One of the greatest authorities on medieval Islam” sheds “immensely stimulating” new light on cross-cultural relations in the Middle Ages (Times Literary Supplement, UK). In Jews, Christians, and the Abode of Islam, historian Jacob Lassner examines the relationship between the three Abrahamic faiths that defined their political and cultural interaction during the Middle Ages—and continues to define them today. Examining the debates taking place in modern Western scholarship on Islam, Lassner sheds new light on the social and political status of medieval Jews and Christians in various Islamic lands from the seventh to the thirteenth century. Using a vast array of primary sources, Lassner balances the rhetoric of literary and legal texts from the Middle Ages with other, newly discovered medieval sources that describe life as it was actually lived among the three faith communities. Lassner demonstrates what medieval Muslims meant when they spoke of tolerance, and how that abstract concept played out at different times and places in the Christian and Jewish communities under Islamic rule. Finally, he considers how this new understanding of medieval Islamic civilization might affect the highly contentious global environment of today.
Art and Architecture in the Islamic Tradition
Author: Mohammed Hamdouni Alami
Publisher: Bloomsbury Publishing
ISBN: 0857718819
Category : Art
Languages : en
Pages : 304
Book Description
What is 'art' in the sense of the Islamic tradition? Mohammed Hamdouni Alami argues that Islamic art has historically been excluded from Western notions of art; that the Western aesthetic tradition's preoccupation with the human body, and the ban on the representation of the human body in Islam, has meant that Islamic and Western art have been perceived as inherently at odds. However, the move away from this 'anthropomorphic aesthetic' in Western art movements, such as modern abstract and constructivist painting, have presented the opportunity for new ways of viewing and evaluating Islamic art and architecture. This book questions the very idea of art predicated on the anthropocentric bias of classical art, and the corollary 'exclusion' of Islamic art from the status of art. It addresses a central question in post-classical aesthetic theory, in as much as the advent of modern abstract and constructivist painting have shown that art can be other than the representation of the human body; that art is not neutral aesthetic contemplation but it is fraught with power and violence; and that the presupposition of classical art was not a universal truth but the assumption of a specific cultural and historical set of practices and vocabularies. Based on close readings of classical Islamic literature, philosophy, poetry, medicine and theology, along with contemporary Western art theory, the author uncovers a specific Islamic theoretical vision of art and architecture based on poetic practice, politics, cosmology and desire. In particular it traces the effects of decoration and architectural planning on the human soul as well as the centrality of the gaze in this poetic view - in Arabic 'nazar'- while examining its surprising similarity to modern theories of the gaze. Through this double gesture, moving critically between two traditions, the author brings Islamic thought and aesthetics back into the realm of visibility, addressing the lack of recognition in comparison with other historical periods and traditions. This is an important step toward a critical analysis of the contemporary debate around the revival of Islamic architectural identity - a debate intricately embedded within opposing Islamic political and social projects throughout the world.
Publisher: Bloomsbury Publishing
ISBN: 0857718819
Category : Art
Languages : en
Pages : 304
Book Description
What is 'art' in the sense of the Islamic tradition? Mohammed Hamdouni Alami argues that Islamic art has historically been excluded from Western notions of art; that the Western aesthetic tradition's preoccupation with the human body, and the ban on the representation of the human body in Islam, has meant that Islamic and Western art have been perceived as inherently at odds. However, the move away from this 'anthropomorphic aesthetic' in Western art movements, such as modern abstract and constructivist painting, have presented the opportunity for new ways of viewing and evaluating Islamic art and architecture. This book questions the very idea of art predicated on the anthropocentric bias of classical art, and the corollary 'exclusion' of Islamic art from the status of art. It addresses a central question in post-classical aesthetic theory, in as much as the advent of modern abstract and constructivist painting have shown that art can be other than the representation of the human body; that art is not neutral aesthetic contemplation but it is fraught with power and violence; and that the presupposition of classical art was not a universal truth but the assumption of a specific cultural and historical set of practices and vocabularies. Based on close readings of classical Islamic literature, philosophy, poetry, medicine and theology, along with contemporary Western art theory, the author uncovers a specific Islamic theoretical vision of art and architecture based on poetic practice, politics, cosmology and desire. In particular it traces the effects of decoration and architectural planning on the human soul as well as the centrality of the gaze in this poetic view - in Arabic 'nazar'- while examining its surprising similarity to modern theories of the gaze. Through this double gesture, moving critically between two traditions, the author brings Islamic thought and aesthetics back into the realm of visibility, addressing the lack of recognition in comparison with other historical periods and traditions. This is an important step toward a critical analysis of the contemporary debate around the revival of Islamic architectural identity - a debate intricately embedded within opposing Islamic political and social projects throughout the world.
Dome of the Rock and its Umayyad Mosaic Inscriptions
Author: Marcus Milwright
Publisher: Edinburgh University Press
ISBN: 1474460445
Category : Religion
Languages : en
Pages : 320
Book Description
The Dome of the Rock is a shrine located on the Temple Mount in the Old City of Jerusalem. When was it built? What meanings was it meant to convey to viewers at the time of its construction? These are questions that have preoccupied historians of Islamic art and architecture, and numerous interpretations of the Dome of the Rock have been proposed. Marcus Milwright returns to one of the most important pieces of evidence: the mosaic inscriptions running around the two faces of the octagonal arcade. His detailed examination of the physical characteristics, morphology and content of these inscriptions provides new evidence about the chronology the building and the iconography of the Dome of the Rock.
Publisher: Edinburgh University Press
ISBN: 1474460445
Category : Religion
Languages : en
Pages : 320
Book Description
The Dome of the Rock is a shrine located on the Temple Mount in the Old City of Jerusalem. When was it built? What meanings was it meant to convey to viewers at the time of its construction? These are questions that have preoccupied historians of Islamic art and architecture, and numerous interpretations of the Dome of the Rock have been proposed. Marcus Milwright returns to one of the most important pieces of evidence: the mosaic inscriptions running around the two faces of the octagonal arcade. His detailed examination of the physical characteristics, morphology and content of these inscriptions provides new evidence about the chronology the building and the iconography of the Dome of the Rock.