Baule Statuary Art PDF Download

Author: Philip L. Ravenhill
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 94

View

Book Description

Author: Susan Mullin Vogel
Publisher:
ISBN: 9780300073171
Category : Art
Languages : en
Pages : 312

View

Book Description
Featuring 250 illustrations, a detailed study of the sculpture of the Baule people of the Ivory Coast--long seen by Westerners as one of Africa's most important artistic traditions--explores the Baules' ways of expression and aesthetic understanding. UP.

Author: Bruno Claessens
Publisher:
ISBN: 9780300222449
Category : Apes in art
Languages : en
Pages : 0

View

Book Description
Straying from the traditional art canon of the delicate Baule masks and figures, Baule monkeys explores the darker side of this art form, in all its aspects. This makes it the first book to deal exclusively with the eponymous sculptures. These awe-inspiring bowl-bearing figures were physical manifestations of invisible powers, both malign and benign, and served their communities through the mediation of diviners. Using a group of remarkable figures from the Africarium collection as illustration, the book focuses on the creation, usage and form of these bowl bearers and sheds light on the cultural and ritual context in which they operated. Through extensive research, the book combines new and fascinating discoveries with all previous relations on the subject. This research is accompanied by many splendid images. Not only does the book include an original map and never before published field photos, it also contains 15 objects from the Africarium collection and 40 monkey figures from other public and private collections represented in full-page illustrations, and in smaller formats. This gives the reader a chance to see the works in great detail and from different angles.

Author: Alexandre Marc
Publisher: World Bank Publications
ISBN: 0821341952
Category : Art
Languages : en
Pages : 114

View

Book Description
African artistic expression has helped to construct culture, form social identity, and support spiritual communication. The choice of the World Bank's African collection for a catalogue stems from the recognition by many art experts that the Bank is home to a rich and valuable collection that deserves to be better known by staff, representatives from member countries, and the public at large. The book displays African art from past to present, African art at the World Bank, and African art and society.

Author: Christopher B. Steiner
Publisher: Cambridge University Press
ISBN: 9780521457521
Category : Art
Languages : en
Pages : 244

View

Book Description
African Art in Transit is an absorbing account of the commodification and circulation of African art objects in the international art market. Christopher Steiner's analysis of the role of the African middleman in linking those who produce and supply works of art in Africa with those who buy and collect so-called 'primitive' art in Europe and America is based on extensive field research among the art traders in Côte d'Ivoire. Steiner provides a lucid interpretation which reveals not only a complex economic network with its own internal logic and rules, but also an elaborate process of transcultural valuation and exchange. By focusing directly on the intermediaries in the African art trade, he unveils a critical new perspective on how symbolic codes and economic values are mediated in the context of shifting geographic and cultural domains. He questions conventional definitions of authenticity in African art by demonstrating how the categories 'authentic' and 'traditional' are continually redefined.

Author: Paul Guillaume
Publisher:
ISBN:
Category : African American art
Languages : en
Pages : 162

View

Book Description

Author: Sylvia Ardyn Boone
Publisher: Yale University Press
ISBN: 9780300048612
Category : Art
Languages : en
Pages : 310

View

Book Description
The Sande Society of the Mende people of Sierra Leone is a secret female regulatory society that both guards and transmits the ideals of feminine beauty so fundamental to the aesthetic criteria in Mende culture. In this eloquent and moving book, Sylvia Ardyn Boone describes the Society, its rituals and organization, and the mask worn by its members. Her book is an evocative account of Mende life and philosophy as well as a unique contribution to the study of African art, one based on African conceptions about the person and the human body. This is a beautiful and beautifully written book. ... Boone writes in ways that reveal her evident devotion to Mende culture.--John Picton, African Affairs A major contribution to our ethnographic understanding of Mende culture, and to understanding the way concepts of women's bodies encode cultural messages about gender relations.--E. Frances White, Women's Review of Books A respectful approach to [the mysteries of the Sande], by an art historian who has tiptoed where anthropologists feared to tread. Radiance from the Waters deserves to be read. ... It provides something more interesting than esoteric knowledge: an extended meditation on notions of beauty and decorum and the way in which these can be translated simultaneously into art and ... advancement for women.--John Ryle, London Review of Books The first text to illuminate the power of the feminine aesthetic in West African art.--Ms.

Author: Paul Stoller
Publisher: Routledge
ISBN: 1136652663
Category : Social Science
Languages : en
Pages : 240

View

Book Description
A study of the West African Hauka - spirits that grotesquely mimic and mock "Europeans" of the colonial epoch. The author considers spirit possession as a set of embodied practices with serious social and cultural consequences. Embodying Colonial Memories is the first in-depth study of the West African Hauka, spirits in the body of (human) mediums which mimic and mock Europeans of the colonial epoch. Paul Stoller, who was initiated into a spirit possession troupe, recounts an insider's tale of the Hauka with respect and "brotherly" deference. He combines narrative description, historical analysis, and reflections on the importance of embodiment and mimesis to social theory, with particular reference to the Songhay peoples of the Republic of Niger.

Author: Monica Blackmun Visonà
Publisher: Routledge
ISBN: 1351571125
Category : Art
Languages : en
Pages : 216

View

Book Description
Constructing African Art Histories for the Lagoons of C?d'Ivoire is an investigation of the methods employed by art historians who study creative production in Africa. While providing insights into the rich visual arts of the Lagoon Peoples of southeastern C?d'Ivoire, this study is one of the few attempts by an Africanist to situate local and regional artistic practices in the context of the global art market, and to trace the varied receptions an African art work is given as it leaves a local context and enters an international one. Drawing on her three seasons of fieldwork among Akan populations in C?d'Ivoire, Monica Blackmun Vison?rovides a comprehensive account of a major art-producing region of Africa, and explores such topics as gender roles in performance, the role of sculpture in divination, and the interchange of arts and ideas across ethnic boundaries. The book also addresses issues inherent in research practices, such as connoisseurship and participant observation, and examines theoretical positions that have had an impact on the discipline of African art history.

Author: Enid Schildkrout
Publisher: Cambridge University Press
ISBN: 9780521586788
Category : Antiques & Collectibles
Languages : en
Pages : 274

View

Book Description
Western attitudes to Africa have been influenced to an extraordinary degree by the arts and artefacts that were brought back by the early collectors, exhibited in museums, and celebrated by scholars and artists in the metropolitan centres. The contributors to this volume trace the life history of artefacts that were brought to Europe and America from Congo towards the end of the nineteenth century, and became the subjects of museum displays. They also present fascinating case studies of the pioneering collectors, including such major figures as Frobenius and Torday. They discuss the complex and sensitive issues involved in the business of 'collecting', and show how the collections and exhibitions influenced academic debates about the categories of art and artefact, and the notion of authenticity, and challenged conventional aesthetic values, as modern Western artists began to draw on African models.