Bathsheba in Late Medieval French Manuscript Illumination PDF Download

Author: Monica Ann Walker-Vadillo
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 156

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Book Description
Examines the visual representations of David watching Bathsheba bathing in French manuscript illuminations from the middle of the fifteenth to the sixteenth century. This study applies contemporary theories of the gaze to this medieval subject to consider the various interpretations of Bathsheba's agency in the event of David's adultery.

Author: Sara M. Koenig
Publisher: Univ of South Carolina Press
ISBN: 1611179149
Category : Religion
Languages : en
Pages : 193

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Book Description
A portrait of a biblical woman seen through the centuries as everything from adviser to temptress to victim Bathsheba is a mysterious and enigmatic figure who appears in only seventy-six verses of the Bible and whose story is riddled with gaps. But this seemingly minor female character, who plays a critical role in King David's story, has survived through the ages, and her "afterlife" in the history of interpretation is rich and extensive. In Bathsheba Survives, Sara M. Koenig traces Bathsheba's reception throughout history and in various genres, demonstrating how she has been characterized on the spectrum from helpless victim to unscrupulous seductress. Early Jewish interpretations, Koenig argues, highlight Bathsheba's role as Solomon's mother and adviser, while texts from the patristic era view her as a type: of sinful flesh, of the law, or of the gentile church. Works from the medieval period depict Bathsheba as a seductress who wants to tempt David, with art embellishing her nudity, while reformers such as Luther and Calvin treated Bathsheba in a generally critical light as indiscreet and perhaps even devious. During the Enlightenment period, Koenig claims Bathsheba was most frequently discussed in commentaries that used historical critical methods to explain her character and her actions. Koenig then demonstrates how Bathsheba is understood in today's popular media as both seductress and victim, being featured in novels, films, and in music from such artists as Leonard Cohen and Sting. The minor, enigmatic biblical character Bathsheba, Koenig writes, has survived through time by those who have received her and spoken about her in varying ways. Though she disappears from the biblical text, she resurfaces in thought and study and will continue to survive in the centuries to come.

Author: Sara M. Koenig
Publisher: Wipf and Stock Publishers
ISBN: 1725245493
Category : Religion
Languages : en
Pages : 200

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Book Description
Bathsheba is undeniably a minor character in the biblical plotline, appearing in only four chapters in Samuel and Kings combined, and even therein saying and doing very little. Thus she is often ignored or mentioned merely parenthetically. When Bathsheba has been considered, she has been depicted in a myriad of ways on the spectrum from helpless victim to hapless seductress. In fact, with so many different interpretations of her throughout the centuries, it is easy to find oneself asking, along with the anonymous informant in 2 Sam 11:3, "Isn't this Bathsheba?" This study argues that while she is a minor character, Bathsheba is complex and positive, and shows development from when she first appears in Samuel to when she fades out of the story in Kings. Koenig compares close and careful reading of Bathsheba in the Masoretic Text with the story as it appears in the versions of the Septuagint, the Peshitta, and the Targum of Jonathan. In those versions, Bathsheba's characterization as a complex, generally positive individual and as a character who shows development remains consistent with the Masoretic Text: not in spite of the changes from the Hebrew into Greek, Syriac, and Aramaic, but because of them. This study also considers how Bathsheba is portrayed in early Jewish interpretations from Josephus, the Talmud, and rabbinic Midrash. Even there, the portrayal of Bathsheba is rich and positive. Studying Bathsheba's character has implications for a broader understanding of how texts are read, how meanings are gathered, and how characters are built.

Author: Liz Herbert McAvoy
Publisher: Boydell & Brewer
ISBN: 1843845989
Category : Christian art and symbolism
Languages : en
Pages : 408

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Book Description
During the Middle Ages, the arresting motif of the walled garden - especially in its manifestation as a sacred or love-inflected hortus conclusus - was a common literary device. Usually associated with the Virgin Mary or the Lady of popular romance, it appeared in myriad literary and iconographic forms, largely for its aesthetic, decorative and symbolic qualities. This study focuses on the more complex metaphysical functions and meanings attached to it between 1100 and 1400 - and, in particular, those associated with the gardens of Eden and the Song of Songs. Drawing on contemporary theories of gender, gardens, landscape and space, it traces specifically the resurfacing and reworking of the idea and image of the enclosed garden within the writings of medieval holy women and other female-coded texts. In so doing, it presents the enclosed garden as generator of a powerfully gendered hermeneutic imprint within the medieval religious imaginary - indeed, as an alternative "language" used to articulate those highly complex female-coded approaches to God that came to dominate late-medieval religiosity. The book also responds to the "eco-turn" in our own troubled times that attempts to return the non-human to the centre of public and private discourse. The texts under scrutiny therefore invite responses as both literary and "garden" spaces where form often reflects content, and where their authors are also diligent "gardeners" the apocryphal Lives of Adam and Eve, for example; the horticulturally-inflected Hortus Deliciarum of Herrad of Hohenburg and the "green" philosophies of Hildegard of Bingen's Scivias; the visionary writings of Gertrude the Great and Mechthild of Hackeborn collaborating within their Helfta nunnery; the Middle English poem, Pearl; and multiple reworkings of the deeply problematic and increasingly sexualized garden enclosing the biblical figure of Susanna.

Author: Heidi J. Hornik
Publisher: SBL Press
ISBN: 088414464X
Category : Religion
Languages : en
Pages : 344

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Book Description
A richly illustrated collection of essays on visual biblical interpretation For centuries Christians have engaged their sacred texts as much through the visual as through the written word. Yet until recent decades, the academic disciplines of biblical studies and art history largely worked independently. This volume bridges that gap with the interdisciplinary work of biblical scholars and art historians. Focusing on the visualization of biblical characters from both the Old and New Testaments, essays illustrate the potential of such collaboration for a deeper understanding of the Bible and its visual reception. Contributions from Ian Boxall, James Clifton, David B. Gowler, Jonathan Homrighausen, Heidi J. Hornik, Jeff Jay, Christine E. Joynes, Yohana A. Junker, Meredith Munson, and Ela Nuțu foreground diverse cultural contexts and chronological periods for scholars and students of the Bible and art.

Author: Olivia Remie Constable
Publisher: University of Pennsylvania Press
ISBN: 0812249488
Category : History
Languages : en
Pages : 248

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Book Description
To Live Like a Moor traces the many shifts in Christian perceptions of Islam-associated ways of life which took place across the centuries between early Reconquista efforts of the eleventh century and the final expulsions of Spain's converted yet poorly assimilated Morisco population in the seventeenth.

Author: Ruth Mazo Karras
Publisher: University of Pennsylvania Press
ISBN: 0812253027
Category : History
Languages : en
Pages : 314

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Book Description
"This book is a work of medieval history and the history of gender and sexuality. It looks at the biblical King David, who has multiple paradigmatic identities in the Middle Ages: king, military leader, adulterous lover, sinner. It views David primarily from the perspective of medieval European Christian society but also from the medieval European Jewish viewpoint"--

Author: Gregory Clark
Publisher: Getty Publications
ISBN: 0892367121
Category : Art
Languages : en
Pages : 106

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Book Description
Clark examines the book of hours in the context of medieval culture, the book trade in Paris, and the role of Paris as an international center of illumination. 64 illustrations, 40 in color.

Author: Thomas Kren
Publisher: Getty Publications
ISBN: 1606064363
Category : Art
Languages : en
Pages : 116

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Book Description
Known for their stunning displays of artistry and technique, Italian illuminated manuscripts have long been coveted by collectors around the world. The J. Paul Getty Museum holds the most recently formed institutional collection of its kind in the United States, yet it spans more than eight centuries and reflects many of the extraordinary achievements of the Italian tradition. Made up of whole manuscripts as well as leaves and cuttings, the Getty collection of Italian illumination contains nearly sixty works and includes the Montecassino Breviary, the Ferrarese Gualenghi-d’Este Hours, and the Roman gradual illuminated by Antonio da Monza for Santa Maria in Aracoeli. Other important acquisitions are one of the finest Bolognese Bibles of the thirteenth century; three leaves from the Laudario of Sant’Agnese, the most ambitious Florentine manuscript from the first half of the fourteenth century; and a missal once owned by the antipope John XXIII. This beautifully illustrated volume presents many splendid examples of Italian painting and illumination. Some are by noted artists such as Girolamo da Cremona, Pacino di Bonaguida, and Pisanello; others are attributed to artists known only by their works, such as the Master of Gerona, who is credited with one of the finest miniatures in the collection. This carefully crafted book is sure to become an essential resource for scholars, students, and collectors.

Author: Guadalupe Seijas
Publisher: Bloomsbury Publishing
ISBN: 0567703614
Category : Religion
Languages : en
Pages : 216

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Book Description
The Hebrew Bible and art reside at the core of this book, which analyzes the iconographic representation of several women of the Bible. The contributors consider the ways in which the biblical texts regarding these women had been read and understood throughout time and the means by which they were represented. Each study also explores the different values associated with these representations according to the problems, worries and concerns of each period. Drawing upon disciplines such as theology, philology or history of art, the essays within this volume provide a cross-sectional, plural and rich approach. In focusing upon iconographic representation, numerous visual cultures of the last millennium are explored, and special emphasis is placed upon several integral biblical women such as Bathsheba, Moses' mother, the Pharaoh's Daughter, Ruth, Naomi and Deborah, and their lasting influence upon Western art and culture. This book pursues an understanding of the history of the transmission and reception of the Bible in general, and of the women of the Old Testament in particular.