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Author: Basim Magdy Publisher: University Galleries ISBN: 9780945558439 Category : Languages : en Pages : 96
Book Description
This exhibition catalogue is published in conjunction with Basim Magdy's solo exhibition at University Galleries of Illinois State University.
Author: Basim Magdy Publisher: University Galleries ISBN: 9780945558439 Category : Languages : en Pages : 96
Book Description
This exhibition catalogue is published in conjunction with Basim Magdy's solo exhibition at University Galleries of Illinois State University.
Author: Marni Shindelman Publisher: Taylor & Francis ISBN: 1317299108 Category : Photography Languages : en Pages : 306
Book Description
This compendium examines the choices, construction, inclusions and exemptions, and expanded practices involved in the process of creating a photograph. Focusing on work created in the past twenty-five years, this volume is divided into sections that address a separate means of creating photographs as careful constructs: Directing Spaces, Constructing Places, Performing Space, Building Images, and Camera-less Images. Introduced by both a curator and a scholar, each section features contemporary artists in conversation with curators, critics, gallerists, artists, and art historians. The writings include narratives by the artist, writings on their work, and examinations of studio practices. This pioneering book is the first of its kind to explore this topic beyond those artists building sets to photograph.
Author: Prita Meier Publisher: Princeton University Press ISBN: 0691260966 Category : Photography Languages : en Pages : 280
Book Description
The first major history of photography from coastal East Africa The ports of the Swahili coast—Zanzibar and Mombasa among them—have long been dynamic centers of trade where diverse peoples, ideas, and materials converge. With the arrival of photography in the mid-nineteenth century, these predominantly Muslim coastal communities cultivated and transformed the medium. The Surface of Things examines the complex maritime dynamics that shaped the photography of coastal Africa, exploring the pleasure and power of beautiful things and the ways people and their pictures transcended the boundaries of the colonial world. Immersing readers in the globally interconnected networks of eastern Africa’s port cities, Prita Meier demonstrates how photographs are not static images but mobile objects with remarkable shape-shifting qualities. Beginning with the earliest photographs introduced through seaborne commerce, the medium’s integration into the cultural landscape was swift. Photographs functioned as objects of decoration, good taste, and cosmopolitanism, but were also used by local elites and foreigners to coerce and objectify enslaved people. Meier uncovers the oppressive agenda behind postcards and other popular images while describing African strategies of subversion and rebellion, revealing the performative authority that individuals exerted over their photographic likenesses. Featuring more than two hundred images published here for the first time, The Surface of Things repositions the continent’s islands and archipelagos at the center of global photographic histories and shows how the people of the African Indian Ocean world experienced photography as a force of both oppression and freedom.
Author: Anthony Downey Publisher: Bloomsbury Publishing ISBN: 0857724266 Category : Social Science Languages : en Pages : 296
Book Description
In this groundbreaking book, a range of internationally renowned and emerging academics, writers, artists, curators, activists and filmmakers critically reflect on the ways in which visual culture has appropriated and developed new media across North Africa and the Middle East. Examining the opportunities presented by the real-time generation of new, relatively unregulated content online, Uncommon Grounds evaluates the prominent role that new media has come to play in artistic practices - and social movements - in the Arab world today. Analysing alternative forms of creating, broadcasting, publishing, distributing and consuming digital images, this book also enquires into a broader global concern: does new media offer a 'democratisation' of - and a productive engagement with - visual culture, or merely capitalise upon the effect of immediacy at the expense of depth?Featuring full-colour artists' inserts, this is the first book to extensively explore the degree to which the grassroots popularity of Twitter and Facebook has been co-opted into mainstream media, institutional and curatorial characterisations of 'revolution' - and whether artists should be wary of perpetuating the rhetoric and spectacle surrounding political events. In the process, Uncommon Grounds reveals how contemporary art practices actively negotiate present-day notions of community-based activism, artistic agency and political engagement.
Author: Regine Basha Publisher: Hatje Cantz ISBN: 9783775741286 Category : Art, Egyptian Languages : de Pages : 0
Book Description
Basim Magdy uses his psychedlically coloured pictures and montages to scruntinise collective utopias and express doubt about dogmas and ideologies. At the same time, he appeals to the viewer's power of imagination and causes alternative realities and designs for society to stand out.
Author: John Brooks Publisher: Columbia University Press ISBN: 0231555806 Category : Literary Criticism Languages : en Pages : 451
Book Description
The works of African American authors and artists are too often interpreted through the lens of authenticity. They are scrutinized for “positive” or “negative” representations of Black people and Black culture or are assumed to communicate some truth about Black identity or the “Black experience.” However, many contemporary Black artists are creating works that cannot be slotted into such categories. Their art resists interpretation in terms of conventional racial discourse; instead, they embrace opacity, uncertainty, and illegibility. John Brooks examines a range of abstractionist, experimental, and genre-defying works by Black writers and artists that challenge how audiences perceive and imagine race. He argues that literature and visual art that exceed the confines of familiar conceptions of Black identity can upend received ideas about race and difference. Considering photography by Roy DeCarava, installation art by Kara Walker, novels by Percival Everett and Paul Beatty, drama by Suzan-Lori Parks, and poetry by Robin Coste Lewis, Brooks pinpoints a shared aesthetic sensibility. In their works, the devices that typically make race feel familiar are instead used to estrange cultural assumptions about race. Brooks contends that when artists confound expectations about racial representation, the resulting disorientation reveals the incoherence of racial ideologies. By showing how contemporary literature and art ask audiences to question what they think they know about race, The Racial Unfamiliar offers a new way to understand African American cultural production.
Author: Basim Magdy
Author: Basim Magdy
Author: Basim Magdy
Author: Marni Shindelman
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Author: Prita Meier
Author: Coburn Gallery
Author: Anthony Downey
Author: Regine Basha
Author: John Brooks
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