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Author: Jonathan Harnum Publisher: Questions Ink. Publishing ISBN: 9780970751287 Category : Music Languages : en Pages : 0
Book Description
Basic Music Theory takes you through the sometimes confusing world of written music with a clear, concise style that is at times funny and always friendly. The book is written by an experienced teacher using methods refined over more than ten years in his private teaching studio and in schools. --from publisher description.
Author: Jonathan Harnum Publisher: Questions Ink. Publishing ISBN: 9780970751287 Category : Music Languages : en Pages : 0
Book Description
Basic Music Theory takes you through the sometimes confusing world of written music with a clear, concise style that is at times funny and always friendly. The book is written by an experienced teacher using methods refined over more than ten years in his private teaching studio and in schools. --from publisher description.
Author: Annie O. Warburton Publisher: ISBN: 9780521568944 Category : Education Languages : en Pages : 215
Book Description
Designed to help students who wish to acquire basic knowledge of music in a short time, this book assumes a certain familiarity with music but provides the information in a readily accessible way. Also useful for higher ability students working within the National Curriculum at Key Stage 3.
Author: Catherine Schmidt-Jones Publisher: ISBN: 9781680921540 Category : Music Languages : en Pages : 278
Book Description
The main purpose of the book is to explore basic music theory so thoroughly that the interested student will then be able to easily pick up whatever further theory is wanted. Music history and the physics of sound are included to the extent that they shed light on music theory. The main premise of this course is that a better understanding of where the basics come from will lead to better and faster comprehension of more complex ideas.It also helps to remember, however, that music theory is a bit like grammar. Catherine Schmidt-Hones is a music teacher from Champaign, Illinois and she has been a pioneer in open education since 2004. She is currently a doctoral candidate at the University of Illinois in the Open Online Education program with a focus in Curriculum and Instruction.
Author: Dmitri Tymoczko Publisher: OUP USA ISBN: 0195336674 Category : Mathematics Languages : en Pages : 469
Book Description
In this groundbreaking book, Tymoczko uses contemporary geometry to provide a new framework for thinking about music, one that emphasizes the commonalities among styles from Medieval polyphony to contemporary jazz.
Author: Steve Vai Publisher: Hal Leonard Corporation ISBN: 1540047776 Category : Music Languages : en Pages : 93
Book Description
(Guitar Educational). Experience must-know music knowledge and wisdom through the highly focused lens of legendary guitar virtuoso Steve Vai. This full-color instructional book written by Vai himself features in-depth discussions of the music theory fundamentals that every aspiring (and veteran) guitar player should know, packed with practical exercises, diagrams, tips, inspiring ideas and concepts, practice methods, and ways of looking at music that you may have never considered. Topics covered include: academic vs. experiential learning * reading and writing music * key signatures * chord scales * rhythm basics * guitar harmonics * modes * and much more.
Author: Lawrence M. Zbikowski Publisher: Oxford University Press ISBN: 019803217X Category : Music Languages : en Pages : 377
Book Description
This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes--categorization, cross-domain mapping, and the use of conceptual models--and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles.
Author: Perry Goldstein Publisher: ISBN: 9781792483455 Category : Languages : en Pages : 212
Book Description
Covers the basics of Western classical tonal music theory, though it is applicable to a broad range of other music as well. The book covers basic notation of pitch and rhythm, major and minor keys, intervals, chords, harmony, and other concepts essential to a fundamental understanding of tonal music.
Author: Joe Procopio Publisher: BookBaby ISBN: 148356696X Category : Music Languages : en Pages : 141
Book Description
BASIC MUSIC THEORY By Joe Procopio Basic Music Theory by Joe Procopio is the only music theory book to receive the coveted 5 Star Award from the respected International Book Review Company Reader’s Favorite. It is simply the best and easiest to read book about the basics in music. It teaches you how to quickly hear and understand everything essential in the art of sound. Basic Music Theory by Joe Procopio is designed for the non-musician and the musician alike. It is the first step to take for anyone who is not trained as a musician but who wants to become one. It is also a sure step for many musician’s to complete their understanding of the tools of music and the core vocabulary used in the craft. Now, for the first time, an inexpensive, easy to read, easy to understand text is available for everyone to know what chords, scales, keys, notes and intervals are. More importantly, Basic Music Theory by Joe Procopio will not only give you the necessary knowledge needed to know the art of music but it will also provide you with the critical skills required to create your own. In addition, the author has included his own unique 48 Chord System that allows anyone to learn all their chords in one easy enjoyable exercise. This exclusive piece can be played with one hand on the piano ( and on other instruments ) by anyone - as is shown in the book. This exercise alone is worth more than the value of many music textbooks. “Basic Music Theory eliminates all fear of music. It helps you become a musician with confidence; a master musician. It is specifically written to magnify your love of music and, in doing so, will greatly enhance and enrich your life.” “To be sure, I have had more than 50 years of successful teaching and performing for many of the nation’s top recording artists behind me using the techniques found in this book. Thousands of people, many of them successful students and artists from all over the world, have sent me personal testimonials to confirm their musical achievements and their joy.
Author: David Temperley Publisher: MIT Press ISBN: 9780262701051 Category : Music Languages : en Pages : 432
Book Description
In this book, David Temperley addresses a fundamental question about music cognition: how do we extract basic kinds of musical information, such as meter, phrase structure, counterpoint, pitch spelling, harmony, and key from music as we hear it? Taking a computational approach, Temperley develops models for generating these aspects of musical structure. The models he proposes are based on preference rules, which are criteria for evaluating a possible structural analysis of a piece of music. A preference rule system evaluates many possible interpretations and chooses the one that best satisfies the rules. After an introductory chapter, Temperley presents preference rule systems for generating six basic kinds of musical structure: meter, phrase structure, contrapuntal structure, harmony, and key, as well as pitch spelling (the labeling of pitch events with spellings such as A flat or G sharp). He suggests that preference rule systems not only show how musical structures are inferred, but also shed light on other aspects of music. He substantiates this claim with discussions of musical ambiguity, retrospective revision, expectation, and music outside the Western canon (rock and traditional African music). He proposes a framework for the description of musical styles based on preference rule systems and explores the relevance of preference rule systems to higher-level aspects of music, such as musical schemata, narrative and drama, and musical tension.
Author: Jonathan Harnum
Author: Jonathan Harnum
Author: Annie O. Warburton
Author: Catherine Schmidt-Jones
Author: Dmitri Tymoczko
Author: Sammy Nzioki
Author: Steve Vai
Author: Lawrence M. Zbikowski
Author: Perry Goldstein
Author: Joe Procopio
Author: David Temperley